Defence of Fort M'Henry

America I’ve given you all and now I’m nothing.
America two dollars and twentyseven cents January 17, 1956.
I can’t stand my own mind.
America when will we end the human war?
Go fuck yourself with your atom bomb.
I don’t feel good don’t bother me.
I won’t write my poem till I’m in my right mind.
America when will you be angelic?

Ne Rubeam, Pingui donatus Munere
(Horace, Epistles II.i.267)
While you, great patron of mankind, sustain
The balanc'd world, and open all the main;
Your country, chief, in arms abroad defend,
At home, with morals, arts, and laws amend;

I first discovered what was killing these men.
I had three sons who worked with their father in the tunnel:
Cecil, aged 23, Owen, aged 21, Shirley, aged 17.
They used to work in a coal mine, not steady work
for the mines were not going much of the time.
A power Co. foreman learned that we made home brew,
he formed a habit of dropping in evenings to drink,
persuading the boys and my husband —

How changed is here each spot man makes or fills!
In the two Hinkseys nothing keeps the same;
The village street its haunted mansion lacks,
And from the sign is gone Sibylla's name,
And from the roofs the twisted chimney-stacks—
Are ye too changed, ye hills?
See, 'tis no foot of unfamiliar men
To-night from Oxford up your pathway strays!

Fit the First
The Landing

"Just the place for a Snark!" the Bellman cried,
As he landed his crew with care;
Supporting each man on the top of the tide
By a finger entwined in his hair.

"Just the place for a Snark! I have said it twice:
That alone should encourage the crew.

An Episode AND the first grey of morning fill'd the east,
And the fog rose out of the Oxus stream.

(from Henry V, spoken by King Henry) Once more unto the breach, dear friends, once more;
Or close the wall up with our English dead.
In peace there's nothing so becomes a man
As modest stillness and humility:

When I do count the clock that tells the time,
And see the brave day sunk in hideous night;
When I behold the violet past prime,
And sable curls all silver’d o’er with white;
When lofty trees I see barren of leaves
Which erst from heat did canopy the herd,
And summer’s green all girded up in sheaves
Borne on the bier with white and bristly beard,

NOw Morn her rosie steps in th' Eastern Clime
Advancing, sow'd the earth with Orient Pearle,
When Adam wak't, so customd, for his sleep
Was Aerie light from pure digestion bred,
And temperat vapors bland, which th' only sound
Of leaves and fuming rills, Aurora's fan,
Lightly dispers'd, and the shrill Matin Song
Of Birds on every bough; so much the more
His wonder was to find unwak'nd Eve
With Tresses discompos'd, and glowing Cheek,
As through unquiet rest: he on his side
Leaning half-rais'd, with looks of cordial Love
Hung over her enamour'd, and beheld
Beautie, which whether waking or asleep,

NO more of talk where God or Angel Guest
With Man, as with his Friend, familiar us'd
To sit indulgent, and with him partake
Rural repast, permitting him the while
Venial discourse unblam'd: I now must change
Those Notes to Tragic; foul distrust, and breach
Disloyal on the part of Man, revolt,
And disobedience: On the part of Heav'n

1
Sometime now past in the Autumnal Tide,
When Phoebus wanted but one hour to bed,
The trees all richly clad, yet void of pride,
Were gilded o’re by his rich golden head.
Their leaves and fruits seem’d painted but was true
Of green, of red, of yellow, mixed hew,
Rapt were my senses at this delectable view.

2
I wist not what to wish, yet sure thought I,
If so much excellence abide below,
How excellent is he that dwells on high?
Whose power and beauty by his works we know.
Sure he is goodness, wisdom, glory, light,

The seas has made a wall for its defence
of falling water. Those whose impertinence
leads them to its moving ledges
it rejects. Those who surrender
it will with the next wave drag under.

Sand is the beginning and the end
of our dominion.

The way to the dunes is easy.

[Introduction]
Lo now! four other acts upon the stage,
Childhood, and Youth, the Manly, and Old-age.
The first: son unto Phlegm, grand-child to water,
Unstable, supple, moist, and cold’s his Nature.
The second: frolic claims his pedigree;
From blood and air, for hot and moist is he.
The third of fire and choler is compos’d,
Vindicative, and quarrelsome dispos’d.
The last, of earth and heavy melancholy,
Solid, hating all lightness, and all folly.
Childhood was cloth’d in white, and given to show,
His spring was intermixed with some snow.
Upon his head a Garland Nature set:
Of Daisy, Primrose, and the Violet.

HAil holy Light, ofspring of Heav'n first-born,
Or of th' Eternal Coeternal beam
May I express thee unblam'd? since God is light,
And never but in unapproached light
Dwelt from Eternitie, dwelt then in thee,
Bright effluence of bright essence increate.
Or hear'st thou rather pure Ethereal stream,
Whose Fountain who shall tell? before the Sun,
Before the Heavens thou wert, and at the voice
Of God, as with a Mantle didst invest
The rising world of waters dark and deep,
Won from the void and formless infinite.
Thee I re-visit now with bolder wing,
Escap't the Stygian Pool, though long detain'd
In that obscure sojourn, while in my flight

‘Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla pendere, et cum illi pueri dicerent:Σίβυλλα τίθέλεις; respondebat illa:άποθανεîνθέλω.’ For Ezra Pound
il miglior fabbro. I. The Burial of the Dead

Turn left off Henry onto Middagh Street
to see our famous firehouse, home
of Engine 205 and

Hook & Ladder 118 and home also to
the mythic painting “Fire under
the Bridge” decorating

the corrugated sliding door. The painting
depicts a giant American flag
wrinkled by wind

and dwarfing the famous Brooklyn Bridge
as it stretches as best it can
to get a purchase

That afternoon the dream of the toads rang through the elms by Little River and affected the thoughts of men, though they were not conscious that they heard it.--Henry Thoreau The dream of toads: we rarely
credit what we consider lesser
life with emotions big as ours,
but we are easily distracted,

Forty years ago we were here
where we are now,
the same erotic May-wind blew
the trees from there to here—

the same tang of metal in the mouth,
the dirt-pierced wood of Cambridge.

Sometimes
you are so much younger than your face,

The mountain north of Pasadena has severe
and angular back canyons where the light is always
unexpected, out of place, too simple for the
clutter of the granite blocks along the creeks.
The slopes have low rough shrubs, some firebreaks.
It rains sometimes, and then the soils wash easily
through Rubio and Eaton canyons to the small
catch-basins and the storage tanks. The bedrocks

When the corn’s all cut and the bright stalks shine
Like the burnished spears of a field of gold;
When the field-mice rich on the nubbins dine,
And the frost comes white and the wind blows cold;
Then its heigho fellows and hi-diddle-diddle,
For the time is ripe for the corn-stalk fiddle.

And you take a stalk that is straight and long,
With an expert eye to its worthy points,
And you think of the bubbling strains of song
That are bound between its pithy joints—
Then you cut out strings, with a bridge in the middle,
With a corn-stalk bow for a corn-stalk fiddle.

Then the strains that grow as you draw the bow