After reading Ash Wednesday she looked once at the baked beans and fled. Luncheonless, poor girl, she observed a kind of poetic Lent— and I had thought I liked poetry better than she did.
I do. But to me its most endearing quality is its unsuitableness;
No other man, unless it was Doc Hill, Did more for people in this town than l. And all the weak, the halt, the improvident And those who could not pay flocked to me. I was good-hearted, easy Doctor Meyers. I was healthy, happy, in comfortable fortune, Blest with a congenial mate, my children raised, All wedded, doing well in the world.
What are you going to do With what is left of yourself Now among the rustling Of your maybe best years? This is not an auto-elegy With me pouring my heart Out into where you Differently stand or sit
I would to God, that mine old age might have Before my last, but here a living grave; Some one poor almshouse, there to lie, or stir, Ghost-like, as in my meaner sepulchre; A little piggin, and a pipkin by, To hold things fitting my necessity, Which, rightly us'd, both in their time and place, Might me excite to fore, and after, grace.
I In a far country, and a distant age, Ere sprites and fays had bade farewell to earth, A boy was born of humble parentage; The stars that shone upon his lonely birth Did seem to promise sovereignty and fame— Yet no tradition hath preserved his name.
II ’T is said that on the night when he was born, A beauteous shape swept slowly through the room; Its eyes broke on the infant like a morn, And his cheek brightened like a rose in bloom;
America I’ve given you all and now I’m nothing. America two dollars and twentyseven cents January 17, 1956. I can’t stand my own mind. America when will we end the human war? Go fuck yourself with your atom bomb. I don’t feel good don’t bother me. I won’t write my poem till I’m in my right mind. America when will you be angelic?
[Introduction] Lo now! four other acts upon the stage, Childhood, and Youth, the Manly, and Old-age. The first: son unto Phlegm, grand-child to water, Unstable, supple, moist, and cold’s his Nature. The second: frolic claims his pedigree; From blood and air, for hot and moist is he. The third of fire and choler is compos’d, Vindicative, and quarrelsome dispos’d. The last, of earth and heavy melancholy, Solid, hating all lightness, and all folly. Childhood was cloth’d in white, and given to show, His spring was intermixed with some snow. Upon his head a Garland Nature set: Of Daisy, Primrose, and the Violet.
Slip-pilings on the Brooklyn littoral —the poles still tarry, flimsy; the ferry terminus with its walledup doors wan doorshapes on eroded sills. Downstream, the strutwork of the Williamsburg cable tower threw its cool shadow half a mile inland
So there’s a cabbie in Cairo named Deif. So he found 5,000 bucks in the back seat. So meanwhile his daughter was very sick. So he needed the money for medicine bad. So never mind. So he looked for the fare and gave it back. So then the kid died. So they fired him for doing good deeds on company time.
I always wonder what they think the niggers are doing while they, the pink and alabaster pragmatists, are containing Russia and defining and re-defining and re-aligning China,
Rose of fate, you looked for ways to wound us yet you bent like the secret about to be released and the command you chose to give us was beautiful and your smile was like a ready sword.
The ascent of your cycle livened creation from your thorn emerged the way’s thought our impulse dawned naked to possess you
Limped out of the hot sky a hurt plane, Held off, held off, whirring pretty pigeon, Hit then and scuttled to a crooked stop. The stranger pilot who emerged—this was the seashore, War came suddenly here—talked to the still mechanics Who nodded gravely. Flak had done it, he said, From an enemy ship attacked. They wheeled it with love
The turtle carries his house on his back. He is both the house and the person of that house. But actually, under the shell is a little room where the true turtle, wearing long underwear, sits at a little table. At one end of the room a series of levers sticks out of slots in the floor, like the controls of a steam shovel. It is with these that the turtle controls the legs of his house. Most of the time the turtle sits under the sloping ceiling of his turtle room reading catalogues at the little table where a candle burns. He leans on one elbow, and then the other. He crosses one leg, and then the other. Finally he yawns and buries his head in his arms and sleeps. If he feels a child picking up his house he quickly douses the candle and runs to the control levers and activates the legs of his house and tries to escape. If he cannot escape he retracts the legs and withdraws the so-called head and waits. He knows that children are careless, and that there will come a time when he will be free to move his house to some secluded place, where he will relight his candle, take out his catalogues and read until at last he yawns. Then he’ll bury his head in his arms and sleep....That is, until another child picks up his house....
An old man in Concord forgets to go to morning service. He falls asleep, while reading Vergil, and dreams that he is Aeneas at the funeral of Pallas, an Italian prince. The sun is blue and scarlet on my page, And yuck-a, yuck-a, yuck-a, yuck-a, rage
Comment form: