Do not allow me to sink, I said To a top floating ribbon of kelp. As I was lifted on each wave And made to slide into the vale I wanted not to drown. I wanted To make it all right with my dear, To tell my cat I’ll be away, To have them all destroyed, the poems
I Oh! the huge avenues of the holy land, the terraces of the temple! What has happened to the brahmin who taught me the Proverbs? From then and from there I can still see even the old women! I remember silvery hours and sun near rivers, the hand of the country on my shoulder, and our caresses as we stood in the fiery fields. —A flight of red pigeons thunders around my thoughts—In exile here I had a stage on which to perform the dramatic masterpieces of all literatures. I might tell you about unheard-of wealth. I follow the story of the treasures you found. I see the next chapter! My wisdom is as neglected as chaos is. What is my void, compared with the stupefaction awaiting you?II I am a far more deserving inventor than all those who went before me; a musician, in fact, who found something resembling the key of love. At present, a noble from a meager countryside with a dark sky I try to feel emotion over the memory of mendicant childhood, over my apprenticeship when I arrived wearing wooden shoes, polemics, five or six widowings, and a few wild escapades when my strong head kept me from rising to the same pitch as my comrades. I don’t miss what I once possessed of divine happiness: the calm of this despondent countryside gives a new vigor to my terrible scepticism. But since this scepticism can no longer be put into effect, and since I am now given over to a new worry—I expect to become a very wicked fool.III In an attic where at the age of twelve I was locked up, I knew the world and illustrated the human comedy. In a wine cellar I learned history. At some night celebration, in a northern city, I met all the wives of former painters. In an old back street in Paris I was taught the classical sciences. In a magnificent palace, surrounded by all the Orient, I finished my long work and spent my celebrated retirement. I have invigorated my blood. I am released from my duty. I must not even think of that any longer. I am really from beyond the tomb, and without work.
A smudge for the horizon that, on a clear day, shows the hard edge of hills and buildings on the other coast. Anchored boats all head one way: north, where the wind comes from. You can see the storm inflating
When we go out into the fields of learning We go by a rough route Marked by colossal statues, Frankenstein's Monsters, AMPAC and the 704, AARDVARK, and deoxyribonucleic acid. They guard the way. Headless they nod, wink eyeless, Thoughtless compute, not heartless,
Every city in America is approached through a work of art, usually a bridge but sometimes a road that curves underneath or drops down from the sky. Pittsburgh has a tunnel—
you don’t know it—that takes you through the rivers and under the burning hills. I went there to cry in the woods or carry my heavy bicycle through fire and flood. Some have little parks—
My mother bore me in the southern wild, And I am black, but O! my soul is white; White as an angel is the English child: But I am black as if bereav'd of light.
My mother taught me underneath a tree And sitting down before the heat of day, She took me on her lap and kissed me, And pointing to the east began to say.
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