AN ANATOMY OF THE WORLD Wherein, by occasion of the untimely death of Mistress Elizabeth Drury, the frailty and the decay of this whole world is represented THE FIRST ANNIVERSARY When that rich soul which to her heaven is gone, Whom all do celebrate, who know they have one (For who is sure he hath a soul, unless It see, and judge, and follow worthiness,
Even as the sun with purple-colour’d face
Had ta’en his last leave of the weeping morn,
Rose-cheek’d Adonis tried him to the chase;
Hunting he lov’d, but love he laugh’d to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-fac’d suitor ‘gins to woo him.
I am a great American I am almost nationalistic about it! I love America like a madness! But I am afraid to return to America I’m even afraid to go into the American Express—
Thus far, O Friend! have we, though leaving much Unvisited, endeavour'd to retrace My life through its first years, and measured back The way I travell'd when I first began To love the woods and fields; the passion yet Was in its birth, sustain'd, as might befal, By nourishment that came unsought, for still, From week to week, from month to month, we liv'd A round of tumult: duly were our games Prolong'd in summer till the day-light fail'd; No chair remain'd before the doors, the bench And threshold steps were empty; fast asleep The Labourer, and the old Man who had sate, A later lingerer, yet the revelry Continued, and the loud uproar: at last,
You are the problem I propose, My dear, the text my musings glose: I call you for convenience love. By definition you’re a cause Inferred by necessary laws— You are so to the saints above. But in this shadowy lower life I sleep with a terrestrial wife
Since I am coming to that holy room, Where, with thy choir of saints for evermore, I shall be made thy music; as I come I tune the instrument here at the door, And what I must do then, think here before.
Whilst my physicians by their love are grown Cosmographers, and I their map, who lie Flat on this bed, that by them may be shown That this is my south-west discovery, Per fretum febris, by these straits to die,
I joy, that in these straits I see my west; For, though their currents yield return to none, What shall my west hurt me? As west and east
Shortly after the Revival of Learning in Europe Let us begin and carry up this corpse, Singing together. Leave we the common crofts, the vulgar thorpes Each in its tether
These lovers’ inklings which our loves enmesh, Lost to the cunning and dimensional eye, Though tenemented in the selves we see, Not more perforce than azure to the sky, Were necromancy-juggled to the flesh, And startled from no daylight you or me.
For trance and silvemess those moons commend, Which blanch the warm life silver-pale; or look
A Vulgar Error having long prevailed among many Persons, who imagine Sally Salisbury the Subject of this Ballad, the Author begs leave to undeceive and assure them it has not the least allusion to her, he being a stranger to her very Name at the time this Song was composed. For as Innocence and Virtue were ever the Boundaries of his Muse, so in this little Poem he had no other view than to set forth the Beauty of a chaste and disinterested Passion, even in the lowest Class of human Life. The real Occasion was this: A Shoemaker’s ’Prentice making Holiday with his Sweet-heart, treated her with a sight of Bedlam, the Puppet-shews, the Flying-chairs, and all the Elegancies of the Moorfields: From whence proceeding to the Farthing Pye-house, he gave her a Collation of Buns, Cheesecakes, Gammon of Bacon, Stuff’d-beef, and Bottled-ale; through all which Scenes the Author dodged them (charm’d with the Simplicity of their Courtship), from whence he drew this little Sketch of Nature; but being then young and obscure, he was very much ridicul’d by some of his Acquaintance for this Performance; which nevertheless made its way into the polite World, and amply recompenced him by the Applause of the divine Addison, who was pleased (more than once) to mention it with Approbation. Of all the Girls that are so smart
What are we first? First, animals; and next Intelligences at a leap; on whom Pale lies the distant shadow of the tomb, And all that draweth on the tomb for text. Into which state comes Love, the crowning sun: Beneath whose light the shadow loses form. We are the lords of life, and life is warm. Intelligence and instinct now are one. But nature says: "My children most they seem When they least know me: therefore I decree That they shall suffer." Swift doth young Love flee, And we stand wakened, shivering from our dream. Then if we study Nature we are wise. Thus do the few who live but with the day: The scientific animals are they—
‘Be not among wine-bibbers; among riotous eaters of flesh; for the drunkard and the glutton shall come to poverty; and drowsiness shall clothe a man with rags.’ Proverbs, 23: 20, 21 I’ll tell you two fortunes, my fine little lad, For you to accept or refuse. The one of them good, and the other one bad; Now hear them, and say which you choose!
