Virgil, Aeneid, II, ii. 250–267

Ne Rubeam, Pingui donatus Munere
(Horace, Epistles II.i.267)
While you, great patron of mankind, sustain
The balanc'd world, and open all the main;
Your country, chief, in arms abroad defend,
At home, with morals, arts, and laws amend;

41
His classic studies made a little puzzle,
Because of filthy loves of gods and goddesses,
Who in the earlier ages raised a bustle,
But never put on pantaloons or bodices;
His reverend tutors had at times a tussle,
And for their Aeneids, Iliads, and Odysseys,
Were forced to make an odd sort of apology,
For Donna Inez dreaded the mythology.

42
Ovid's a rake, as half his verses show him,
Anacreon's morals are a still worse sample,

for Jim Carroll, on his birthday A lovely body gracefully is nodding
Out of a blue Buffalo

The bridge barely curved that connects the terrible with the tender.
—Rilke 1

The children play at the Luxembourg fountain.

I

Once I had 1000 roses.
Literally 1000 roses.
I was working for a florist
back in the shambling ‘Thirties
when iced skids of 250 roses
sold for $2 at Faneuil Hall.
So for $8 I bought

I.

Ille Ego

Oh! list to me: for I’m about
To catch the fire of Chaucer,
And spin in doleful measure out
The tale of Johnny Raw, sir;

Who, bent upon a desperate plan
To make the people stare,
Set off full speed for Hindoostan
Upon Old Poulter’s mare.

(1864) Listless he eyes the palisades
And sentries in the glare;
’Tis barren as a pelican-beach—
But his world is ended there.

xxiv
What is far hence led to the den of making:
Moves unlike wildfire | not so simple-happy
Ploughman hammers ploughshare his durum dentem
Digging the Georgics

Vision loads landscape | lauds Idoto Mater
Bearing up sacrally so graced with bodies
Voids the challenge how far from Igboland great-
Stallioned Argos

Vehemencies minus the ripe arraignment
Clapper this art taken to heart the fiction
What are those harsh cryings astrew the marshes
Weep not to hear them

1

THE GESTURE

The question is: how does one hold an apple
Who likes apples

And how does one handle
Filth? The question is

How does one hold something
In the mind which he intends

The village life, and every care that reigns
O'er youthful peasants and declining swains;
What labour yields, and what, that labour past,
Age, in its hour of languor, finds at last;
What forms the real picture of the poor,
Demands a song—the Muse can give no more.
Fled are those times, if e'er such times were seen,
When rustic poets praised their native green;

Tonight, grave sir, both my poor house, and I
Do equally desire your company;
Not that we think us worthy such a guest,
But that your worth will dignify our feast
With those that come, whose grace may make that seem
Something, which else could hope for no esteem.
It is the fair acceptance, sir, creates
The entertainment perfect, not the cates.
Yet shall you have, to rectify your palate,
An olive, capers, or some better salad
Ushering the mutton; with a short-legged hen,
If we can get her, full of eggs, and then
Lemons, and wine for sauce; to these a cony
Is not to be despaired of, for our money;
And, though fowl now be scarce, yet there are clerks,

in memory of R.I.S. 1.

Would I know her anywhere, this child

The poet’s duties: no need to stress
The subject’s dullness, nonetheless
Here’s an incestuous address
In Robert Burns’ style
To one whom all the Muses bless
At Great Turnstile.

I’ve no excuses for this theme.
Prescription is less popular than dream

Now is the time for mirth,
Nor cheek or tongue be dumb;
For with the flow'ry earth
The golden pomp is come.

The golden pomp is come;
For now each tree does wear,
Made of her pap and gum,

Roman Virgil, thou that singest
Ilion's lofty temples robed in fire,
Ilion falling, Rome arising,
wars, and filial faith, and Dido's pyre;

Landscape-lover, lord of language
more than he that sang the "Works and Days,"
All the chosen coin of fancy
flashing out from many a golden phrase;