In the warm air of the ceiling the footlights of dreams are illuminated.
The white walls have curved. The burdened chest breathes confused words. In the mirror, the wind from the south spins, carrying leaves and feathers. The window is blocked. The heart is almost extinguished among the already cold ashes of the moon — the hands are without shelter — as all the trees lying down. In the wind from the desert the needles bend and my hour is past.
Time was away and somewhere else, There were two glasses and two chairs And two people with the one pulse (Somebody stopped the moving stairs): Time was away and somewhere else.
And they were neither up nor down; The stream’s music did not stop Flowing through heather, limpid brown,
And in a little while we broke under the strain: suppurations ad nauseam, the wanting to be taller, though it‘s simply about being mysterious, i.e., not taller, like any tree in any forest. Mute, the pancake describes you. It had tiny roman numerals embedded in its rim. It was a pancake clock. They had ’em in those days, always getting smaller, which is why they finally became extinct.
"Just the place for a Snark!" the Bellman cried, As he landed his crew with care; Supporting each man on the top of the tide By a finger entwined in his hair.
"Just the place for a Snark! I have said it twice: That alone should encourage the crew.
Ne Rubeam, Pingui donatus Munere (Horace, Epistles II.i.267) While you, great patron of mankind, sustain The balanc'd world, and open all the main; Your country, chief, in arms abroad defend, At home, with morals, arts, and laws amend;
Why did my parents send me to the schools That I with knowledge might enrich my mind? Since the desire to know first made men fools, And did corrupt the root of all mankind.
AN ANATOMY OF THE WORLD Wherein, by occasion of the untimely death of Mistress Elizabeth Drury, the frailty and the decay of this whole world is represented THE FIRST ANNIVERSARY When that rich soul which to her heaven is gone, Whom all do celebrate, who know they have one (For who is sure he hath a soul, unless It see, and judge, and follow worthiness,
In the first taxi he was alone tra-la, No extras on the clock. He tipped ninepence But the cabby, while he thanked him, looked askance As though to suggest someone had bummed a ride.
In the second taxi he was alone tra-la But the clock showed sixpence extra; he tipped according And the cabby from out his muffler said: ‘Make sure You have left nothing behind tra-la between you’.
—Was it for this That one, the fairest of all Rivers, lov'd To blend his murmurs with my Nurse's song, And from his alder shades and rocky falls, And from his fords and shallows, sent a voice That flow'd along my dreams? For this, didst Thou, O Derwent! travelling over the green Plains Near my 'sweet Birthplace', didst thou, beauteous Stream
PART I 'Tis the middle of night by the castle clock, And the owls have awakened the crowing cock; Tu—whit! Tu—whoo! And hark, again! the crowing cock, How drowsily it crew. Sir Leoline, the Baron rich, Hath a toothless mastiff bitch; From her kennel beneath the rock She maketh answer to the clock, Four for the quarters, and twelve for the hour; Ever and aye, by shine and shower, Sixteen short howls, not over loud; Some say, she sees my lady's shroud.
When I do count the clock that tells the time, And see the brave day sunk in hideous night; When I behold the violet past prime, And sable curls all silver’d o’er with white; When lofty trees I see barren of leaves Which erst from heat did canopy the herd, And summer’s green all girded up in sheaves Borne on the bier with white and bristly beard,
It is patent to the eye that cannot face the sun The smug philosophers lie who say the world is one; World is other and other, world is here and there, Parmenides would smother life for lack of air Precluding birth and death; his crystal never breaks— No movement and no breath, no progress nor mistakes, Nothing begins or ends, no one loves or fights, All your foes are friends and all your days are nights
Back in the early fifties el Chonito and I were on the Way to the bote when we heard the following dialogue:
Police car radio:Pachuco rumble in progress in front of Lyceum Theatre. Sanger gang crossing tracks heading for Chinatown. Looks big this time. All available Westside units . . .
Cop to partner driving car: Take your time. Let ’em wipe each other out.
Here, in the darkness, where this plaster saint Stands nearer than God stands to our distress, And one small candle shines, but not so faint As the far lights of everlastingness, I’d rather kneel than over there, in open day Where Christ is hanging, rather pray To something more like my own clay, Not too divine;
Eleven o’clock, and the curtain falls. The cold wind tears the strands of illusion; The delicate music is lost In the blare of home-going crowds And a midnight paper.
The night has grown martial; It meets us with blows and disaster. Even the stars have turned shrapnel,
I have led her home, my love, my only friend, There is none like her, none. And never yet so warmly ran my blood And sweetly, on and on Calming itself to the long-wished-for end, Full to the banks, close on the promised good.
None like her, none. Just now the dry-tongued laurels’ pattering talk Seem’d her light foot along the garden walk, And shook my heart to think she comes once more; But even then I heard her close the door, The gates of Heaven are closed, and she is gone.
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