The unpurged images of day recede; The Emperor's drunken soldiery are abed; Night resonance recedes, night-walkers' song After great cathedral gong; A starlit or a moonlit dome disdains All that man is, All mere complexities, The fury and the mire of human veins.
Ugliest little boy that everyone ever saw. That is what everyone said.
Even to his mother it was apparent— when the blue-aproned nurse came into the northeast end of the maternity ward bearing his squeals and plump bottom looped up in a scant receiving blanket,
Do not allow me to sink, I said To a top floating ribbon of kelp. As I was lifted on each wave And made to slide into the vale I wanted not to drown. I wanted To make it all right with my dear, To tell my cat I’ll be away, To have them all destroyed, the poems
My dear, your eyes are weary; Rest them a little while. Assume the languid posture Of pleasure mixed with guile. Outside the talkative fountain Continues night and day Repeating my warm passion In whatever it has to say.
The sheer luminous gown The fountain wears Where Phoebe’s very own Color appears Falls like a summer rain Or shawl of tears.
What are you going to do With what is left of yourself Now among the rustling Of your maybe best years? This is not an auto-elegy With me pouring my heart Out into where you Differently stand or sit
(Double Portrait in a Mirror)
I
To the meeting despair of eyes in the street, offer
Your eyes on plates and your liver on skewers of pity.
When the Jericho sky is heaped with clouds which the sun
Trumpets above, respond to Apocalypse
With a headache. In spirit follow
The young men to the war, up Everest. Be shot.
who goes there? who is this young man born lonely?
who walks there? who goes toward death
whistling through the water
without his chorus? without his posse? without his song?
it is autumn now
in me autumn grieves
in this carved gold of shifting faces
my eyes confess to the fatigue of living.
In one corner of the ward somebody was eating a raw chicken. The cheerful nurses did not see. With the tube down my throat I could not tell them. Nor did they notice the horror show on the TV set suspended over my windowless bed. The screen was dead
In the first taxi he was alone tra-la, No extras on the clock. He tipped ninepence But the cabby, while he thanked him, looked askance As though to suggest someone had bummed a ride.
In the second taxi he was alone tra-la But the clock showed sixpence extra; he tipped according And the cabby from out his muffler said: ‘Make sure You have left nothing behind tra-la between you’.
And in a little while we broke under the strain: suppurations ad nauseam, the wanting to be taller, though it‘s simply about being mysterious, i.e., not taller, like any tree in any forest. Mute, the pancake describes you. It had tiny roman numerals embedded in its rim. It was a pancake clock. They had ’em in those days, always getting smaller, which is why they finally became extinct.
Duncan Gray came here to woo, Ha, ha, the wooin o't! On blythe Yule night when we were fou, Ha, ha, the wooin o't! Maggie coost her head fu high, Look'd asklent and unco skeigh, Gart poor Duncan stand abeigh; Ha, ha, the wooin o't!
Duncan fleech'd, and Duncan pray'd, Ha, ha, the wooin o't! Meg was deaf as Ailsa Craig, Ha, ha, the wooin o't! Duncan sigh'd baith out and in, Grat his een baith bleer't and blin',
Ave Faustina Imperatrix, morituri te salutant. Lean back, and get some minutes' peace; Let your head lean Back to the shoulder with its fleece Of locks, Faustine.
early morning. down to the shore again to find a place to grieve. the place he left lingering. here the ropes were loosed [here he gave me kisses on the shore, here he left] she said
and while she thought and looked and felt, looking out along the shore, in liquid space, she saw—far off not sure—a body or something in the water— wondered what, but then the waves pulled it by—still
Ah blessed absence of God, How lovingly I am bound to you! You strengthen my will in its pain And make dear to me The long hard wait in my poor body. The nearer I come to you, The more wonderfully and abundantly God comes upon me,
somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near
your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully, mysteriously) her first rose
Comment form: