Late, late yestreen I saw the new Moon, With the old Moon in her arms; And I fear, I fear, my Master dear! We shall have a deadly storm. (Ballad of Sir Patrick Spence) I Well! If the Bard was weather-wise, who made The grand old ballad of Sir Patrick Spence, This night, so tranquil now, will not go hence
As rising from the vegetable World My Theme ascends, with equal Wing ascend, My panting Muse; and hark, how loud the Woods Invite you forth in all your gayest Trim. Lend me your Song, ye Nightingales! oh pour The mazy-running Soul of Melody Into my varied Verse! while I deduce, From the first Note the hollow Cuckoo sings,
who goes there? who is this young man born lonely?
who walks there? who goes toward death
whistling through the water
without his chorus? without his posse? without his song?
it is autumn now
in me autumn grieves
in this carved gold of shifting faces
my eyes confess to the fatigue of living.
America I’ve given you all and now I’m nothing. America two dollars and twentyseven cents January 17, 1956. I can’t stand my own mind. America when will we end the human war? Go fuck yourself with your atom bomb. I don’t feel good don’t bother me. I won’t write my poem till I’m in my right mind. America when will you be angelic?
early morning. down to the shore again to find a place to grieve. the place he left lingering. here the ropes were loosed [here he gave me kisses on the shore, here he left] she said
and while she thought and looked and felt, looking out along the shore, in liquid space, she saw—far off not sure—a body or something in the water— wondered what, but then the waves pulled it by—still
(from Henry V, spoken by King Henry) Once more unto the breach, dear friends, once more; Or close the wall up with our English dead. In peace there's nothing so becomes a man As modest stillness and humility:
How changed is here each spot man makes or fills! In the two Hinkseys nothing keeps the same; The village street its haunted mansion lacks, And from the sign is gone Sibylla's name, And from the roofs the twisted chimney-stacks— Are ye too changed, ye hills? See, 'tis no foot of unfamiliar men To-night from Oxford up your pathway strays!
God washes clean the souls and hearts of you, His favored ones, whose backs bend o’er the soil, Which grudging gives to them requite for toil In sober graces and in vision true. God places in your hands the pow’r to do A service sweet. Your gift supreme to foil The bare-fanged wolves of hunger in the moil Of Life’s activities. Yet all too few
PART I 'Tis the middle of night by the castle clock, And the owls have awakened the crowing cock; Tu—whit! Tu—whoo! And hark, again! the crowing cock, How drowsily it crew. Sir Leoline, the Baron rich, Hath a toothless mastiff bitch; From her kennel beneath the rock She maketh answer to the clock, Four for the quarters, and twelve for the hour; Ever and aye, by shine and shower, Sixteen short howls, not over loud; Some say, she sees my lady's shroud.
—Was it for this That one, the fairest of all Rivers, lov'd To blend his murmurs with my Nurse's song, And from his alder shades and rocky falls, And from his fords and shallows, sent a voice That flow'd along my dreams? For this, didst Thou, O Derwent! travelling over the green Plains Near my 'sweet Birthplace', didst thou, beauteous Stream
And the angel Israfel, whose heart-strings are a lute, and who has the sweetest voice of all God’s creatures. —KORAN In Heaven a spirit doth dwell “Whose heart-strings are a lute”;
THE Angel ended, and in Adams Eare So Charming left his voice, that he a while Thought him still speaking, still stood fixt to hear; Then as new wak't thus gratefully repli'd. What thanks sufficient, or what recompence Equal have I to render thee, Divine Hystorian, who thus largely hast allayd The thirst I had of knowledge, and voutsaf't This friendly condescention to relate Things else by me unsearchable, now heard With wonder, but delight, and, as is due, With glorie attributed to the high Creator; something yet of doubt remaines, Which onely thy solution can resolve. When I behold this goodly Frame, this World
Little cullud boys with beards re-bop be-bop mop and stop.
Little cullud boys with fears, frantic, kick their CC years into flatted fifths and flatter beers that at a sudden change become sparkling Oriental wines rich and strange
At supper time an ondine’s narrow feet made dark tracks on the hearth. Like the heart of a yellow fruit was the fire’s heat, but they rubbed together quite blue with the cold. The sandy hem of her skirt dripped on the floor. She sat there with a silvered cedar knot for a low stool; and I sat opposite, my lips and eyelids hot
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