The country lies flat, expressionless as the face of a stranger. Not one hillock shelters a buried bone. The city: a scene thin as a theater backdrop, where no doors open, no streets extend beyond the view from the corner.
Only the railroad embankment is high, shaggy with grass. Only the freight, knuckling a red sun under its wheels, drags familiar box-car shapes down long perspectives of childhood meals and all crossings at sunset.
All night I stumble through the fields of light, And chase in dreams the starry rays divine That shine through soft folds of the robe of night, Hung like a curtain round a sacred shrine.
When daylight dawns I leave the meadows sweet And come back to the dark house built of clay, Over the threshold pass with lagging feet, Open the shutters and let in the day.
Time was away and somewhere else, There were two glasses and two chairs And two people with the one pulse (Somebody stopped the moving stairs): Time was away and somewhere else.
And they were neither up nor down; The stream’s music did not stop Flowing through heather, limpid brown,
And when my Joy was born, I held it in my arms and stood on the house-top shouting, “Come ye, my neighbours, come and see, for Joy this day is born unto me. Come and behold this gladsome thing that laugheth in the sun.”
But none of my neighbours came to look upon my Joy, and great was my astonishment.
And every day for seven moons I proclaimed my Joy from the house-top—and yet no one heeded me. And my Joy and I were alone, unsought and unvisited.
Then my Joy grew pale and weary because no other heart but mine held its loveliness and no other lips kissed its lips.
Then my Joy died of isolation.
And now I only remember my dead Joy in remembering my dead Sorrow. But memory is an autumn leaf that murmurs a while in the wind and then is heard no more.
'There it is!– You play beside a death-bed like a child, Yet measure to yourself a prophet's place To teach the living. None of all these things, Can women understand. You generalise, Oh, nothing!–not even grief! Your quick-breathed hearts, So sympathetic to the personal pang,
—Was it for this That one, the fairest of all Rivers, lov'd To blend his murmurs with my Nurse's song, And from his alder shades and rocky falls, And from his fords and shallows, sent a voice That flow'd along my dreams? For this, didst Thou, O Derwent! travelling over the green Plains Near my 'sweet Birthplace', didst thou, beauteous Stream
Stranger, you who hide my love In the curved cheek of a smile And sleep with her upon a tongue Of soft lies that beguile, Your paradisal ecstasy Is justified is justified By hunger of the beasts beneath The overhanging cloud
Upon a lonely mountain, there lived two hermits who worshipped God and loved one another.
Now these two hermits had one earthen bowl, and this was their only possession.
One day an evil spirit entered into the heart of the older hermit and he came to the younger and said, “It is long that we have lived together. The time has come for us to part. Let us divide our possessions.”
Then the younger hermit was saddened and he said, “It grieves me, Brother, that thou shouldst leave me. But if thou must needs go, so be it,” and he brought the earthen bowl and gave it to him saying, “We cannot divide it, Brother, let it be thine.”
Then the older hermit said, “Charity I will not accept. I will take nothing but mine own. It must be divided.”
And the younger one said, “If the bowl be broken, of what use would it be to thee or to me? If it be thy pleasure let us rather cast a lot.”
But the older hermit said again, “I will have but justice and mine own, and I will not trust justice and mine own to vain chance. The bowl must be divided.”
Then the younger hermit could reason no further and he said, “If it be indeed thy will, and if even so thou wouldst have it let us now break the bowl.”
But the face of the older hermit grew exceedingly dark, and he cried, “O thou cursed coward, thou wouldst not fight.”
When they confess that they have lost the penial bone and outer space is Once again a numinous void, when they’re kept out of Other Places, And Dr Fieser falls asleep at last and dreams of unburnt faces, When gold medals are won by the ton for forgetting about the different races, God Bless America.
When in the Latin shanties the scented priesthood suffers metempsychosis And with an organ entry tutti copula the dollar uncrosses
Are you content, you pretty three-years’ wife? Are you content and satisfied to live On what your loving husband loves to give, And give to him your life?
Are you content with work, — to toil alone, To clean things dirty and to soil things clean; To be a kitchen-maid, be called a queen, —
I need more time, a simple day in Paris hotels and window shopping. The croissants will not bake themselves and the Tower of London would Like to spend a night in the tropics with gray sassy paint. It has many Wounds and historic serial dreams under contract to Hollywood. Who will play the head of Mary, Queen of Scots, and who will braid her
Hair? Was it she who left her lips on the block for the executioner, Whose hands would never find ablution, who would never touch a woman Again or eat the flesh of a red animal? Blood pudding would repulse him Until joining Anne. That is the way of history written for Marlow and Shakespear. They are with us now that we are sober and wiser,
Not taking the horrors of poetry too seriously. Why am I telling you this Nonsense, when I have never seen you sip your coffee or tea, In the morning? Not to mention,
Happy Birthday Kenneth Koch/Feb 27 We went to all those places where they restore sadness and joy and call it art. We were piloted by Auden who became Unbearably acrimonious when we dropped off Senghor into the steamy skies of his beloved West Africa. The termites and ants
Beholde, o man! lyft up thyn eye and see What mortall peyne I suffre for thi trespace. With pietous voys I crye and sey to the: Beholde my woundes, behold my blody face, Beholde the rebukes that do me so manace, Beholde my enemyes that do me so despice, And how that I, to reforme the to grace, Was like a lambe offred in sacryfice.
...
And geyn thi pryde behold my gret mekenesse; Geyn thyn envie behold my charité; Geyn thi leccherye behold my chast clennesse; Geyn thi covetyse behold my poverté.
There is something in the sound of drum and fife
That stirs all the savage instincts into life.
In the old times of peace we went our ways,
Through proper days
Of little joys and tasks. Lonely at times,
When from the steeple sounded wedding chimes,
Telling to all the world some maid was wife—
But taking patiently our part in life
By a route obscure and lonely, Haunted by ill angels only, Where an Eidolon, named NIGHT, On a black throne reigns upright, I have reached these lands but newly From an ultimate dim Thule— From a wild weird clime that lieth, sublime, Out of SPACE—Out of TIME.
Bottomless vales and boundless floods, And chasms, and caves, and Titan woods, With forms that no man can discover For the tears that drip all over; Mountains toppling evermore Into seas without a shore;
(Variant printed in Samuel Daniel’s 1623 Works) To thee, pure spirit, to thee alone addressed Is this joint work, by double interest thine, Thine by his own, and what is done of mine Inspired by thee, thy secret power impressed.
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