There is no radical shift of light or redwings calling areas of marsh their territories yet, nor plovers probing for copepods. Only a yellow front-end loader laying out a new berm on the beach, from tubes too heavy to be called hoses, its audience one man and his protesting dog. No frosted
When he would not return to fine garments and good food, to his houses and his people, Loingseachan told him, “Your father is dead.” “I’m sorry to hear it,” he said. “Your mother is dead,” said the lad. “All pity for me has gone out of the world.” “Your sister, too, is dead.” “The mild sun rests on every ditch,” he said; “a sister loves even though not loved.” “Suibhne, your daughter is dead.” “And an only daughter is the needle of the heart.” “And Suibhne, your little boy, who used to call you “Daddy”—he is dead.” “Aye,” said Suibhne, “that’s the drop that brings a man to the ground.” He fell out of the yew tree; Loingseachan closed his arms around him and placed him in manacles.—AFTER THE MIDDLE-IRISH ROMANCE, THE MADNESS OF SUIBHNE
Slip-pilings on the Brooklyn littoral —the poles still tarry, flimsy; the ferry terminus with its walledup doors wan doorshapes on eroded sills. Downstream, the strutwork of the Williamsburg cable tower threw its cool shadow half a mile inland
In the flame of the flickering fire The sins of my soul are few And the thoughts in my head are the thoughts of a bed With a solitary view. But the eye of eternal consciousness Must blink as a bat blinks bright Or ever the thoughts in my head be stilled On the brink of eternal night.
Eugen Boissevain died in the autumn of 1949. I had wondered already, at the time of our visit, what would happen to Edna [Millay] if he should die first.—Edmund Wilson
On nights when the moon seems impenetrable— a locked porthole to space; when the householder bars his windows and doors, and his dog lies until dawn, one jeweled eye open; when the maiden sleeps with her rosy knees sealed tightly together, on such nights the safecracker sets to work. Axe . . . Chisel . . . Nitroglycerin . . .
A smudge for the horizon that, on a clear day, shows the hard edge of hills and buildings on the other coast. Anchored boats all head one way: north, where the wind comes from. You can see the storm inflating
Under the separated leaves of shade Of the gingko, that old tree That has existed essentially unchanged Longer than any other living tree, I walk behind a woman. Her hair's coarse gold Is spun from the sunlight that it rides upon. Women were paid to knit from sweet champagne Her second skin: it winds and unwinds, winds
Whom should I consult? Philosophers Are happy in their homes and seminars. See this one with the mischievous bright childlike Gaze going out through walls and air, A tangent to the bent rays of the star. Hear the chalk splutter, hear the groping voice: Conceive the demiurge in his perpetual Strife with the chaos of the universe,
Purple as tulips in May, mauve into lush velvet, purple as the stain blackberries leave on the lips, on the hands, the purple of ripe grapes sunlit and warm as flesh.
Every day I will give you a color, like a new flower in a bud vase
Mine, says the cat, putting out his paw of darkness. My lover, my friend, my slave, my toy, says the cat making on your chest his gesture of drawing milk from his mother’s forgotten breasts.
Let us walk in the woods, says the cat. I’ll teach you to read the tabloid of scents, to fade into shadow, wait like a trap, to hunt. Now I lay this plump warm mouse on your mat.
O this political air so heavy with the bells and motors of a slow night, and no place to rest but rain to walk—How it rings the Washington streets! The umbrella’d congressmen; the rapping tires of big black cars, the shoulders of lobbyists caught under canopies and in doorways, and it rains, it will not let up, and meanwhile lame futurists weep into Spengler’s
DEscend from Heav'n Urania, by that name If rightly thou art call'd, whose Voice divine Following, above th' Olympian Hill I soare, Above the flight of Pegasean wing. The meaning, not the Name I call: for thou Nor of the Muses nine, nor on the top Of old Olympus dwell'st, but Heav'nlie borne, Before the Hills appeerd, or Fountain flow'd, Thou with Eternal wisdom didst converse, Wisdom thy Sister, and with her didst play In presence of th' Almightie Father, pleas'd With thy Celestial Song.Up led by thee Into the Heav'n of Heav'ns I have presum'd, An Earthlie Guest, and drawn Empyreal Aire, Thy tempring; with like safetie guided down
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