Aunt Mildred tied up her petticoats with binder’s twine, and my great-uncle Ezekiel waxed and waxed his moustaches into flexibility. It was the whole family off then into the dangerous continent of air
and while the salesman with the one gold eyetooth told us the cords at our ankles were guaranteed to stretch to their utmost and then bring us safely back to the fried chicken and scalloped potatoes of Sunday dinner
The unpurged images of day recede; The Emperor's drunken soldiery are abed; Night resonance recedes, night-walkers' song After great cathedral gong; A starlit or a moonlit dome disdains All that man is, All mere complexities, The fury and the mire of human veins.
Because I feel that, in the Heavens above, The angels, whispering to one another, Can find, among their burning terms of love, None so devotional as that of “Mother,” Therefore by that dear name I long have called you— You who are more than mother unto me, And fill my heart of hearts, where Death installed you In setting my Virginia's spirit free.
Once, in the city of Kalamazoo, The gods went walking, two and two, With the friendly phoenix, the stars of Orion, The speaking pony and singing lion. For in Kalamazoo in a cottage apart Lived the girl with the innocent heart.
Thenceforth the city of Kalamazoo Was the envied, intimate chum of the sun. He rose from a cave by the principal street. The lions sang, the dawn-horns blew, And the ponies danced on silver feet. He hurled his clouds of love around; Deathless colors of his old heart Draped the houses and dyed the ground.
Ave Faustina Imperatrix, morituri te salutant. Lean back, and get some minutes' peace; Let your head lean Back to the shoulder with its fleece Of locks, Faustine.
early morning. down to the shore again to find a place to grieve. the place he left lingering. here the ropes were loosed [here he gave me kisses on the shore, here he left] she said
and while she thought and looked and felt, looking out along the shore, in liquid space, she saw—far off not sure—a body or something in the water— wondered what, but then the waves pulled it by—still
Duncan Gray came here to woo, Ha, ha, the wooin o't! On blythe Yule night when we were fou, Ha, ha, the wooin o't! Maggie coost her head fu high, Look'd asklent and unco skeigh, Gart poor Duncan stand abeigh; Ha, ha, the wooin o't!
Duncan fleech'd, and Duncan pray'd, Ha, ha, the wooin o't! Meg was deaf as Ailsa Craig, Ha, ha, the wooin o't! Duncan sigh'd baith out and in, Grat his een baith bleer't and blin',
Ah blessed absence of God, How lovingly I am bound to you! You strengthen my will in its pain And make dear to me The long hard wait in my poor body. The nearer I come to you, The more wonderfully and abundantly God comes upon me,
Can these movements which move themselves be the substance of my attraction? Where does this thin green silk come from that covers my body? Surely any woman wearing such fabrics would move her body just to feel them touching every part of her.
Yet most of the women frown, or look away, or laugh stiffly. They are afraid of these materials and these movements in some way.
I tell thee, Dick, where I have been, Where I the rarest things have seen; Oh, things without compare! Such sights again cannot be found In any place on English ground, Be it at wake, or fair.
They have set aside their black tin boxes, scratched and dented, spattered with drops of pink and blue; and their dried-up, rolled-up tubes of alizarin crimson, chrome green, zinc white, and ultramarine; their vials half full of gold powder; stubs of wax pencils;
(from Henry V, spoken by King Henry) Once more unto the breach, dear friends, once more; Or close the wall up with our English dead. In peace there's nothing so becomes a man As modest stillness and humility:
Here, where the world is quiet; Here, where all trouble seems Dead winds' and spent waves' riot In doubtful dreams of dreams; I watch the green field growing For reaping folk and sowing, For harvest-time and mowing, A sleepy world of streams.
I am tired of tears and laughter, And men that laugh and weep; Of what may come hereafter For men that sow to reap: I am weary of days and hours, Blown buds of barren flowers,
somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near
your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully, mysteriously) her first rose
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