(We can succeed only by concert. . . . The dogmas of the quiet past are inadequate to the stormy present. The occasion is piled high with difficulty, and we must rise with the occasion. As our case is new so we must think anew and act anew. We must disenthrall ourselves. . . . December 1, 1862. The President’s Message to Congress.) Be sad, be cool, be kind, remembering those now dreamdust
so it is death is the condition of infinite form— the rebellion of particulars, ourselves and each thing, even ideas, against that infinitude, is the story of finitude—the dream of the children harvested in a harvester-machine
Before my drift-wood fire I sit, And see, with every waif I burn, Old dreams and fancies coloring it, And folly’s unlaid ghosts return.
O ships of mine, whose swift keels cleft The enchanted sea on which they sailed, Are these poor fragments only left Of vain desires and hopes that failed?
Did I not watch from them the light Of sunset on my towers in Spain, And see, far off, uploom in sight The Fortunate Isles I might not gain?
On a wall shadowed by lights from the distance is the screen. Icons come to it dressed in capes and their eyes reflect the journeys their nomadic eyes reach from level earth. Narratives are in the room where the screen waits suspended like the frame of a girder the worker will place upon an axis and thus make a frame which he fills with
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