I sit where I always sit, in back of the Buddha, Red leather wing chair, pony skin trunk under my feet, Sky light above me, Chinese and Indian rugs on the floor. 1 March, 1998, where to begin again?
Over there's the ur-photograph, Giorgio Morandi, glasses pushed up on his forehead, Looking hard at four objects— Two olive oil tins, one wine bottle, one flower vase, A universe of form and structure,
The universe constricting in front of his eyes, angelic orders And applications scraped down
‘Tis true, ‘tis day, what though it be? O wilt thou therefore rise from me? Why should we rise because ‘tis light? Did we lie down because ‘twas night? Love, which in spite of darkness brought us hither, Should in despite of light keep us together.
Light hath no tongue, but is all eye; If it could speak as well as spy, This were the worst that it could say, That being well I fain would stay, And that I loved my heart and honour so, That I would not from him, that had them, go.
In unexperienced infancy Many a sweet mistake doth lie: Mistake though false, intending true; A seeming somewhat more than view; That doth instruct the mind In things that lie behind, And many secrets to us show Which afterwards we come to know.
Thus did I by the water’s brink Another world beneath me think; And while the lofty spacious skies Reversèd there, abused mine eyes, I fancied other feet Came mine to touch or meet;
all right all right there’s a land where forgetting where forgetting weighs gently upon worlds unnamed there the head we shush it the head is mute and one knows no but one knows nothing the song of dead mouths dies on the shore it has made its voyage there is nothing to mourn
DECAMERON, x. 7 There is no woman living that draws breath So sad as I, though all things sadden her. There is not one upon life's weariest way Who is weary as I am weary of all but death.
'Tis the year's midnight, and it is the day's, Lucy's, who scarce seven hours herself unmasks; The sun is spent, and now his flasks Send forth light squibs, no constant rays; The world's whole sap is sunk; The general balm th' hydroptic earth hath drunk, Whither, as to the bed's feet, life is shrunk, Dead and interr'd; yet all these seem to laugh, Compar'd with me, who am their epitaph.
Study me then, you who shall lovers be At the next world, that is, at the next spring; For I am every dead thing, In whom Love wrought new alchemy. For his art did express
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