Air and Angels

After reading Ash Wednesday
she looked once at the baked beans
and fled. Luncheonless, poor girl,
she observed a kind of poetic Lent—
and I had thought I liked poetry
better than she did.

I do. But to me its most endearing
quality is its unsuitableness;

The moon came late to a lonesome bog,
And there sat Goggleky Gluck, the frog.
‘My stars!’ she cried, and veiled her face,
‘What very grand people they have in this place!’

All in green went my love riding
on a great horse of gold
into the silver dawn.

four lean hounds crouched low and smiling
the merry deer ran before.

Fleeter be they than dappled dreams
the swift sweet deer
the red rare deer.

1.
i'm crazy bout that chile but she gotta go.
she don't pay me no mind no mo. guess her
mama was right to put her out cuz she
couldn't do nothin wid her. but she been
mine so long. she been my heart so long
now she breakin it wid her bad habits.
always runnin like a machine out of control;

Where, like a pillow on a bed
A pregnant bank swell'd up to rest
The violet's reclining head,
Sat we two, one another's best.
Our hands were firmly cemented
With a fast balm, which thence did spring;
Our eye-beams twisted, and did thread
Our eyes upon one double string;
So to'intergraft our hands, as yet
Was all the means to make us one,
And pictures in our eyes to get
Was all our propagation.
As 'twixt two equal armies fate
Suspends uncertain victory,
Our souls (which to advance their state

Stars from five wars, scars,
Words filled with ice and fear,
Nightflares and fogginess,
and a studied regularity.
Gon’ lay down my sword ’n’ shield—
Down by the river side, down by the river side—
Down by the river side...

Former Sergeant Crothers, among the worst,

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I'll rise.

Does my sassiness upset you?
Why are you beset with gloom?
’Cause I walk like I've got oil wells
Pumping in my living room.

A Book of Verses underneath the Bough,
A Jug of Wine, A Loaf of Bread—and Thou
Beside me singing in the Wilderness—
Oh, Wilderness were Paradise enow!

At supper time an ondine’s narrow feet
made dark tracks on the hearth.
Like the heart of a yellow fruit was the fire’s heat,
but they rubbed together quite blue with the cold.
The sandy hem of her skirt dripped on the floor.
She sat there with a silvered cedar knot
for a low stool; and I sat opposite,
my lips and eyelids hot

Romance, who loves to nod and sing,
With drowsy head and folded wing,
Among the green leaves as they shake
Far down within some shadowy lake,
To me a painted paroquet
Hath been—a most familiar bird—
Taught me my alphabet to say—
To lisp my very earliest word
While in the wild wood I did lie,
A child—with a most knowing eye.
Of late, eternal Condor years
So shake the very Heaven on high
With tumult as they thunder by,
I have no time for idle cares
Through gazing on the unquiet sky.

Black mountain

black mountain
blocks the earth’s light.
Time—time—time
to give back to God his ticket.

I refuse to—be. In
the madhouse of the inhumans
I refuse to—live. To swim

I ply with all the cunning of my art This little thing, and with consummate care
I fashion it—so that when I depart,
Those who come after me shall find it fair
And beautiful. It must be free of flaws—
Pointing no laborings of weary hands;

Ring out, wild bells, to the wild sky,
The flying cloud, the frosty light:
The year is dying in the night;
Ring out, wild bells, and let him die.

Ring out the old, ring in the new,
Ring, happy bells, across the snow:
The year is going, let him go;
Ring out the false, ring in the true.

Ring out the grief that saps the mind
For those that here we see no more;
Ring out the feud of rich and poor,
Ring in redress to all mankind.

I met a traveller from an antique land,
Who said—“Two vast and trunkless legs of stone
Stand in the desert. . . . Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;

Poor soul, the centre of my sinful earth,
[......] these rebel powers that thee array,
Why dost thou pine within and suffer dearth,
Painting thy outward walls so costly gay?
Why so large cost, having so short a lease,
Dost thou upon thy fading mansion spend?
Shall worms, inheritors of this excess,
Eat up thy charge? Is this thy body's end?
Then soul, live thou upon thy servant's loss
And let that pine to aggravate thy store;
Buy terms divine in selling hours of dross;
Within be fed, without be rich no more.
So shalt thou feed on Death, that feeds on men,
And, Death once dead, there's no more dying then.

Once, in the city of Kalamazoo,
The gods went walking, two and two,
With the friendly phoenix, the stars of Orion,
The speaking pony and singing lion.
For in Kalamazoo in a cottage apart
Lived the girl with the innocent heart.

Thenceforth the city of Kalamazoo
Was the envied, intimate chum of the sun.
He rose from a cave by the principal street.
The lions sang, the dawn-horns blew,
And the ponies danced on silver feet.
He hurled his clouds of love around;
Deathless colors of his old heart
Draped the houses and dyed the ground.

My goldfinch, I'll toss back my head—
let's look at the world, you and I:
a wintry day, prickly as stubble,
is it just as rough on your eye?

Tail like a boat, black and gold plumage,
dipped in paint from the beak down—
are you aware, my little goldfinch,
what a goldfinch dandy you are?

America I’ve given you all and now I’m nothing.
America two dollars and twentyseven cents January 17, 1956.
I can’t stand my own mind.
America when will we end the human war?
Go fuck yourself with your atom bomb.
I don’t feel good don’t bother me.
I won’t write my poem till I’m in my right mind.
America when will you be angelic?

Her arms around me—child—
Around my head, hugging with her whole arms,
Whole arms as if I were a loved and native rock,
The apple in her hand—her apple and her father,
and my nose pressed
Hugely to the collar of her winter coat—. There
in the photograph

It is the child who is the branch

We have set out from here for the sublime
Pastures of summer shade and mountain stream;
I have no doubt we shall arrive on time.

Is all the green of that enameled prime
A snapshot recollection or a dream?
We have set out from here for the sublime

Without provisions, without one thin dime,
And yet, for all our clumsiness, I deem