Whispers of Immortality

For Naomi Ginsberg, 1894—1956 I
Strange now to think of you, gone without corsets & eyes, while I walk on the sunny pavement of Greenwich Village.

(FROM THE NORSE TONGUE) Now the storm begins to lower,
(Haste, the loom of Hell prepare.)

The child is father of the man;
And I could wish my days to be
Bound each to each by natural piety.
(Wordsworth, "My Heart Leaps Up")

Because I could not stop for Death,
He kindly stopped for me;
The Carriage held but just Ourselves
And Immortality.

We slowly drove – He knew no haste
And I had put away
My labor and my leisure too,
For His Civility.

Thou hast nor youth nor age
But as it were an after dinner sleep
Dreaming of both. Here I am, an old man in a dry month,

I

Swear by what the Sages spoke
Round the Mareotic Lake
That the Witch of Atlas knew,
Spoke and set the cocks a-crow.

Swear by those horsemen, by those women,
Complexion and form prove superhuman,
That pale, long visaged company

PART I

I
In a far country, and a distant age,
Ere sprites and fays had bade farewell to earth,
A boy was born of humble parentage;
The stars that shone upon his lonely birth
Did seem to promise sovereignty and fame—
Yet no tradition hath preserved his name.

II
’T is said that on the night when he was born,
A beauteous shape swept slowly through the room;
Its eyes broke on the infant like a morn,
And his cheek brightened like a rose in bloom;

I
I weep for Adonais—he is dead!
Oh, weep for Adonais! though our tears
Thaw not the frost which binds so dear a head!
And thou, sad Hour, selected from all years
To mourn our loss, rouse thy obscure compeers,
And teach them thine own sorrow, say: "With me
Died Adonais; till the Future dares
Forget the Past, his fate and fame shall be
An echo and a light unto eternity!"

II
Where wert thou, mighty Mother, when he lay,
When thy Son lay, pierc'd by the shaft which flies
In darkness? where was lorn Urania

Through Alpine meadows soft-suffused
With rain, where thick the crocus blows,
Past the dark forges long disused,
The mule-track from Saint Laurent goes.
The bridge is cross'd, and slow we ride,
Through forest, up the mountain-side.

The autumnal evening darkens round,
The wind is up, and drives the rain;
While, hark! far down, with strangled sound
Doth the Dead Guier's stream complain,
Where that wet smoke, among the woods,
Over his boiling cauldron broods.

Swift rush the spectral vapours white

Even as the sun with purple-colour’d face
Had ta’en his last leave of the weeping morn,
Rose-cheek’d Adonis tried him to the chase;
Hunting he lov’d, but love he laugh’d to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-fac’d suitor ‘gins to woo him.

‘Thrice fairer than myself,’ thus she began,

Was she of spirit race, or was she one
Of earth's least earthly daughters, one to whom
A gift of loveliness and soul is given,
Only to make them wretched?There is an antique gem, on which her brow
Retains its graven beauty even now.
Her hair is braided, but one curl behind
Floats as enamour'd of the summer wind;
The rest is simple. Is she not too fair

after Sappho Yea, thou shalt be forgotten like spilt wine,
Except these kisses of my lips on thine
Brand them with immortality; but me –
Men shall not see bright fire nor hear the sea,

for Joseph Cady

Camden, 1882 Is it raining, Mary, can you see?

From child to youth; from youth to arduous man;
From lethargy to fever of the heart;
From faithful life to dream-dower'd days apart;
From trust to doubt; from doubt to brink of ban;—
Thus much of change in one swift cycle ran
Till now. Alas, the soul!—how soon must she
Accept her primal immortality,—
The flesh resume its dust whence it began?

1
Sometime now past in the Autumnal Tide,
When Phoebus wanted but one hour to bed,
The trees all richly clad, yet void of pride,
Were gilded o’re by his rich golden head.
Their leaves and fruits seem’d painted but was true
Of green, of red, of yellow, mixed hew,
Rapt were my senses at this delectable view.

2
I wist not what to wish, yet sure thought I,
If so much excellence abide below,
How excellent is he that dwells on high?
Whose power and beauty by his works we know.
Sure he is goodness, wisdom, glory, light,

The cities dissolve, and the earth is a cart loaded with dust
Only poetry knows how to pair itself to this space.

No road to this house, a siege,
and his house is graveyard.

I
GLOOM!
An October like November;
August a hundred thousand hours,
And all September,
A hundred thousand, dragging sunlit days,
And half October like a thousand years . . .
And doom!
That then was Antwerp. . .
In the name of God,
How could they do it?
Those souls that usually dived
Into the dirty caverns of mines;
Who usually hived
In whitened hovels; under ragged poplars;

‘Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla pendere, et cum illi pueri dicerent:Σίβυλλα τίθέλεις; respondebat illa:άποθανεîνθέλω.’ For Ezra Pound
il miglior fabbro. I. The Burial of the Dead

Put nothing down to distress the reader.
No barking dog.
No rustle in the place whispers belong
or photos of petals near collapse.
Erase oranges of confusing taste, a face
wrinkled or in pain,
a map with waterless rivers or water
without a bend,

(From a Persian Carpet) Ash and strewments, the first moth-wings, pale
Ardour of brief evenings, on the fecund wind;