To a Friend Whose Work Has Come to Nothing

(from Henry V, spoken by King Henry) Once more unto the breach, dear friends, once more;
Or close the wall up with our English dead.
In peace there's nothing so becomes a man
As modest stillness and humility:

Where does such tenderness come from?
These aren’t the first curls
I’ve wound around my finger—
I’ve kissed lips darker than yours.

The sky is washed and dark
(Where does such tenderness come from?)
Other eyes have known
and shifted away from my eyes.

But I’ve never heard words like this
in the night
(Where does such tenderness come from?)
with my head on your chest, rest.

I dreamed that I was old: in stale declension
Fallen from my prime, when company
Was mine, cat-nimbleness, and green invention,
Before time took my leafy hours away.

My wisdom, ripe with body’s ruin, found
Itself tart recompense for what was lost
In false exchange: since wisdom in the ground
Has no apocalypse or pentecost.

The living come with grassy tread
To read the gravestones on the hill;
The graveyard draws the living still,
But never any more the dead.

The verses in it say and say:
‘The ones who living come today
To read the stones and go away
Tomorrow dead will come to stay.’

Father of all! in every age,
In every clime adored,
By saint, by savage, and by sage,
Jehovah, Jove, or Lord!

Thou Great First Cause, least understood:
Who all my sense confined
To know but this—that thou art good,
And that myself am blind:

Yet gave me, in this dark estate,
To see the good from ill;
And binding Nature fast in fate,
Left free the human will.

Not soon, as late as the approach of my ninetieth year,
I felt a door opening in me and I entered
the clarity of early morning.

One after another my former lives were departing,
like ships, together with their sorrow.

And the countries, cities, gardens, the bays of seas
assigned to my brush came closer,
ready now to be described better than they were before.

Come, Holy Spirit,
bending or not bending the grasses,
appearing or not above our heads in a tongue of flame,
at hay harvest or when they plough in the orchards or when snow
covers crippled firs in the Sierra Nevada.
I am only a man: I need visible signs.
I tire easily, building the stairway of abstraction.
Many a time I asked, you know it well, that the statue in church

PART I

I
In a far country, and a distant age,
Ere sprites and fays had bade farewell to earth,
A boy was born of humble parentage;
The stars that shone upon his lonely birth
Did seem to promise sovereignty and fame—
Yet no tradition hath preserved his name.

II
’T is said that on the night when he was born,
A beauteous shape swept slowly through the room;
Its eyes broke on the infant like a morn,
And his cheek brightened like a rose in bloom;

And the angel Israfel, whose heart-strings are a lute, and who has the sweetest voice of all God’s creatures. —KORAN In Heaven a spirit doth dwell
“Whose heart-strings are a lute”;

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
Only this and nothing more.”

Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.

Give me something to eat,
Good people, I pray;
I have really not had
One mouthful today!

I am hungry and cold,
And last night I dreamed
A scarecrow had caught me—
Good land, how I screamed!

Of one little children
And six ailing wives
(No, one wife and six children),
Not one of them thrives.

Why did my parents send me to the schools
That I with knowledge might enrich my mind?
Since the desire to know first made men fools,
And did corrupt the root of all mankind.

I

Swear by what the Sages spoke
Round the Mareotic Lake
That the Witch of Atlas knew,
Spoke and set the cocks a-crow.

Swear by those horsemen, by those women,
Complexion and form prove superhuman,
That pale, long visaged company

Written for the Nativity of Our Lord, Puebla, 1689. Since Love is shivering
in the ice and cold,

Can these movements which move themselves
be the substance of my attraction?
Where does this thin green silk come from that covers my body?
Surely any woman wearing such fabrics
would move her body just to feel them touching every part of her.

Yet most of the women frown, or look away, or laugh stiffly.
They are afraid of these materials and these movements
in some way.

1.
i'm crazy bout that chile but she gotta go.
she don't pay me no mind no mo. guess her
mama was right to put her out cuz she
couldn't do nothin wid her. but she been
mine so long. she been my heart so long
now she breakin it wid her bad habits.
always runnin like a machine out of control;

As I drew nearer to the end of all desire,
I brought my longing's ardor to a final height,
Just as I ought. My vision, becoming pure,

Entered more and more the beam of that high light
That shines on its own truth. From then, my seeing
Became too large for speech, which fails at a sight

Beyond all boundaries, at memory's undoing—
As when the dreamer sees and after the dream

As you came from the holy land
of Walsinghame
Met you not with my true love
By the way as you came?

How shall I know your true love
That have met many one
As I went to the holy land

Colin, why this mistake?
Why plead thy foolish love?
My heart shall sooner break
Than I a minion prove;
Nor care I half a rush,
No snare I spread for thee:
Go home, my friend, and blush
For love and liberty.

Do not allow me to sink, I said
To a top floating ribbon of kelp.
As I was lifted on each wave
And made to slide into the vale
I wanted not to drown. I wanted
To make it all right with my dear,
To tell my cat I’ll be away,
To have them all destroyed, the poems