On Buying and Selling

Late in the cold night wakened, and heard wind,
And lay with eyes closed and silent, knowing
These words how bodiless they are, this darkness
Empty under my roof and the panes rattling
Roughed by wind. And so lay and imagined
Somewhere far off black seas heavy-shouldered
Plunging on sand and the ebb off-streaming and
Thunder forever. So lying bethought me, friend,

I don’t love you as if you were a rose of salt, topaz,
or arrow of carnations that propagate fire:
I love you as one loves certain obscure things,
secretly, between the shadow and the soul.

I love you as the plant that doesn’t bloom but carries
the light of those flowers, hidden, within itself,
and thanks to your love the tight aroma that arose
from the earth lives dimly in my body.

How is your life with that other one?
Simpler, is it? A stroke of the oars
and a long coastline—
and the memory of me

is soon a drifting island
(not in the ocean—in the sky!)
Souls—you will be sisters—
sisters, not lovers.

While one sere leaf, that parting Autumn yields,
Trembles upon the thin, and naked spray,
November, dragging on this sunless day,
Lours, cold and sullen, on the watery fields;
And Nature to the waste dominion yields,
Stripped her last robes, with gold and purple gay —
So droops my life, of your soft beams despoiled,
Youth, Health, and Hope, that long exulting smiled;
And the wild carols, and the bloomy hues
Of merry Spring-time, spruce on every plain
Her half-blown bushes, moist with sunny rain,
More pensive thoughts in my sunk heart infuse
Than Winter’s grey, and desolate domain
Faded like my lost Youth, that no bright Spring renews.

Late, late yestreen I saw the new Moon,
With the old Moon in her arms;
And I fear, I fear, my Master dear!
We shall have a deadly storm.
(Ballad of Sir Patrick Spence)
I
Well! If the Bard was weather-wise, who made
The grand old ballad of Sir Patrick Spence,
This night, so tranquil now, will not go hence

Ave Faustina Imperatrix, morituri te salutant. Lean back, and get some minutes' peace;
Let your head lean
Back to the shoulder with its fleece
Of locks, Faustine.

As rising from the vegetable World
My Theme ascends, with equal Wing ascend,
My panting Muse; and hark, how loud the Woods
Invite you forth in all your gayest Trim.
Lend me your Song, ye Nightingales! oh pour
The mazy-running Soul of Melody
Into my varied Verse! while I deduce,
From the first Note the hollow Cuckoo sings,

Take, oh, take those lips away
That so sweetly were forsworn
And those eyes, like break of day,
Lights that do mislead the morn;
But my kisses bring again,
Seals of love, though sealed in vain.

Hide, oh, hide those hills of snow,

I

What shall I do with this absurdity —
O heart, O troubled heart — this caricature,
Decrepit age that has been tied to me
As to a dog's tail?
Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye

Where does such tenderness come from?
These aren’t the first curls
I’ve wound around my finger—
I’ve kissed lips darker than yours.

The sky is washed and dark
(Where does such tenderness come from?)
Other eyes have known
and shifted away from my eyes.

But I’ve never heard words like this
in the night
(Where does such tenderness come from?)
with my head on your chest, rest.

Here,
among the market vegetables,
this torpedo
from the ocean
depths,
a missile
that swam,
now

Poor soul, the centre of my sinful earth,
[......] these rebel powers that thee array,
Why dost thou pine within and suffer dearth,
Painting thy outward walls so costly gay?
Why so large cost, having so short a lease,
Dost thou upon thy fading mansion spend?
Shall worms, inheritors of this excess,
Eat up thy charge? Is this thy body's end?
Then soul, live thou upon thy servant's loss
And let that pine to aggravate thy store;
Buy terms divine in selling hours of dross;
Within be fed, without be rich no more.
So shalt thou feed on Death, that feeds on men,
And, Death once dead, there's no more dying then.

Now and again
I am here now
And now is when
I’m here again

Because I feel that, in the Heavens above,
The angels, whispering to one another,
Can find, among their burning terms of love,
None so devotional as that of “Mother,”
Therefore by that dear name I long have called you—
You who are more than mother unto me,
And fill my heart of hearts, where Death installed you
In setting my Virginia's spirit free.

If all the trees in all the woods were men;
And each and every blade of grass a pen;
If every leaf on every shrub and tree
Turned to a sheet of foolscap; every sea
Were changed to ink, and all earth's living tribes
Had nothing else to do but act as scribes,
And for ten thousand ages, day and night,
The human race should write, and write, and write,
Till all the pens and paper were used up,
And the huge inkstand was an empty cup,
Still would the scribblers clustered round its brink
Call for more pens, more paper, and more ink.

The unpurged images of day recede;
The Emperor's drunken soldiery are abed;
Night resonance recedes, night-walkers' song
After great cathedral gong;
A starlit or a moonlit dome disdains
All that man is,
All mere complexities,
The fury and the mire of human veins.

of the furious


Who take Today and jerk it out of joint
have made new underpinnings and a Head.

Blacktime is time for chimeful
poemhood
but they decree a
jagged chiming now.

If there are flowers flowers

You are young, and I am older;
You are hopeful, I am not—
Enjoy life, ere it grow colder—
Pluck the roses ere they rot.

Teach your beau to heed the lay—
That sunshine soon is lost in shade—
That now’s as good as any day—

My dear, your eyes are weary;
Rest them a little while.
Assume the languid posture
Of pleasure mixed with guile.
Outside the talkative fountain
Continues night and day
Repeating my warm passion
In whatever it has to say.

The sheer luminous gown
The fountain wears
Where Phoebe’s very own
Color appears
Falls like a summer rain
Or shawl of tears.

Thou hast nor youth nor age
But as it were an after dinner sleep
Dreaming of both. Here I am, an old man in a dry month,