Rise up, rise up, And, as the trumpet blowing Chases the dreams of men, As the dawn glowing The stars that left unlit The land and water, Rise up and scatter The dew that covers The print of last night’s lovers— Scatter it, scatter it!
While you are listening To the clear horn, Forget, men, everything On this earth newborn,
Slowly the white dream wrestle(s) to life hands shaping the salt and the foreign cornfields the cold flesh kneaded by fingers is ready for the charcoal for the black wife
of heat the years of green sleeping in the volcano. the dream becomes tougher. settling into its shape like a bullfrog. suns rise and electrons touch it. walls melt into brown. moving to crisp and crackle
You are a friend then, as I make it out, Of our man Shakespeare, who alone of us Will put an ass's head in Fairyland As he would add a shilling to more shillings, All most harmonious, — and out of his Miraculous inviolable increase Fills Ilion, Rome, or any town you like Of olden time with timeless Englishmen; And I must wonder what you think of him — All you down there where your small Avon flows By Stratford, and where you're an Alderman. Some, for a guess, would have him riding back To be a farrier there, or say a dyer; Or maybe one of your adept surveyors; Or like enough the wizard of all tanners.
Kneel down, fair Love, and fill thyself with tears, Girdle thyself with sighing for a girth Upon the sides of mirth, Cover thy lips and eyelids, let thine ears Be filled with rumour of people sorrowing; Make thee soft raiment out of woven sighs Upon the flesh to cleave, Set pains therein and many a grievous thing, And many sorrows after each his wise For armlet and for gorget and for sleeve.
O Love's lute heard about the lands of death, Left hanged upon the trees that were therein; O Love and Time and Sin, Three singing mouths that mourn now underbreath,
Through Alpine meadows soft-suffused With rain, where thick the crocus blows, Past the dark forges long disused, The mule-track from Saint Laurent goes. The bridge is cross'd, and slow we ride, Through forest, up the mountain-side.
The autumnal evening darkens round, The wind is up, and drives the rain; While, hark! far down, with strangled sound Doth the Dead Guier's stream complain, Where that wet smoke, among the woods, Over his boiling cauldron broods.
An axe rang sharply ’mid those forest shades Which from creation toward the skies had tower’d In unshorn beauty. There, with vigorous arm Wrought a bold emigrant, and by his side His little son, with question and response, Beguiled the toil. ‘Boy, thou hast never seen Such glorious trees. Hark, when their giant trunks Fall, how the firm earth groans. Rememberest thou The mighty river, on whose breast we sail’d, So many days, on toward the setting sun? Our own Connecticut, compar’d to that, Was but a creeping stream.’ ‘Father, the brook That by our door went singing, where I launch’d
—Was it for this That one, the fairest of all Rivers, lov'd To blend his murmurs with my Nurse's song, And from his alder shades and rocky falls, And from his fords and shallows, sent a voice That flow'd along my dreams? For this, didst Thou, O Derwent! travelling over the green Plains Near my 'sweet Birthplace', didst thou, beauteous Stream
MEanwhile the hainous and despightfull act
Of Satan done in Paradise, and how
Hee in the Serpent, had perverted Eve,
Her Husband shee, to taste the fatall fruit,
Was known in Heav'n; for what can scape the Eye
Of God All-seeing, or deceave his Heart
Omniscient, who in all things wise and just,
Hinder'd not Satan to attempt the minde
When you get in on a try you never learn it back umpteen times the tenth part of a featured world in black and in back it’s roses and fostered nail bite rhyme sling slang, a song that teaches without travail of the tale, the one you longing live and singing burn
It’s insane to remain a trope, of a rinsing out or a ringing whatever, it’s those bells that . . .
Your name is a—bird in my hand, a piece of ice on my tongue. The lips’ quick opening. Your name—four letters. A ball caught in flight, a silver bell in my mouth.
A stone thrown into a silent lake is—the sound of your name.
Before our lives divide for ever, While time is with us and hands are free, (Time, swift to fasten and swift to sever Hand from hand, as we stand by the sea) I will say no word that a man might say Whose whole life's love goes down in a day; For this could never have been; and never, Though the gods and the years relent, shall be.
Is it worth a tear, is it worth an hour, To think of things that are well outworn? Of fruitless husk and fugitive flower, The dream foregone and the deed forborne? Though joy be done with and grief be vain, Time shall not sever us wholly in twain;
How changed is here each spot man makes or fills! In the two Hinkseys nothing keeps the same; The village street its haunted mansion lacks, And from the sign is gone Sibylla's name, And from the roofs the twisted chimney-stacks— Are ye too changed, ye hills? See, 'tis no foot of unfamiliar men To-night from Oxford up your pathway strays!
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