Journey

The style a form of concealment the way style is.
His manners seemed a parody, almost,
Of manners, a movie star of bygone days;

Strangely elaborate, highly stylized manners,
Complicit with his fame and with your praise;
Looking toward you and then away from you,

Star-like, movie-star-like, a dance routine,
The walk almost a glide, or elegant shuffle,
Always on the verge of veering away,

Circling away and over to the other side
Of the frozen skating arena that he was on;
A dancer’s courtesy, the courtesy,

Mary sat musing on the lamp-flame at the table
Waiting for Warren. When she heard his step,
She ran on tip-toe down the darkened passage
To meet him in the doorway with the news
And put him on his guard. ‘Silas is back.’
She pushed him outward with her through the door
And shut it after her. ‘Be kind,’ she said.
She took the market things from Warren’s arms
And set them on the porch, then drew him down
To sit beside her on the wooden steps.

‘When was I ever anything but kind to him?
But I’ll not have the fellow back,’ he said.
‘I told him so last haying, didn’t I?
If he left then, I said, that ended it.

I set forth one misted white day of June
Beneath the great Atlantic rainway, and heard:
“Honestly you smite worlds of truth, but
Lose your own trains of thought, like a pigeon.
Did you once ride in Kenneth’s machine?”
“Yes, I rode there, an old man in shorts, blind,
Who had lost his way in the filling station; Kenneth was kind.”
“Did he fill your motionless ears with resonance and stain?”

The Year’s twelve daughters had in turn gone by,
Of measured pace tho’ varying mien all twelve,
Some froward, some sedater, some adorn’d
For festival, some reckless of attire.
The snow had left the mountain-top; fresh flowers
Had withered in the meadow; fig and prune
Hung wrinkling; the last apple glow’d amid
Its freckled leaves; and weary oxen blinkt
Between the trodden corn and twisted vine,
Under whose bunches stood the empty crate,
To creak ere long beneath them carried home.
This was the season when twelve months before,
O gentle Hamadryad, true to love!
Thy mansion, thy dim mansion in the wood
Was blasted and laid desolate: but none

Fit the First
The Landing

"Just the place for a Snark!" the Bellman cried,
As he landed his crew with care;
Supporting each man on the top of the tide
By a finger entwined in his hair.

"Just the place for a Snark! I have said it twice:
That alone should encourage the crew.

After fighting with his dead brothers and his dead sisters
he chose to paint the dead rooster of his youth,
thinking God wouldn’t mind a rooster, would he?—or thinking
a rooster would look good in a green armchair
with flecks of blood on his breast and thighs, his wings
resting a little, their delicate bones exposed, a
few of the plumes in blue against the yellow
naked body, all of those feathers plucked

Argument

How a Ship having passed the Line was driven by storms to the cold Country towards the South Pole; and how from thence she made her course to the tropical Latitude of the Great Pacific Ocean; and of the strange things that befell; and in what manner the Ancyent Marinere came back to his own Country. PART I
It is an ancient Mariner,
And he stoppeth one of three.
'By thy long grey beard and glittering eye,

To the Priest, on Observing how most Men mistake their own Talents When beasts could speak (the learned say,
They still can do so ev'ry day),
It seems, they had religion then,
As much as now we find in men.

Was he married, did he try
To support as he grew less fond of them
Wife and family?

No,
He never suffered such a blow.

Did he feel pointless, feeble and distrait,
Unwanted by everyone and in the way?

From his cradle he was purposeful,