Your name is a—bird in my hand, a piece of ice on my tongue. The lips’ quick opening. Your name—four letters. A ball caught in flight, a silver bell in my mouth.
A stone thrown into a silent lake is—the sound of your name.
Above the fresh ruffles of the surf Bright striped urchins flay each other with sand. They have contrived a conquest for shell shucks, And their fingers crumble fragments of baked weed Gaily digging and scattering.
And in answer to their treble interjections The sun beats lightning on the waves,
To me, fair friend, you never can be old, For as you were when first your eye I eyed, Such seems your beauty still. Three winters cold Have from the forests shook three summers’ pride, Three beauteous springs to yellow autumn turned In process of the seasons have I seen, Three April perfumes in three hot Junes burned, Since first I saw you fresh, which yet are green. Ah, yet doth beauty, like a dial-hand, Steal from his figure, and no pace perceived; So your sweet hue, which methinks still doth stand, Hath motion, and mine eye may be deceived: For fear of which, hear this, thou age unbred: Ere you were born was beauty’s summer dead.
Oh! yet one smile, tho' dark may lower Around thee clouds of woe and ill, Let me yet feel that I have power, Mid Fate's bleak storms, to soothe thee still.
Tho' sadness be upon thy brow, Yet let it turn, dear love, to me, I cannot bear that thou should'st know Sorrow I do not share with thee.
Take, oh, take those lips away That so sweetly were forsworn And those eyes, like break of day, Lights that do mislead the morn; But my kisses bring again, Seals of love, though sealed in vain.
The wind rests its cheek upon the ground and feels the cool damp And lifts its head with twigs and small dead blades of grass Pressed into it as you might at the beach rise up and brush away The sand. The day is cool and says, “I’m just staying overnight.” The world is filled with music, and in between the music, silence And varying the silence all sorts of sounds, natural and man made: There goes a plane, some cars, geese that honk and, not here, but Not so far away, a scream so rending that to hear it is to be
Far from the sea far from the sea of Breton fishermen the white clouds scudding over Lowell and the white birches the bare white birches along the blear night roads
How a Ship having passed the Line was driven by storms to the cold Country towards the South Pole; and how from thence she made her course to the tropical Latitude of the Great Pacific Ocean; and of the strange things that befell; and in what manner the Ancyent Marinere came back to his own Country. PART I It is an ancient Mariner, And he stoppeth one of three. 'By thy long grey beard and glittering eye,
The ground dove stuttered for a few steps then flew up from his path to settle in the sun-browned branches that were now barely twigs; in drought it coos with its relentless valve, a tiring sound, not like the sweet exchanges of turtles in the Song of Solomon, or the flutes of Venus in frescoes though all the mounds in the dove-calling drought
One night in April or May, his daughter saw someone's hand make the curtain which was drawn tightly across her window bulge and ran to the adjoining room in her night clothes where he and his son were sitting. He ran around the house one way and his son ran the other way
‘Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla pendere, et cum illi pueri dicerent:Σίβυλλα τίθέλεις; respondebat illa:άποθανεîνθέλω.’ For Ezra Pound il miglior fabbro. I. The Burial of the Dead
From you have I been absent in the spring, When proud-pied April, dressed in all his trim, Hath put a spirit of youth in everything, That heavy Saturn laughed and leaped with him. Yet nor the lays of birds, nor the sweet smell Of different flowers in odour and in hue, Could make me any summer’s story tell, Or from their proud lap pluck them where they grew:
I sing of brooks, of blossoms, birds, and bowers, Of April, May, of June, and July flowers. I sing of May-poles, hock-carts, wassails, wakes, Of bridegrooms, brides, and of their bridal-cakes. I write of youth, of love, and have access By these to sing of cleanly wantonness. I sing of dews, of rains, and piece by piece Of balm, of oil, of spice, and ambergris.
Complacencies of the peignoir, and late Coffee and oranges in a sunny chair, And the green freedom of a cockatoo Upon a rug mingle to dissipate The holy hush of ancient sacrifice. She dreams a little, and she feels the dark
The birds against the April wind Flew northward, singing as they flew; They sang, “The land we leave behind Has swords for corn-blades, blood for dew.”
“O wild-birds, flying from the South, What saw and heard ye, gazing down?” “We saw the mortar’s upturned mouth,
When in Wisconsin where I once had time the flyway swans came whistling to the rotten Green Bay ice and stayed, not feeding, four days, maybe five, I shouted
and threw stones to see them fly. Blue herons followed, or came first. I shot a bittern’s wing off with my gun. For that my wife could cry.
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