Earth has not any thing to show more fair: Dull would he be of soul who could pass by A sight so touching in its majesty: This City now doth, like a garment, wear The beauty of the morning; silent, bare, Ships, towers, domes, theatres, and temples lie Open unto the fields, and to the sky; All bright and glittering in the smokeless air.
The moon came late to a lonesome bog, And there sat Goggleky Gluck, the frog. ‘My stars!’ she cried, and veiled her face, ‘What very grand people they have in this place!’
During the Second World War, I was going home one night along a street I seldom used. All the stores were closed except one—a small fruit store. An old Italian was inside to wait on customers. As I was paying him I saw that he was sad.
Where, like a pillow on a bed A pregnant bank swell'd up to rest The violet's reclining head, Sat we two, one another's best. Our hands were firmly cemented With a fast balm, which thence did spring; Our eye-beams twisted, and did thread Our eyes upon one double string; So to'intergraft our hands, as yet Was all the means to make us one, And pictures in our eyes to get Was all our propagation. As 'twixt two equal armies fate Suspends uncertain victory, Our souls (which to advance their state
Stranger, you who hide my love In the curved cheek of a smile And sleep with her upon a tongue Of soft lies that beguile, Your paradisal ecstasy Is justified is justified By hunger of the beasts beneath The overhanging cloud
I cry your mercy—pity—love!—aye, love! Merciful love that tantalizes not, One-thoughted, never-wandering, guileless love, Unmasked, and being seen—without a blot! O! let me have thee whole,—all—all—be mine! That shape, that fairness, that sweet minor zest Of love, your kiss,—those hands, those eyes divine, That warm, white, lucent, million-pleasured breast,
For God's sake hold your tongue, and let me love, Or chide my palsy, or my gout, My five gray hairs, or ruined fortune flout, With wealth your state, your mind with arts improve, Take you a course, get you a place, Observe his honor, or his grace, Or the king's real, or his stampèd face Contemplate; what you will, approve, So you will let me love.
Alas, alas, who's injured by my love? What merchant's ships have my sighs drowned? Who says my tears have overflowed his ground? When did my colds a forward spring remove? When did the heats which my veins fill
The next morning I felt that our house had been lifted away from its foundation during the night, and was now adrift, though so heavy it drew a foot or more of whatever was buoying it up, not water but something cold and thin and clear, silence riffling its surface as the house began to turn on a strengthening current,
They have set aside their black tin boxes, scratched and dented, spattered with drops of pink and blue; and their dried-up, rolled-up tubes of alizarin crimson, chrome green, zinc white, and ultramarine; their vials half full of gold powder; stubs of wax pencils;
Dim vales—and shadowy floods— And cloudy-looking woods, Whose forms we can’t discover For the tears that drip all over: Huge moons there wax and wane— Again—again—again— Every moment of the night— Forever changing places— And they put out the star-light With the breath from their pale faces. About twelve by the moon-dial, One more filmy than the rest (A kind which, upon trial, They have found to be the best) Comes down—still down—and down
By a route obscure and lonely, Haunted by ill angels only, Where an Eidolon, named NIGHT, On a black throne reigns upright, I have reached these lands but newly From an ultimate dim Thule— From a wild weird clime that lieth, sublime, Out of SPACE—Out of TIME.
Bottomless vales and boundless floods, And chasms, and caves, and Titan woods, With forms that no man can discover For the tears that drip all over; Mountains toppling evermore Into seas without a shore;
Our sweet companions—sharing your bunk and your bed The versts and the versts and the versts and a hunk of your bread The wheels' endless round The rivers, streaming to ground The road. . .
Oh the heavenly the Gypsy the early dawn light Remember the breeze in the morning, the steppe silver-bright Wisps of blue smoke from the rise
There is a coal-black Angel With a thick Afric lip, And he dwells (like the hunted and harried) In a swamp where the green frogs dip. But his face is against a City Which is over a bay of the sea, And he breathes with a breath that is blastment, And dooms by a far decree.
My dog has died. I buried him in the garden next to a rusted old machine.
Some day I'll join him right there, but now he's gone with his shaggy coat, his bad manners and his cold nose, and I, the materialist, who never believed in any promised heaven in the sky
Can these movements which move themselves be the substance of my attraction? Where does this thin green silk come from that covers my body? Surely any woman wearing such fabrics would move her body just to feel them touching every part of her.
Yet most of the women frown, or look away, or laugh stiffly. They are afraid of these materials and these movements in some way.
Felix Randal the farrier, O is he dead then? my duty all ended, Who have watched his mould of man, big-boned and hardy-handsome Pining, pining, till time when reason rambled in it, and some Fatal four disorders, fleshed there, all contended?
Sickness broke him. Impatient, he cursed at first, but mended Being anointed and all; though a heavenlier heart began some Months earlier, since I had our sweet reprieve and ransom Tendered to him. Ah well, God rest him all road ever he offended!
This seeing the sick endears them to us, us too it endears. My tongue had taught thee comfort, touch had quenched thy tears, Thy tears that touched my heart, child, Felix, poor Felix Randal;
How far from then forethought of, all thy more boisterous years,
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