A Ballad of Baseball Burdens

We aged a hundred years and this descended
In just one hour, as at a stroke.
The summer had been brief and now was ended;
The body of the ploughed plains lay in smoke.

The hushed road burst in colors then, a soaring
Lament rose, ringing silver like a bell.
And so I covered up my face, imploring
God to destroy me before battle fell.

Kneel down, fair Love, and fill thyself with tears,
Girdle thyself with sighing for a girth
Upon the sides of mirth,
Cover thy lips and eyelids, let thine ears
Be filled with rumour of people sorrowing;
Make thee soft raiment out of woven sighs
Upon the flesh to cleave,
Set pains therein and many a grievous thing,
And many sorrows after each his wise
For armlet and for gorget and for sleeve.

O Love's lute heard about the lands of death,
Left hanged upon the trees that were therein;
O Love and Time and Sin,
Three singing mouths that mourn now underbreath,

Late, late yestreen I saw the new Moon,
With the old Moon in her arms;
And I fear, I fear, my Master dear!
We shall have a deadly storm.
(Ballad of Sir Patrick Spence)
I
Well! If the Bard was weather-wise, who made
The grand old ballad of Sir Patrick Spence,
This night, so tranquil now, will not go hence

(from A Midsummer Night's Dream, spoken by Bottom) When my cue comes, call me, and I will answer. My next is “Most fair Pyramus.” Heigh-ho! Peter Quince? Flute the bellows-mender? Snout the tinker? Starveling? God’s my life, stol'n hence, and left me asleep? I have had a most rare vision. I have had a dream—past the wit of man to say what dream it was. Man is but an ass if he go about to expound this dream. Methought I was—there is no man can tell what. Methought I was, and methought I had—but man is but a patched fool if he will offer to say what methought I had. The eye of man hath not heard, the ear of man hath not seen, man’s hand is not able to taste, his tongue to conceive, nor his heart to report what my dream was. I will get Peter Quince to write a ballad of this dream.It shall be called “Bottom’s Dream” because it hath no bottom. And I will sing it in the latter end of a play before the duke. Peradventure, to make it the more gracious, I shall sing it at her death.

(from As You Like It, spoken by Jaques)
All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse’s arms;
And then the whining school-boy, with his satchel

1.

Far from the sea far from the sea
of Breton fishermen
the white clouds scudding
over Lowell
and the white birches the
bare white birches
along the blear night roads

I came here, being stricken, stumbling out
At last from streets; the sun, decreasing, took me
For days, the time being the last of autumn,
The thickets not yet stark, but quivering
With tiny colors, like some brush strokes in
The manner of the pointillists; small yellows
Dart shaped, little reds in different pattern,
Clicks and notches of color on threaded bushes,

Alan drives a cab at night,
Has cab driver’s elbow
In his left arm,
Sells real estate by day.

Alan dreams of a big deal,
Of opening a classy poolhall.
Has a four million dollar deal
Which will probably fall through,

in memory of R.I.S. 1.

Would I know her anywhere, this child

I don’t know somehow it seems sufficient
to see and hear whatever coming and going is,
losing the self to the victory
of stones and trees,
of bending sandpit lakes, crescent
round groves of dwarf pine:

for it is not so much to know the self
as to know it as it is known

Somebody dies every four minutes
in New York State —

To hell with you and your poetry —
You will rot and be blown
through the next solar system
with the rest of the gases —

What the hell do you know about it ?

AXIOMS

In all these rotten shops, in all this broken furniture
and wrinkled ties and baseball trophies and coffee pots
I have never seen a postwar Philco
with the automatic eye
nor heard Ravel's "Bolero" the way I did
in 1945 in that tiny living room
on Beechwood Boulevard, nor danced as I did
then, my knives all flashing, my hair all streaming,

I

Driving westward near Niagara, that transfiguring of the waters,
I was torn—as moon from orbit by a warping of gravitation—
From coercion of the freeway to the cataract’s prodigality,
Had to stand there, breathe its rapture, inebriety of the precipice . . .

Fingers clamped to iron railings in a tremor of earth’s vibration,
I look upstream: foam and boulders wail with a biblical desolation,
Tree roots, broken oar, a pier end, wrack of the continent dissolving . . .

I

O what a physical effect it has on me
To dive forever into the light blue sea
Of your acquaintance! Ah, but dearest friends,
Like forms, are finished, as life has ends! Still,
It is beautiful, when October
Is over, and February is over,

Sprinting across the freeway just ahead of them having set his left foot down
directly onto the pavement from the ledge of the cement divide and edging his
other leg forward deliberately—caught the way sports pages show an athlete with
muscles condensed in the effort of crossing through a particular space—and then
she sees the cars coming towards him giving off that early morning shine across
their hoods almost colorless but precipitous in the four-lane parallel rush of metal
and cannot tell if any driver straining into the distance further ahead has seen him
or possibly has caught that glint off the long black flashlight he appears to carry
with its up-beam turned on full and faintly visible due to the angle of early sun
falling over the midwestern plains fanning out in every direction away from the
sudden view of the airport hub’s acclaimed architectural design.

She sees the brief alignment of his body methodically finding its way across the
freeway lanes blue baseball cap fit snugly over his head to just above the hairline
where now dusky skin of his neck breaks into the picture. He’s made it halfway,

Plurality is all. I walk among the restaurants,
the theatres, the grocery stores; I ride the cars
and hear of Mrs. Bedford’s teeth and Albuquerque,
strikes unsettled, someone’s simply marvelous date,
news of the German Jews, the baseball scores,
storetalk and whoretalk, talk of wars. I turn
the pages of a thousand books to read
the names of Buddha, Malthus, Walker Evans, Stendhal, André Gide,

1

The angel —
three years we waited for him, attention riveted,
closely scanning
the pines the shore the stars.
One with the blade of the plough or the ship’s keel
we were searching to find once more the first seed
so that the age-old drama could begin again.

For I can snore like a bullhorn
or play loud music
or sit up talking with any reasonably sober Irishman
and Fergus will only sink deeper
into his dreamless sleep, which goes by all in one flash,
but let there be that heavy breathing
or a stifled come-cry anywhere in the house
and he will wrench himself awake

I am leading a quiet life
in Mike’s Place every day
watching the champs
of the Dante Billiard Parlor
and the French pinball addicts.
I am leading a quiet life
on lower East Broadway.
I am an American.

for John Limon The game of baseball is not a metaphor
and I know it’s not really life.