The popcorn is greasy, and I forgot to bring a Kleenex.
 A pill that’s a bomb inside the stomach of a man inside
 The Embassy blows up. Eructations of flame, luxurious
 cauliflowers giganticize into motion. The entire 29-ft.
 screen is orange, is crackling flesh and brick bursting,
 blackening, smithereened. I unwrap a Dentyne and, while
 jouncing my teeth in rubber tongue-smarting clove, try
 with the 2-inch-wide paper to blot butter off my fingers.
 A bubble-bath, room-sized, in which 14 girls, delectable
 and sexless, twist-topped Creamy Freezes (their blond,
 screwed that high, and varnished), scrub-tickle a lone
 male, whose chest has just the right amount and distribu-
 tion of curly hair. He’s nervously pretending to defend
 his modesty. His crotch, below the waterline, is also
 below the frame—but unsubmerged all 28 slick foamy boobs.
 Their makeup fails to let the girls look naked. Caterpil-
 lar lashes, black and thick, lush lips glossed pink like
 the gum I pop and chew, contact lenses on the eyes that are
 mostly blue, they’re nose-perfect replicas of each other.
 I’ve got most of the grease off and onto this little square
 of paper. I’m folding it now, making creases with my nails.




















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