A Dent in a Bucket

Say what you like about Charaxos,
that’s a fellow with a fat-bellied ship
always in some port or other.
What does Zeus care, or the rest of his gang?

Now you’d like me on my knees,
crying out to Hera, “Blah, blah, blah,
bring him home safe and free of warts,”
or blubbering, “Wah, wah, wah, thank you,

While clearing the west
quarter for more cropland,
the Cat quarried
a porcelain doorknob

oystered in earth,
grained and crazed
like an historic egg,
with a screwless stem of

We had two gardens.

A real flower garden
overhanging the road
(our miniature Babylon).
Paths which I helped
to lay with Aunt Winifred,
riprapped with pebbles;
shards of painted delph;

It stops the town we come through. Workers raise
Their oily arms in good salute and grin.
Kids scream as at a circus. Business men
Glance hopefully and go their measured way.
And women standing at their dumbstruck door
More slowly wave and seem to warn us back,
As if a tear blinding the course of war
Might once dissolve our iron in their sweet wish.

Out of heaven, to bless the high places,
it falls on the penthouses, drizzling
at first, then a pelting allegro,
and Dick and Jane skip to the terrace
and go boogieing through the azaleas,
while mommy and daddy come running
with pots and pans, glasses, and basins
and try to hold all of it up there,

It’s a kitchen. Its curtains fill
with a morning light so bright
you can’t see beyond its windows
into the afternoon. A kitchen
falling through time with its things
in their places, the dishes jingling
up in the cupboard, the bucket
of drinking water rippled as if

It seemed those rose-pink dishes
she kept for special company
were always cold, brought down
from the shelf in jingling stacks,
the plates like the panes of ice
she broke from the water bucket
winter mornings, the flaring cups
like tulips that opened too early

Debridement
Black men are oaks cut down.

Congressional Medal of Honor Society
United States of America chartered by
Congress, August 14, 1958; this certifies
that STAC John Henry Louis is a member
of this society.

“Don’t ask me anything about the

Great are the Hittites.
Their ears have mice and mice have holes.
Their dogs bury themselves and leave the bones
To guard the house. A single weed holds all their storms
Until the spiderwebs spread over the heavens.
There are bits of straw in their lakes and rivers
Looking for drowned men. When a camel won’t pass
Through the eye of one of their needles,

Washing Kai in the sauna,
The kerosene lantern set on a box
outside the ground-level window,
Lights up the edge of the iron stove and the
washtub down on the slab
Steaming air and crackle of waterdrops
brushed by on the pile of rocks on top
He stands in warm water

They remember the dead who died in the resistance.
It is in sweet tones that they speak of them.
They shake their heads, still, after the dinner

Walking back to the car, while an evening snow
That has started windlessly, white from pearl-gray,
Falls into streets that are already slushy.

They shake their heads, as we do when there is something
Too strange to believe,

1894 You couldn’t pack a Broadwood half a mile—
You mustn’t leave a fiddle in the damp—

Whenever I see two women
crowned, constellated friends

it is as if three birch trees wept together
in a field by a constant spring.

The third woman isn’t there

exactly, but just before them a flame
bursts out, then disappears

in a blurred, electric shining

The black kitten cries at her bowl
meek meek and the gray one glowers
from the windowsill. My hand on the can
to serve them. First day of spring.
Yesterday I drove my little mother for hours
through wet snow. Her eightieth birthday.
What she wanted was that ride with me—
shopping, gossiping, mulling old grievances,

I stand alone at the foot
Of my father’s grave,
Trembling to tell:
The door to the granary is open,
Sir,
And someone lost the bucket
To the well.

Hard, heavy, slow, dark,
Or so I find them, the hands of Te Whaea

Teaching me to die. Some lightness will come later
When the heart has lost its unjust hope

For special treatment. Today I go with a bucket
Over the paddocks of young grass,

So delicate like fronds of maidenhair,
Looking for mushrooms. I find twelve of them,

After fighting with his dead brothers and his dead sisters
he chose to paint the dead rooster of his youth,
thinking God wouldn’t mind a rooster, would he?—or thinking
a rooster would look good in a green armchair
with flecks of blood on his breast and thighs, his wings
resting a little, their delicate bones exposed, a
few of the plumes in blue against the yellow
naked body, all of those feathers plucked

Mildest of all the powers of earth: no lightnings
For her—maniacal in the clouds. No need for
Signs with their skull and crossbones, chain-link gates:
Danger! Keep Out! High Gravity! she’s friendlier.
Won’t nurse—unlike the magnetic powers—repugnance;
Would reconcile, draw close: her passion’s love.

No terrors lurking in her depths, like those
Bound in that buzzing strongbox of the atom,

Yesterday I found my pipe while pondering a long evening of work, of fine winter work. Thrown aside were my cigarettes, with all the childish joys of summer, into the past which the leaves shining blue in the sun, the muslins, illuminate, and taken up once again was the grave pipe of a serious man who wants to smoke for a long while without being disturbed, so as better to work: but I was not prepared for the surprise that this abandoned object had in store for me; for hardly had I drawn the first puff when I forgot the grand books I was planning to write, and, amazed, moved to a feeling of tenderness, I breathed in the air of the previous winter which was now coming back to me. I had not been in contact with my faithful sweetheart since returning to France, and now all of London, London as I had lived it a year ago entirely alone, appeared before my eyes: first the dear fogs that muffle one’s brains and have an odor of their own there when they penetrate beneath the casements. My tobacco had the scent of a somber room with leather furniture sprinkled by coal dust, on which the thin black cat would curl and stretch; the big fires! and the maid with red arms pouring coals, and the noise of those coals falling from the sheet-iron bucket into the iron scuttle in the morning—when the postman gave the solemn double knock that kept me alive! Once again I saw through the windows those sickly trees of the deserted square—I saw the open sea, crossed so often that winter, shivering on the deck of the steamer wet with drizzle and blackened from the fumes—with my poor wandering beloved, decked out in traveller’s clothes, a long dress, dull as the dust of the roads, a coat clinging damply to her cold shoulders, one of those straw hats with no feather and hardly any ribbons that wealthy ladies throw away upon arrival, mangled as they are by the sea, and that poor loved ones refurbish for many another season. Around her neck was wound the terrible handkerchief that one waves when saying goodbye forever.

for Richard Griffith 1 THE BURNING

Girl grown woman fire mother of fire