Calligraphy Accompanied by the Mood of a Calm but Definitive Sauce

If time is an arrow, what is its target

If a Flexible Flyer is the sled I had as a child, when may I become a child again

Do you need help digging the potatoes out of your garden of insults

Do you plan to vote in the next election

Is our country headed in the right direction or the wrong direction
and what did the bulldozer tell the yellow helmet’s ear

Which part of your body is like biting into a ripe peach
which part shames you like a rotten banana

For Marilyn who died in January april 1

1

Gently disintegrate me
Said nothing at all.

Is there still time to say
Said I myself lying
In a bower of bramble
Into which I have fallen.

Look through my eyes up

Light from the ugliest lamp I ever saw, here
on the table that triples for reading, eating (can’t say
dining), business on the phone; ugliest except
a few around the corner in that guest house at windows

—plaster driftwood; cylinders like rockets or sanitary
napkins propping shades; thin torso of a youth;
red globe on orange globe, the works, somebody’s
collection. Wouldn’t she love this one, lump of lamp base

I

It is not to be bought for a penny
in the candy store, nor picked
from the bushes in the park. It may be found, perhaps,
in the ashes on the distant lots,
among the rusting cans and Jimpson weeds.
If you wish to eat fish freely,
cucumbers and melons,

Impatient as we were for all of them to join us,
The land had not yet risen into view: gulls had swept the gray steel towers away
So that it profited less to go searching, away over the humming earth
Than to stay in immediate relation to these other things—boxes, store parts, whatever you wanted to call them—
Whose installedness was the price of further revolutions, so you knew this combat was the last.
And still the relationship waxed, billowed like scenery on the breeze.

They are the same aren’t they,
The presumed landscape and the dream of home

What will we do
when there is nobody left
to kill?

*

40,000 gallons of oil gushing into
the ocean
But I
sit on top this mountainside above

But do not let us quarrel any more,
No, my Lucrezia; bear with me for once:
Sit down and all shall happen as you wish.
You turn your face, but does it bring your heart?
I'll work then for your friend's friend, never fear,
Treat his own subject after his own way,
Fix his own time, accept too his own price,
And shut the money into this small hand
When next it takes mine. Will it? tenderly?
Oh, I'll content him,—but to-morrow, Love!
I often am much wearier than you think,
This evening more than usual, and it seems
As if—forgive now—should you let me sit
Here by the window with your hand in mine
And look a half-hour forth on Fiesole,

All male Quincys are now dead, excepting one.
John Wheelwright, “Gestures to the Dead” 1
Vast oblong space