Nous devrions pourtant lui porter quelques fleurs; Les morts, les pauvres morts, ont de grandes douleurs, Et quand Octobre souffle, émondeur des vieux arbres, Son vent mélancolique àl'entour de leurs marbres, Certe, ils doivent trouver les vivants bien ingrats.
Les Fleurs du Mal. I Shall I strew on thee rose or rue or laurel, Brother, on this that was the veil of thee? Or quiet sea-flower moulded by the sea,
Do not allow me to sink, I said To a top floating ribbon of kelp. As I was lifted on each wave And made to slide into the vale I wanted not to drown. I wanted To make it all right with my dear, To tell my cat I’ll be away, To have them all destroyed, the poems
The ground dove stuttered for a few steps then flew up from his path to settle in the sun-browned branches that were now barely twigs; in drought it coos with its relentless valve, a tiring sound, not like the sweet exchanges of turtles in the Song of Solomon, or the flutes of Venus in frescoes though all the mounds in the dove-calling drought
To the Memory of the Household It Describes This Poem is Dedicated by the Author
“As the Spirits of Darkness be stronger in the dark, so Good Spirits, which be Angels of Light, are augmented not only by the Divine light of the Sun, but also by our common Wood Fire: and as the Celestial Fire drives away dark spirits, so also this our Fire of Wood doth the same.” —Cor. Agrippa, Occult Philosophy, Book I.ch. v.
“Announced by all the trumpets of the sky, Arrives the snow, and, driving o’er the fields, Seems nowhere to alight: the whited air Hides hills and woods, the river and the heaven, And veils the farm-house at the garden’s end. The sled and traveller stopped, the courier’s feet Delayed, all friends shut out, the housemates sit Around the radiant fireplace, enclosed In a tumultuous privacy of Storm.” EMERSON, The Snow Storm. The sun that brief December day Rose cheerless over hills of gray, And, darkly circled, gave at noon A sadder light than waning moon.
The sun is high, the seaside air is sharp, And salty light reveals the Mayan School. The Irish hope their names are on the harp, We see the sheep's advertisement for wool, Boulders are here, to throw against a tarp, From which comes bursting forth a puzzled mule. Perceval seizes it and mounts it, then The blood-dimmed tide recedes and then comes in again.
Nolueram, Belinda, tuos violare capillos; Sedjuvat, hoc precibus me tribuisse tuis. (Martial, Epigrams 12.84) What dire offence from am'rous causes springs, What mighty contests rise from trivial things, I sing—This verse to Caryl, Muse! is due: This, ev'n Belinda may vouchsafe to view:
As I reach to close each book lying open on my desk, it leaps up to snap at my fingers. My legs won’t hold me, I must sit down. My fingers pain me where the thick leaves snapped together at my touch. All my life
Fleeing his clubs, dull honors, wives, the ageing Hardy hunches down in his potting-shed with his thumbtip-fumbled, fine- printed seed catalogue’s inflorescences— peripherally glimpsing the oxygenless blue line
of the fleur-de-lys scaling his inner wrist; his chalky knuckles, his forearm’s crisp, lisse, pleated wrinkles; softly brown-spotted as a fox terrier’s belly. Yet this pleases, only this—
age-speckled surfaces, sun-galls rose-speckled; puckering petals rugosely leaf-veined: the saturate, flooded stemlines’ mauves and verdures on the backlit
Plurality is all. I walk among the restaurants, the theatres, the grocery stores; I ride the cars and hear of Mrs. Bedford’s teeth and Albuquerque, strikes unsettled, someone’s simply marvelous date, news of the German Jews, the baseball scores, storetalk and whoretalk, talk of wars. I turn the pages of a thousand books to read the names of Buddha, Malthus, Walker Evans, Stendhal, André Gide,
I When Bishop Berkeley said "there was no matter," And proved it—'twas no matter what he said: They say his system 'tis in vain to batter, Too subtle for the airiest human head; And yet who can believe it! I would shatter Gladly all matters down to stone or lead, Or adamant, to find the World a spirit, And wear my head, denying that I wear it.
II What a sublime discovery 'twas to make the Universe universal egotism, That all's ideal—all ourselves: I'll stake the World (be it what you will) that that's no schism.
The dog stops barking after Robinson has gone. His act is over. The world is a gray world, Not without violence, and he kicks under the grand piano, The nightmare chase well under way.
The mirror from Mexico, stuck to the wall, Reflects nothing at all. The glass is black. Robinson alone provides the image Robinsonian.
Over the honored bones of Boston (resting, as we say) old leaves’ bones underfoot are restless; and boys and schoolgirls going home splash through them, reciting alphabet lately received. They run the known, intone the unsure patterns, repeat the magic, nearly Grecian syllables;
Some problems of self-loathing, worry: the thumbnail blotched in a bank box door grows out, three-quarter moon marrow spot filled out with white bruise travels down my thumb at regular speed, so when I glance down it's what I see left of center, not the odd breast, the malformed scruff at head, the old thought leaking pain
Pardon us for uttering a handful of words in any language, so cut loose are we from homes, and from His name that is still nameless, blessed be He. We raised a prayer house—
that is, we broke new wood for one, but some tough burned it, snarling: “Carve only stones for the dead.” Damp ground, no fire, no psalm we all remember. But tall ships anchor here, and at low tide,
You can shuffle and scuffle and scold, You can rattle the knockers and knobs, Or batter the doorsteps with buckets of gold Till the Deputy-Governor sobs. You can sneak up a suitable plank In a frantic endeavor to see— But what do they do in the Commonwealth Bank When the Big Door bangs at Three?
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