at the third floor window of the tenement, the street looks shiny. It has been washed and rinsed by rain. Beyond the silver streaks of the streetcar tracks a single streetlight stands in a pool of wet light. It is night. St. Louis. Nineteen forty-seven. I have just come home from the orphanage
Above the fresh ruffles of the surf Bright striped urchins flay each other with sand. They have contrived a conquest for shell shucks, And their fingers crumble fragments of baked weed Gaily digging and scattering.
And in answer to their treble interjections The sun beats lightning on the waves,
—Was it for this That one, the fairest of all Rivers, lov'd To blend his murmurs with my Nurse's song, And from his alder shades and rocky falls, And from his fords and shallows, sent a voice That flow'd along my dreams? For this, didst Thou, O Derwent! travelling over the green Plains Near my 'sweet Birthplace', didst thou, beauteous Stream
It is patent to the eye that cannot face the sun The smug philosophers lie who say the world is one; World is other and other, world is here and there, Parmenides would smother life for lack of air Precluding birth and death; his crystal never breaks— No movement and no breath, no progress nor mistakes, Nothing begins or ends, no one loves or fights, All your foes are friends and all your days are nights
NOw Morn her rosie steps in th' Eastern Clime Advancing, sow'd the earth with Orient Pearle, When Adam wak't, so customd, for his sleep Was Aerie light from pure digestion bred, And temperat vapors bland, which th' only sound Of leaves and fuming rills, Aurora's fan, Lightly dispers'd, and the shrill Matin Song Of Birds on every bough; so much the more His wonder was to find unwak'nd Eve With Tresses discompos'd, and glowing Cheek, As through unquiet rest: he on his side Leaning half-rais'd, with looks of cordial Love Hung over her enamour'd, and beheld Beautie, which whether waking or asleep,
Sixty-two, sixty-three, I most remember As time W. C. Williams dies and we are Back from a hard two years in Guatemala Where the meager provision of being Schoolmaster for the kids of the patrones Of two coffee plantations has managed Neither a life nor money. Leslie dies in Horror of bank giving way as she and her
My mother would be a falconress, And I, her gay falcon treading her wrist, would fly to bring back from the blue of the sky to her, bleeding, a prize, where I dream in my little hood with many bells jangling when I'd turn my head.
My mother would be a falconress, and she sends me as far as her will goes.
O For that warning voice, which he who saw Th' Apocalyps, heard cry in Heaven aloud, Then when the Dragon, put to second rout, Came furious down to be reveng'd on men, Wo to the inhabitants on Earth! that now, While time was, our first-Parents had bin warnd The coming of thir secret foe, and scap'd Haply so scap'd his mortal snare; for now Satan, now first inflam'd with rage, came down, The Tempter ere th' Accuser of man-kind, To wreck on innocent frail man his loss Of that first Battel, and his flight to Hell: Yet not rejoycing in his speed, though bold, Far off and fearless, nor with cause to boast, Begins his dire attempt, which nigh the birth
The power of Armies is a visible thing, Formal and circumscribed in time and space; But who the limits of that power shall trace Which a brave People into light can bring Or hide, at will,—for freedom combating By just revenge inflamed? No foot may chase, No eye can follow, to a fatal place That power, that spirit, whether on the wing Like the strong wind, or sleeping like the wind Within its awful caves.—From year to year Springs this indigenous produce far and near; No craft this subtle element can bind, Rising like water from the soil, to find In every nook a lip that it may cheer.
I.1. Awake, Æolian lyre, awake, And give to rapture all thy trembling strings. From Helicon's harmonious springs A thousand rills their mazy progress take: The laughing flowers, that round them blow, Drink life and fragrance as they flow. Now the rich stream of music winds along Deep, majestic, smooth, and strong, Thro' verdant vales, and Ceres' golden reign: Now rolling down the steep amain, Headlong, impetuous, see it pour: The rocks and nodding groves rebellow to the roar.