Such pejorative deformities of sound Without meaningful speech or musical equipoise, Annoyances none but hoi polloi enjoys, Through our winding whispering galleries resound Unwelcome, & like a tedious siege surround Us with that ubiquitous nuisance, noise, Which may take the shape of inflated reputation, Able neither to stun, astonish nor astound Those whom obscene publicity annoys, Who prefer the decent obscurity of publication.
&
Regardless of the weird world’s disregard, These works may be devoted to the wastebasket
‘Gabble-gabble, . . . brethren, . . . gabble-gabble!’ My window frames forest and heather. I hardly hear the tuneful babble, Not knowing nor much caring whether The text is praise or exhortation, Prayer or thanksgiving, or damnation.
Outside it blows wetter and wetter, The tossing trees never stay still. I shift my elbows to catch better The full round sweep of heathered hill. The tortured copse bends to and fro In silence like a shadow-show.
Sirs, in our youth you love the sight of us. Older, you fall in love with what we’ve seen, Would lose yourselves by living in our lives. I’ll spin you tales, play the Arabian girl; Working close, alone in the blond arena, Flourish my cape, the cloth on the camera. For women learn to be a holy show.
Misus and Mopsa hardly could agree, Striving about superiority. The text which says that man and wife are one, Was the chief argument they stood upon. She held they both one woman should become, He held both should be man, and both but one. So they contended daily, but the strife Could not be ended, till both were one wife.
Assume you have discovered an entropy of spirit, immeasurable of course, but it pulls graveward all those whose element is breath, not as the in and out again of water and the sun, but oblivion’s ass-first downhill twenty-four-hour drag. Knowledge is an after-the-fact affair, fair game for a hunger striker’s skeptic gopher tooth. Remember your “agenbite of inwit,” but don’t, please don’t, go knocking on doors declaring you’ve gone hollow with all the others, no one will believe you so long as your bag of flesh is fair. Fall down the stairs to another street. Have you noticed nature does not care for you, no matter the pathos of your fallacies, your antiperspirant, or you arms folded over the stretch marks of your hardest years? That’s you, cell mate, roping a Platonic calf. Rare air, this is all you’ll catch and never can. Live on that for a week and leave a message on your machine, “nourished by words alone.” Those fireworks you inherited, where are they now? Will you set them off to end the show? You have a story that simply cannot be sold, and no rewrite can change country or cast, so here you are in never-never land again. That figure off there in the mist is Nietzsche, stay clear, they say his breath is vile, he needs his space or so the professors say. Were you handed this out of an old script or are you improvising this to-do? Whatever you are, an actor or a human merely with all the other actors, or can you tell the difference without a script in hand, you talk about a text that is not there. Each morning your own short-form obituary appears on every page. An open mike will follow. But this is only in the babblesphere, don’t inhale those dialogues that bubble up. Weariness grows in direct proportion to answers that recede nightly as you snore. Did you audition for this part or did you win it in an all-night poker game? The difference is the same, none, today. Don’t give your chips to another to bet, that’s stacking the odds in your favor, sharing the blame. Avoid places where the lights are always on. Try finding a sunset through a simple gift of looking west. There can be too much light for your own good. Pace Pascal. Let someone close your eyes. Necessary, or so I’m told. That hand in front of your face, try it now.
Hamelin Town's in Brunswick, By famous Hanover city; The river Weser, deep and wide, Washes its wall on the southern side; A pleasanter spot you never spied; But, when begins my ditty, Almost five hundred years ago, To see the townsfolk suffer so From vermin, was a pity.
Rats! They fought the dogs, and killed the cats, And bit the babies in the cradles, And eat the cheeses out of the vats, And licked the soup from the cooks' own ladles,
But how choose the appropriate sticking point to start at? Who wants to write a poem without the letter e, Especially for Thee, where the flourished vowel lends such panache to your carnet de bal (OK, peons: pizzazz to your dance card)? The alphabet’s such a horn Of plenty, why cork up its treasure? It hurts to think of “you” reduced to u In stingy text messages, as if ideally expression should be limited to formulas like x ≠ y,
Where the respectable truth of tautology leaves ambiguous beauty standing by Waiting to take off her clothes, if, that is, her percentage of body fat Permits it (a statement implicitly unfair, as if beauty, to remain sublime, had to keep up Lineaments already shaped by uninhibited divinity); implying, as well, fixated onlookers, i.e., Men and women kidding themselves that full-front-and-back nudity is the north Star of delight rather than imagined nakedness, shudderingly draped like a fully rigged, fully laden ship without a drop to bail,
Its hidden cargoes guessed at — perhaps Samian wine (mad- making!) — or fresh basil
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