Kneel down, fair Love, and fill thyself with tears, Girdle thyself with sighing for a girth Upon the sides of mirth, Cover thy lips and eyelids, let thine ears Be filled with rumour of people sorrowing; Make thee soft raiment out of woven sighs Upon the flesh to cleave, Set pains therein and many a grievous thing, And many sorrows after each his wise For armlet and for gorget and for sleeve.
O Love's lute heard about the lands of death, Left hanged upon the trees that were therein; O Love and Time and Sin, Three singing mouths that mourn now underbreath,
Time was away and somewhere else, There were two glasses and two chairs And two people with the one pulse (Somebody stopped the moving stairs): Time was away and somewhere else.
And they were neither up nor down; The stream’s music did not stop Flowing through heather, limpid brown,
A mouthful of language to swallow: stretches of beach, sweet clinches, breaches in walls, pleached branches; britches hauled over haunches; bunched leeches, wrenched teachers. What English can do: ransack the warmth that chuckles beneath fuzzed surfaces, smooth velvet
Out of a high meadow where flowers bloom above cloud, come down; pursue me with reasons for smiling without malice.
Bring mimic pride like that of the seedling fir, surprise in the perfect leg-stems and queries unstirred by recognition or fear pooled in the deep eyes.
I I weep for Adonais—he is dead! Oh, weep for Adonais! though our tears Thaw not the frost which binds so dear a head! And thou, sad Hour, selected from all years To mourn our loss, rouse thy obscure compeers, And teach them thine own sorrow, say: "With me Died Adonais; till the Future dares Forget the Past, his fate and fame shall be An echo and a light unto eternity!"
II Where wert thou, mighty Mother, when he lay, When thy Son lay, pierc'd by the shaft which flies In darkness? where was lorn Urania
There is a coal-black Angel With a thick Afric lip, And he dwells (like the hunted and harried) In a swamp where the green frogs dip. But his face is against a City Which is over a bay of the sea, And he breathes with a breath that is blastment, And dooms by a far decree.
When he pushed his bush of black hair off his brow: When she lifted her mop from her eyes, and screwed it in a knob behind —O act of fearful temerity! When they felt their foreheads bare, naked to heaven, their eyes revealed: When they left the light of heaven brandished like a knife at their defenceless eyes
Through Alpine meadows soft-suffused With rain, where thick the crocus blows, Past the dark forges long disused, The mule-track from Saint Laurent goes. The bridge is cross'd, and slow we ride, Through forest, up the mountain-side.
The autumnal evening darkens round, The wind is up, and drives the rain; While, hark! far down, with strangled sound Doth the Dead Guier's stream complain, Where that wet smoke, among the woods, Over his boiling cauldron broods.
who goes there? who is this young man born lonely?
who walks there? who goes toward death
whistling through the water
without his chorus? without his posse? without his song?
it is autumn now
in me autumn grieves
in this carved gold of shifting faces
my eyes confess to the fatigue of living.
Titan! to whose immortal eyes The sufferings of mortality, Seen in their sad reality, Were not as things that gods despise; What was thy pity's recompense? A silent suffering, and intense; The rock, the vulture, and the chain, All that the proud can feel of pain, The agony they do not show, The suffocating sense of woe, Which speaks but in its loneliness, And then is jealous lest the sky Should have a listener, nor will sigh Until its voice is echoless.
When he would not return to fine garments and good food, to his houses and his people, Loingseachan told him, “Your father is dead.” “I’m sorry to hear it,” he said. “Your mother is dead,” said the lad. “All pity for me has gone out of the world.” “Your sister, too, is dead.” “The mild sun rests on every ditch,” he said; “a sister loves even though not loved.” “Suibhne, your daughter is dead.” “And an only daughter is the needle of the heart.” “And Suibhne, your little boy, who used to call you “Daddy”—he is dead.” “Aye,” said Suibhne, “that’s the drop that brings a man to the ground.” He fell out of the yew tree; Loingseachan closed his arms around him and placed him in manacles.—AFTER THE MIDDLE-IRISH ROMANCE, THE MADNESS OF SUIBHNE
Slowly the white dream wrestle(s) to life hands shaping the salt and the foreign cornfields the cold flesh kneaded by fingers is ready for the charcoal for the black wife
of heat the years of green sleeping in the volcano. the dream becomes tougher. settling into its shape like a bullfrog. suns rise and electrons touch it. walls melt into brown. moving to crisp and crackle
Poor soul, the centre of my sinful earth, [......] these rebel powers that thee array, Why dost thou pine within and suffer dearth, Painting thy outward walls so costly gay? Why so large cost, having so short a lease, Dost thou upon thy fading mansion spend? Shall worms, inheritors of this excess, Eat up thy charge? Is this thy body's end? Then soul, live thou upon thy servant's loss And let that pine to aggravate thy store; Buy terms divine in selling hours of dross; Within be fed, without be rich no more. So shalt thou feed on Death, that feeds on men, And, Death once dead, there's no more dying then.
Late, late yestreen I saw the new Moon, With the old Moon in her arms; And I fear, I fear, my Master dear! We shall have a deadly storm. (Ballad of Sir Patrick Spence) I Well! If the Bard was weather-wise, who made The grand old ballad of Sir Patrick Spence, This night, so tranquil now, will not go hence
I don’t love you as if you were a rose of salt, topaz, or arrow of carnations that propagate fire: I love you as one loves certain obscure things, secretly, between the shadow and the soul.
I love you as the plant that doesn’t bloom but carries the light of those flowers, hidden, within itself, and thanks to your love the tight aroma that arose from the earth lives dimly in my body.
See, Winter comes to rule the varied year, Sullen and sad, with all his rising train— Vapours, and clouds, and storms. Be these my theme, These, that exalt the soul to solemn thought And heavenly musing. Welcome, kindred glooms! Congenial horrors, hail! With frequent foot, Pleas’d have I, in my cheerful morn of life, When nurs’d by careless solitude I liv’d And sung of Nature with unceasing joy, Pleas’d have I wander’d through your rough domain; Trod the pure virgin-snows, myself as pure; Heard the winds roar, and the big torrent burst; Or seen the deep-fermenting tempest brew’d In the grim evening-sky. Thus pass’d the time, Till through the lucid chambers of the south
An axe rang sharply ’mid those forest shades Which from creation toward the skies had tower’d In unshorn beauty. There, with vigorous arm Wrought a bold emigrant, and by his side His little son, with question and response, Beguiled the toil. ‘Boy, thou hast never seen Such glorious trees. Hark, when their giant trunks Fall, how the firm earth groans. Rememberest thou The mighty river, on whose breast we sail’d, So many days, on toward the setting sun? Our own Connecticut, compar’d to that, Was but a creeping stream.’ ‘Father, the brook That by our door went singing, where I launch’d
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