But do not let us quarrel any more, No, my Lucrezia; bear with me for once: Sit down and all shall happen as you wish. You turn your face, but does it bring your heart? I'll work then for your friend's friend, never fear, Treat his own subject after his own way, Fix his own time, accept too his own price, And shut the money into this small hand When next it takes mine. Will it? tenderly? Oh, I'll content him,—but to-morrow, Love! I often am much wearier than you think, This evening more than usual, and it seems As if—forgive now—should you let me sit Here by the window with your hand in mine And look a half-hour forth on Fiesole,
Twilight—and you, Quiet—the stars; Snare of the shine of your teeth, Your provocative laughter, The gloom of your hair; Lure of you, eye and lip ; Yearning, yearning, Languor, surrender;
Unlike the ashes that make their home with hot coals, snails prefer moist earth. Go on: they advance while gluing themselves to it with their entire bodies. They carry it, they eat it, they shit it. They go through it, it goes through them. It’s the best kind of interpenetration, as between tones, one passive and one active. The passive bathes and nourishes the active, which overturns the other while it eats.
(There is more to be said about snails. First of all their immaculate clamminess. Their sangfroid. Their stretchiness.)
One can scarcely conceive of a snail outside its shell and unmoving. The moment it rests it sinks down deep into itself. In fact, its modesty obliges it to move as soon as it has shown its nakedness and revealed its vulnerable shape. The moment it’s exposed, it moves on.
During periods of dryness they withdraw into ditches where it seems their bodies are enough to maintain their dampness. No doubt their neighbors there are toads and frogs and other ectothermic animals. But when they come out again they don’t move as quickly. You have to admire their willingness to go into the ditch, given how hard it is for them to come out again.
Note also that though snails like moist soil, they have no affection for places that are too wet such as marshes or ponds. Most assuredly they prefer firm earth, as long as it’s fertile and damp.
They are fond as well of moisture-rich vegetables and green leafy plants. They know how to feed on them leaving only the veins, cutting free the most tender leaves. They are hell on salads.
What are these beings from the depths of the ditches? Though snails love many of their trenches’ qualities they have every intention of leaving. They are in their element but they are also wanderers. And when they emerge into the daylight onto firm ground their shells will preserve their vagabond’s hauteur.
It must be a pain to have to haul that trailer around with them everywhere, but they never complain and in the end they are happy about it. How valuable, after all, to be able to go home any time, no matter where you may find yourself, eluding all intruders. It must be worth it.
I need more time, a simple day in Paris hotels and window shopping. The croissants will not bake themselves and the Tower of London would Like to spend a night in the tropics with gray sassy paint. It has many Wounds and historic serial dreams under contract to Hollywood. Who will play the head of Mary, Queen of Scots, and who will braid her
Hair? Was it she who left her lips on the block for the executioner, Whose hands would never find ablution, who would never touch a woman Again or eat the flesh of a red animal? Blood pudding would repulse him Until joining Anne. That is the way of history written for Marlow and Shakespear. They are with us now that we are sober and wiser,
Not taking the horrors of poetry too seriously. Why am I telling you this Nonsense, when I have never seen you sip your coffee or tea, In the morning? Not to mention,
And the weaver said, Speak to us of Clothes. And he answered: Your clothes conceal much of your beauty, yet they hide not the unbeautiful. And though you seek in garments the freedom of privacy you may find in them a harness and a chain.
Now that I, tying thy glass mask tightly, May gaze thro’ these faint smokes curling whitely, As thou pliest thy trade in this devil’s-smithy— Which is the poison to poison her, prithee?
He is with her, and they know that I know Where they are, what they do: they believe my tears flow While they laugh, laugh at me, at me fled to the drear Empty church, to pray God in, for them!—I am here.
Grind away, moisten and mash up thy paste, Pound at thy powder,—I am not in haste! Better sit thus and observe thy strange things, Than go where men wait me and dance at the King’s.
One face looks out from all his canvases, One selfsame figure sits or walks or leans: We found her hidden just behind those screens, That mirror gave back all her loveliness. A queen in opal or in ruby dress, A nameless girl in freshest summer-greens, A saint, an angel — every canvas means The same one meaning, neither more or less.
Welcome to your day of sanity! Come in and close the door it will likely lock behind you and you will be home alone waste disposal will take care of your needs : at long last undisturbed phenomena without the heavy metal background of the street will be yours for observation and response : do you have visions? do you think? Your mouth do you open it for more than medication? I should know I know that I should know : we’ve watched centuries erode the fortress drain the moat the poet’s clumsy beast has reached its home and prey we wither in the gridlock of our power only the guns remain and are in use pure accident is beauty to be glimpsed your trembling only further clouds your sight I in my home you in your other place harmonize the fading anthem of an age the cracked bell of our liberty keeps time a penny for the corpse you left behind keep on recycling all that you have heard before call it a double bind much like the dead bolt that locked the door that keeps you safe and sane : ho — hum — harry who? oh that’s just a phrase found in a time capsule capped and sealed and shot up in the air : no I cannot tell you where it fell to earth that page was torn out years ago it’s chance that we have a fragment of that language left : do your archaeology before a mirror the canyons and the barren plains are clear but where to dig for a ruined golden age a fiction we were served with breakfast flakes say have you forgot this day of sanity? No problem the heavy key was thrown away as soon as the door was closed and locked you’re safe : some day the asylum may be torn down to make way for a palace of the mad it does not follow that anything will change : choose your executioner by lot almost everyone is trained and competent there are different schools of course check out degrees fees can become an issue of your choice and some may be in service or abroad as usual nothing’s simple it’s all a part of the grand unraveling that must take place before the new line can be introduced : prepare now don’t be shocked when the music starts the year’s fashions may feature pins and nails.
God washes clean the souls and hearts of you, His favored ones, whose backs bend o’er the soil, Which grudging gives to them requite for toil In sober graces and in vision true. God places in your hands the pow’r to do A service sweet. Your gift supreme to foil The bare-fanged wolves of hunger in the moil Of Life’s activities. Yet all too few
AN ANATOMY OF THE WORLD Wherein, by occasion of the untimely death of Mistress Elizabeth Drury, the frailty and the decay of this whole world is represented THE FIRST ANNIVERSARY When that rich soul which to her heaven is gone, Whom all do celebrate, who know they have one (For who is sure he hath a soul, unless It see, and judge, and follow worthiness,
Ave Faustina Imperatrix, morituri te salutant. Lean back, and get some minutes' peace; Let your head lean Back to the shoulder with its fleece Of locks, Faustine.
Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore— While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. “’Tis some visitor,” I muttered, “tapping at my chamber door— Only this and nothing more.”
Ah, distinctly I remember it was in the bleak December; And each separate dying ember wrought its ghost upon the floor.
There is something in the sound of drum and fife
That stirs all the savage instincts into life.
In the old times of peace we went our ways,
Through proper days
Of little joys and tasks. Lonely at times,
When from the steeple sounded wedding chimes,
Telling to all the world some maid was wife—
But taking patiently our part in life
Comment form: