At the Bomb Testing Site

I came an errand one cloud-blowing evening
To a slab-built, black-paper-covered house
Of one room and one window and one door,
The only dwelling in a waste cut over
A hundred square miles round it in the mountains:
And that not dwelt in now by men or women.
(It never had been dwelt in, though, by women,
So what is this I make a sorrow of?)

Here, in the darkness, where this plaster saint
Stands nearer than God stands to our distress,
And one small candle shines, but not so faint
As the far lights of everlastingness,
I’d rather kneel than over there, in open day
Where Christ is hanging, rather pray
To something more like my own clay,
Not too divine;

Light from the ugliest lamp I ever saw, here
on the table that triples for reading, eating (can’t say
dining), business on the phone; ugliest except
a few around the corner in that guest house at windows

—plaster driftwood; cylinders like rockets or sanitary
napkins propping shades; thin torso of a youth;
red globe on orange globe, the works, somebody’s
collection. Wouldn’t she love this one, lump of lamp base

for Richard Griffith 1 THE BURNING

Girl grown woman fire mother of fire

Mary sat musing on the lamp-flame at the table
Waiting for Warren. When she heard his step,
She ran on tip-toe down the darkened passage
To meet him in the doorway with the news
And put him on his guard. ‘Silas is back.’
She pushed him outward with her through the door
And shut it after her. ‘Be kind,’ she said.
She took the market things from Warren’s arms
And set them on the porch, then drew him down
To sit beside her on the wooden steps.

‘When was I ever anything but kind to him?
But I’ll not have the fellow back,’ he said.
‘I told him so last haying, didn’t I?
If he left then, I said, that ended it.

I sit where I always sit, in back of the Buddha,
Red leather wing chair, pony skin trunk
under my feet,
Sky light above me, Chinese and Indian rugs on the floor.
1 March, 1998, where to begin again?

Over there's the ur-photograph,
Giorgio Morandi, glasses pushed up on his forehead,
Looking hard at four objects—
Two olive oil tins, one wine bottle, one flower vase,
A universe of form and structure,

The universe constricting in front of his eyes,
angelic orders
And applications scraped down

In Golden Gate Park that day
a man and his wife were coming along
thru the enormous meadow
which was the meadow of the world
He was wearing green suspenders
and carrying an old beat-up flute
in one hand
while his wife had a bunch of grapes

Always just one demon in the attic.
Always just one death in the village. And the dogs
howling in that direction. And from the other end
the new-born child arrives, the only one
to fill the empty space in that wide air.

Likewise also cells infected by a virus
send out a signal all around them and defences
are mobilised so that no other virus

Orpheus liked the glad personal quality
Of the things beneath the sky. Of course, Eurydice was a part
Of this. Then one day, everything changed. He rends
Rocks into fissures with lament. Gullies, hummocks
Can’t withstand it. The sky shudders from one horizon
To the other, almost ready to give up wholeness.
Then Apollo quietly told him: “Leave it all on earth.
Your lute, what point? Why pick at a dull pavan few care to