Figuring Belief

In fresh snow that fell on old snow
I see wild roses in bloom, springtime,
an orchard of apple and peach trees in bloom,
lovers of different preferences
walking naked in new snow, not shivering,
no illusion, no delusion, no bluebells.
Why should I live by reality that murders?
I wear a coat of hope and desire.

A Night Piece
(July, 1863) No sleep. The sultriness pervades the air
And binds the brain—a dense oppression, such
As tawny tigers feel in matted shades,
Vexing their blood and making apt for ravage.

‘Gabble-gabble, . . . brethren, . . . gabble-gabble!’
My window frames forest and heather.
I hardly hear the tuneful babble,
Not knowing nor much caring whether
The text is praise or exhortation,
Prayer or thanksgiving, or damnation.

Outside it blows wetter and wetter,
The tossing trees never stay still.
I shift my elbows to catch better
The full round sweep of heathered hill.
The tortured copse bends to and fro
In silence like a shadow-show.

The parson’s voice runs like a river

My garden is the wild
Sea of the grass. Her garden
Shelters between walls.
The tide could break in;
I should be sorry for this.

There is peace there of a kind,
Though not the deep peace
Of wild places. Her care

What is a home? A guarded space,
Wherein a few, unfairly blest,
Shall sit together, face to face,
And bask and purr and be at rest?

Where cushioned walls rise up between
Its inmates and the common air,
The common pain, and pad and screen
From blows of fate or winds of care?

Where Art may blossom strong and free,
And Pleasure furl her silken wing,
And every laden moment be
A precious and peculiar thing?

Five years have past; five summers, with the length
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur.—Once again
Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.

The feverish room and that white bed,
The tumbled skirts upon a chair,
The novel flung half-open, where
Hat, hair-pins, puffs, and paints are spread;

The mirror that has sucked your face
Into its secret deep of deeps,
And there mysteriously keeps
Forgotten memories of grace;

And you half dressed and half awake,
Your slant eyes strangely watching me,
And I, who watch you drowsily,
With eyes that, having slept not, ache;

Slowly the women file to where he stands
Upright in rimless glasses, silver hair,
Dark suit, white collar. Stewards tirelessly
Persuade them onwards to his voice and hands,
Within whose warm spring rain of loving care
Each dwells some twenty seconds. Now, dear child,
What’s wrong, the deep American voice demands,
And, scarcely pausing, goes into a prayer

inside my head

Inside my head a common room,
a common place, a common tune,
a common wealth, a common doom

inside my head. I close my eyes.
The horses run. Vast are the skies,
and blue my passing thoughts’ surprise

inside my head. What is this space