The Potato Eaters

First Psalm

Let there be a God as large as a sunlamp to laugh his heat at you.

Let there be an earth with a form like a jigsaw and let it fit for all of ye.

Let there be the darkness of a darkroom out of the deep. A worm room.

Let there be a God who sees light at the end of a long thin pipe and lets it in.

Let God divide them in half.

Let God share his Hoodsie.

Let the waters divide so that God may wash his face in first light.

When they confess that they have lost the penial bone and outer space is
Once again a numinous void, when they’re kept out of Other Places,
And Dr Fieser falls asleep at last and dreams of unburnt faces,
When gold medals are won by the ton for forgetting about the different races, God Bless America.

When in the Latin shanties the scented priesthood suffers metempsychosis
And with an organ entry tutti copula the dollar uncrosses

for Philip Hobsbaum Late August, given heavy rain and sun
For a full week, the blackberries would ripen.

We had two gardens.

A real flower garden
overhanging the road
(our miniature Babylon).
Paths which I helped
to lay with Aunt Winifred,
riprapped with pebbles;
shards of painted delph;

(Instructions for the Visit) Admire, when you come here, the glimmering hair
Of the girl; praise her pale

Airport bus from JFK
cruising through Queens
passing huge endless cemetery
by Long Island’s old expressway
(once a dirt path for wheelless Indians)
myriad small tombstones tilted up
gesturing statues on parapets
stone arms or wings upraised

arrive. The Ladies from the Ladies’ Betterment League
Arrive in the afternoon, the late light slanting
In diluted gold bars across the boulevard brag
Of proud, seamed faces with mercy and murder hinting
Here, there, interrupting, all deep and debonair,
The pink paint on the innocence of fear;
Walk in a gingerly manner up the hall.
Cutting with knives served by their softest care,

Part Four of “Pro Femina” At Samoa, hardly unpacked, I commenced planting,
When I’d opened the chicken crates, built the Cochins a coop.

O Wave Godwho broke through me today
Sea Bream
massive pink and silver
cool swimming down with me watching
staying away from the spear

Volcano belly Keeper who lifted this island
for our own beaded bodies adornment
and sprinkles us all with his laugh—

I am leading a quiet life
in Mike’s Place every day
watching the champs
of the Dante Billiard Parlor
and the French pinball addicts.
I am leading a quiet life
on lower East Broadway.
I am an American.

(after the Russian) The piano has crawled into the quarry. Hauled
In last night for firewood, sprawled

For Carl Solomon I

I saw the best minds of my generation destroyed by madness, starving hysterical naked,

Myths of the landscape—
the sun going down in the mouths of the furnaces,
the fires banked and cooling, ticking into dark, here and there the sudden flaring into roses,
then the light across the long factory of the field, the split and rusted castings,
across the low slant tin roofs of the buildings, across fallow and tar and burnt potato ground. . . .
Everything a little still on fire, in sunlight, then smoke, then cinder,
then the milling back to earth, rich earth, the silica of ash.
The times I can taste the iron in the air, the gray wash like exhaust, smell the burn-off,

a trembling old man dreams of a chinese garden
a comical old man dreams of newspapers under his rabbi's hat



a simple tavernkeeper dreams of icicles & fisheyes
a sinister tavernkeeper dreams of puddles with an angel of the law in every drop



the furrier's plump daughter is dreaming of a patch of old vanilla
the furrier's foreign daughter is dreaming of a hat from which a marten hangs



the proud accountant dreams of a trolleycar over the frozen river
the reluctant accountant dreams of his feet sleep in a fresh pair of red socks

“Oh! for a thousand tongues to sing
My great Redeemer’s praise:
The glories of my Lord and King,
The triumphs of His grace.”

Oh! for a thousand cedar posts
To fence my garden ’round.
To hinder the neighbors’ pigs and goats
From rooting up my potato ground.

Oh! for a thousand hickory rails,
To make my fence secure;
A thousand patent locks and keys,
To lock my stable door.

In memory of my parents People whose lives have been shaped
by history—and it is always tragic—

I laid myself down as a woman
And woke as a child.
Sleep buried me up to my chin,
But my brain cut wild.

Sudden summer lay sticky as tar
Under bare white feet.
Stale, soot-spotted heapings of winter
Shrank in the street.

I

From a blue keg, the barrel's thumb-tuned goatskin,
the choirs of ancestral ululation
are psalms and pivot for the prodigal
in a dirt yard at Piaille, are confrontation,
old incantation and fresh sacrifice
where a ram is tethered, without the scrolled horns,
wool locks and beard of the scapegoat,

I

Prodigal, what were your wanderings about?
The smoke of homecoming, the smoke of departure.
The earth grew music and the tubers sprouted
to Sesenne's singing, rain-water, fresh patois
in a clay carafe, a clear spring in the ferns,
and pure things took root like the sweet-potato vine.
Over the sea at dusk, an arrowing curlew,

There were still shards of an ancient pastoral
in those shires of the island where the cattle drank
their pools of shadow from an older sky,
surviving from when the landscape copied such subjects as
“Herefords at Sunset in the Valley of the Wye.”
The mountain water that fell white from the mill wheel
sprinkling like petals from the star-apple trees,
and all of the windmills and sugar mills moved by mules