Swift as a spirit hastening to his task Of glory & of good, the Sun sprang forth Rejoicing in his splendour, & the mask Of darkness fell from the awakened Earth. The smokeless altars of the mountain snows Flamed above crimson clouds, & at the birth Of light, the Ocean's orison arose To which the birds tempered their matin lay,
Unfathomable Sea! whose waves are years, Ocean of Time, whose waters of deep woe Are brackish with the salt of human tears! Thou shoreless flood, which in thy ebb and flow Claspest the limits of mortality!
And sick of prey, yet howling on for more, Vomitest thy wrecks on its inhospitable shore;
There’s a truth limits man A truth prevents his going any farther The world is changing The world knows it’s changing Heavy is the sorrow of the day The old have the look of doom The young mistake their fate in that look That is truth
In a morning coat, hands locked behind your back, you walk gravely along the lines in your head. These others stand with you, squinting the city into place, yet cannot see what you see, what you would see —a vision of these paths,
Si quid novisti rectius istis, Candidus imperti; si non, his utere mecum [If you have come to know any precept more correct than these, share it with me, brilliant one; if not, use these with me] (Horace, Epistle I.6.67) PART 1
zeus: It is to be assumed that I do not exist while most people in the vision assume that I do exist. This is to be one of the extents of meaning between the players and the audience. I have to talk like this because I am the lord of both kinds of sky—and I don't mean your sky and their sky because they are signs, I mean the bright sky and the burning sky. I have no intention of showing you my limits. The players in this poem are players. They have taken their parts not to deceive you [or me for that matter] but because they have been paid in love or coin to be players. I have known for a long time that there is not a fourth wall in a play. I am called Zeus and I know this.
thersites: [Running out on the construction of the stage.] The fourth wall is not as important as you think it is.
zeus: [Disturbed but carrying it off like a good Master of Ceremonial.] Thersites is involuntary. [He puts his arm around him.] I could not play a part if I were not a player. thersites: Reveal yourself to me and don't pretend that there are people watching you. I am alone on the stage with you. Tell me the plot of the play.
zeus: [Standing away.] Don't try to talk if you don't have to. You must admit there is no audience. Everything is done for you.
thersites: Stop repeating yourself. You old motherfucker. Your skies are bad enough. [He looks to the ground.] A parody is better than a pun.
zeus: I do not understand your language.
[They are silent together for a moment and then the curtain drops.]
Nothing is known about Helen but her voice Strange glittering sparks Lighting no fires but what is reechoed Rechorded, set on the icy sea.
All history is one, as all the North Pole is one Magnetic, music to play with, ice That has had to do with vision And each one of us, naked. Partners. Naked.
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Helen: A Revision ZEUS: It is to be assumed that I do not exist while most people in the vision assume that I do exist. This is to be one of the extents of meaning between the players and the audience. I have to talk like this because I am the lord of both kinds of sky—and I don't mean your sky and their sky because they are signs, I mean the bright sky and the burning sky. I have no intention of showing you my limits. The players in this poem are players. They have taken their parts not to deceive you [or me for that matter] but because they have been paid in love or coin to be players. I have known for a long time that there is not a fourth wall in a play. I am called Zeus and I know this.
How like an angel came I down! How bright are all things here! When first among his works I did appear O how their glory me did crown! The world resembled his eternity, In which my soul did walk; And ev’ry thing that I did see Did with me talk.
1 Afoot and light-hearted I take to the open road, Healthy, free, the world before me, The long brown path before me leading wherever I choose.
Henceforth I ask not good-fortune, I myself am good-fortune, Henceforth I whimper no more, postpone no more, need nothing, Done with indoor complaints, libraries, querulous criticisms, Strong and content I travel the open road.
The earth, that is sufficient, I do not want the constellations any nearer, I know they are very well where they are, I know they suffice for those who belong to them.
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