Idea 53: Clear Ancor, on whose silver-sanded shore

Harmonious Powers with Nature work
On sky, earth, river, lake, and sea:
Sunshine and storm, whirlwind and breeze
All in one duteous task agree.

Once did I see a slip of earth,
By throbbing waves long undermined,
Loosed from its hold; — how no one knew
But all might see it float, obedient to the wind.

Might see it, from the mossy shore
Dissevered float upon the Lake,
Float, with its crest of trees adorned
On which the warbling birds their pastime take.

—Was it for this
That one, the fairest of all Rivers, lov'd
To blend his murmurs with my Nurse's song,
And from his alder shades and rocky falls,
And from his fords and shallows, sent a voice
That flow'd along my dreams? For this, didst Thou,
O Derwent! travelling over the green Plains
Near my 'sweet Birthplace', didst thou, beauteous Stream

(excerpt)

AN ANATOMY OF THE WORLD
Wherein,
by occasion of the untimely death of Mistress
Elizabeth Drury, the frailty and the decay
of this whole world is represented
THE FIRST ANNIVERSARY When that rich soul which to her heaven is gone,
Whom all do celebrate, who know they have one
(For who is sure he hath a soul, unless
It see, and judge, and follow worthiness,

First Psalm

Let there be a God as large as a sunlamp to laugh his heat at you.

Let there be an earth with a form like a jigsaw and let it fit for all of ye.

Let there be the darkness of a darkroom out of the deep. A worm room.

Let there be a God who sees light at the end of a long thin pipe and lets it in.

Let God divide them in half.

Let God share his Hoodsie.

Let the waters divide so that God may wash his face in first light.

And the angel Israfel, whose heart-strings are a lute, and who has the sweetest voice of all God’s creatures. —KORAN In Heaven a spirit doth dwell
“Whose heart-strings are a lute”;

Father of all! in every age,
In every clime adored,
By saint, by savage, and by sage,
Jehovah, Jove, or Lord!

Thou Great First Cause, least understood:
Who all my sense confined
To know but this—that thou art good,
And that myself am blind:

Yet gave me, in this dark estate,
To see the good from ill;
And binding Nature fast in fate,
Left free the human will.

"As certain also of your own poets have said"—
(Acts 17.28)
Cleon the poet (from the sprinkled isles,
Lily on lily, that o'erlace the sea
And laugh their pride when the light wave lisps "Greece")—
To Protus in his Tyranny: much health!

Ne Rubeam, Pingui donatus Munere
(Horace, Epistles II.i.267)
While you, great patron of mankind, sustain
The balanc'd world, and open all the main;
Your country, chief, in arms abroad defend,
At home, with morals, arts, and laws amend;

And this is what is left of youth! . . .
There were two boys, who were bred up together,
Shared the same bed, and fed at the same board;
Each tried the other’s sport, from their first chase,
Young hunters of the butterfly and bee,
To when they followed the fleet hare, and tried
The swiftness of the bird. They lay beside
The silver trout stream, watching as the sun

The wind, that beats the mountain, blows
More softly round the open wold,
And gently comes the world to those
That are cast in gentle mould.

And me this knowledge bolder made,
Or else I had not dare to flow
In these words toward you, and invade

Happy Birthday Kenneth Koch/Feb 27 We went to all those places where they restore sadness and joy
and call it art. We were piloted by Auden who became
Unbearably acrimonious when we dropped off Senghor into the
steamy skies of his beloved West Africa. The termites and ants

1.

Tonite in need of you
and God
I move imperfect
through this ancient city.

Quiet. No one hears
No one feels the tears
of multitudes.

Tell me, dear beauty of the dusk,
When purple ribbons bind the hill,
Do dreams your secret wish fulfill,
Do prayers, like kernels from the husk

Come from your lips? Tell me if when
The mountains loom at night, giant shades
Of softer shadow, swift like blades
Of grass seeds come to flower. Then

Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow —
You are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,

Huzza! Hodgson, we are going,
Our embargo's off at last;
Favourable breezes blowing
Bend the canvass o'er the mast.
From aloft the signal's streaming,
Hark! the farewell gun is fir'd;
Women screeching, tars blaspheming,
Tell us that our time's expir'd.

MARIA NEFELE:
I walk in thorns in the dark
of what’s to happen and what has
with my only weapon my only defense
my nails purple like cyclamens.

ANTIPHONIST:
I saw her everywhere. Holding a glass and staring in space. Lying down
listening to records. Walking the streets in wide trousers and an old

As I was going down impassive Rivers,
I no longer felt myself guided by haulers:
Yelping redskins had taken them as targets
And had nailed them naked to colored stakes.

...and a decrepit handful of trees.
—Aleksandr Pushkin

And I matured in peace born of command,
in the nursery of the infant century,
and the voice of man was never dear to me,
but the breeze’s voice—that I could understand.
The burdock and the nettle I preferred,
but best of all the silver willow tree.
Its weeping limbs fanned my unrest with dreams;
it lived here all my life, obligingly.
I have outlived it now, and with surprise.
There stands the stump; with foreign voices other
willows converse, beneath our, beneath those skies,
and I am hushed, as if I’d lost a brother.

Your name is a—bird in my hand,
a piece of ice on my tongue.
The lips’ quick opening.
Your name—four letters.
A ball caught in flight,
a silver bell in my mouth.

A stone thrown into a silent lake
is—the sound of your name.

Little cullud boys with beards
re-bop be-bop mop and stop.

Little cullud boys with fears,
frantic, kick their CC years
into flatted fifths and flatter beers
that at a sudden change become
sparkling Oriental wines
rich and strange