at the third floor window of the tenement, the street looks shiny. It has been washed and rinsed by rain. Beyond the silver streaks of the streetcar tracks a single streetlight stands in a pool of wet light. It is night. St. Louis. Nineteen forty-seven. I have just come home from the orphanage
I cry your mercy—pity—love!—aye, love! Merciful love that tantalizes not, One-thoughted, never-wandering, guileless love, Unmasked, and being seen—without a blot! O! let me have thee whole,—all—all—be mine! That shape, that fairness, that sweet minor zest Of love, your kiss,—those hands, those eyes divine, That warm, white, lucent, million-pleasured breast,
Over gutters and over parking lots, over rooftops, fountains, cloudbanks and the bay, beyond the sun, beyond the medium that fills unoccupied space, beyond the confines of the known
universe, ghost, you slip out of me with the ease of a swimmer at one with the waves, furrowing the deep with a pleasure we can’t articulate
For God's sake hold your tongue, and let me love, Or chide my palsy, or my gout, My five gray hairs, or ruined fortune flout, With wealth your state, your mind with arts improve, Take you a course, get you a place, Observe his honor, or his grace, Or the king's real, or his stampèd face Contemplate; what you will, approve, So you will let me love.
Alas, alas, who's injured by my love? What merchant's ships have my sighs drowned? Who says my tears have overflowed his ground? When did my colds a forward spring remove? When did the heats which my veins fill
Twilight—and you, Quiet—the stars; Snare of the shine of your teeth, Your provocative laughter, The gloom of your hair; Lure of you, eye and lip ; Yearning, yearning, Languor, surrender;
One face looks out from all his canvases, One selfsame figure sits or walks or leans: We found her hidden just behind those screens, That mirror gave back all her loveliness. A queen in opal or in ruby dress, A nameless girl in freshest summer-greens, A saint, an angel — every canvas means The same one meaning, neither more or less.
The craving of Samuel Rouse for clearance to create was surely as hot as the iron that buffeted him. His passion for freedom so strong that it molded the smouldering fashions he laced, for how also could a slave plot or counterplot such incomparable shapes,
form or reform, for house after house, the intricate Patio pattern, the delicate Rose and Lyre, the Debutante Settee,
All night I stumble through the fields of light, And chase in dreams the starry rays divine That shine through soft folds of the robe of night, Hung like a curtain round a sacred shrine.
When daylight dawns I leave the meadows sweet And come back to the dark house built of clay, Over the threshold pass with lagging feet, Open the shutters and let in the day.
On this Day I Complete my Thirty-Sixth Year 'Tis time this heart should be unmoved, Since others it hath ceased to move: Yet though I cannot be beloved, Still let me love!
(from Julius Caesar, spoken by Marc Antony)
Friends, Romans, countrymen, lend me your ears;
I come to bury Caesar, not to praise him.
The evil that men do lives after them;
The good is oft interred with their bones;
So let it be with Caesar. The noble Brutus
Hath told you Caesar was ambitious:
If it were so, it was a grievous fault,
Puerto Rico was created when the pumpkin on top of The turtle burst and its teeming waters poured out With all mankind and beastkind riding on the waves Until the water drained leaving a tropical paradise.
Puerto Rico was stumbled on by lost vampires bearing Crucifix in one hand, arquebus in the other, sucking The veins of land and men, tossing the pulp into the Compost heap which they used as the foundation for
Can these movements which move themselves be the substance of my attraction? Where does this thin green silk come from that covers my body? Surely any woman wearing such fabrics would move her body just to feel them touching every part of her.
Yet most of the women frown, or look away, or laugh stiffly. They are afraid of these materials and these movements in some way.
We aged a hundred years and this descended In just one hour, as at a stroke. The summer had been brief and now was ended; The body of the ploughed plains lay in smoke.
The hushed road burst in colors then, a soaring Lament rose, ringing silver like a bell. And so I covered up my face, imploring God to destroy me before battle fell.
My voice, not being proud Like a strong woman’s, that cries Imperiously aloud That death disarm her, lull her— Screams for no mourning color Laid menacingly, like fire, Over my long desire. It will end, and leave no print.
I burned my life, that I might find A passion wholly of the mind, Thought divorced from eye and bone, Ecstasy come to breath alone. I broke my life, to seek relief From the flawed light of love and grief.
With mounting beat the utter fire Charred existence and desire.
217 Ambition was my idol, which was broken Before the shrines of Sorrow and of Pleasure; And the two last have left me many a token O'er which reflection may be made at leisure: Now, like Friar Bacon's brazen head, I've spoken, 'Time is, Time was, Time's past', a chymic treasure Is glittering youth, which I have spent betimes— My heart in passion, and my head on rhymes.
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