I set forth one misted white day of June
Beneath the great Atlantic rainway, and heard:
“Honestly you smite worlds of truth, but
Lose your own trains of thought, like a pigeon.
Did you once ride in Kenneth’s machine?”
“Yes, I rode there, an old man in shorts, blind,
Who had lost his way in the filling station; Kenneth was kind.”
“Did he fill your motionless ears with resonance and stain?”
“No, he spoke not as a critic, but as a man.”
“Tell me, what did he say?” “He said,
“And yet he drives between the two. . . .” “Exactly, Jane,
And that is the modern idea of fittingness,
To, always in motion, lose nothing, although beneath the
Rainway they move in threes and twos completely
Ruined for themselves, like moving pictures.”
“But how other?” “Formulalessness, to go from the sun
Into love’s sweet disrepair. He would fondly express
‘Rain trees’—which is not a poem, ‘rain trees. . . .’”
“Still, it is mysterious to have an engine
That floats bouquets! and one day in the rear-vision
The insufficiency of the silverware in the sunlight,
The dreams he steals from and smiles, losing gain.”
“Yet always beneath the rainway unsyntactical
Beauty might leap up!” “That we might sing
From smiles’ ravines, ‘Rose, the reverse of everything,
May be profaned or talked at like a hat.’”
“Oh that was sweet and short, like the minuet
Of stars, which would permit us to seem our best friends
By silver’s eminent lights! For nature is so small, ends
Falsely reign, distending the time we did
Behind our hope for body-work, riding with Kenneth.”
Their voicing ceased, then started again, to complain
That we are offered nothing when it starts to rain
In the same way, though we are dying for the truth.
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