The folk who live in Backward Town Are inside out and upside down. They wear their hats inside their heads And go to sleep beneath their beds. They only eat the apple peeling And take their walks across the ceiling.
Puerto Rico was created when the pumpkin on top of The turtle burst and its teeming waters poured out With all mankind and beastkind riding on the waves Until the water drained leaving a tropical paradise.
Puerto Rico was stumbled on by lost vampires bearing Crucifix in one hand, arquebus in the other, sucking The veins of land and men, tossing the pulp into the Compost heap which they used as the foundation for
The craving of Samuel Rouse for clearance to create was surely as hot as the iron that buffeted him. His passion for freedom so strong that it molded the smouldering fashions he laced, for how also could a slave plot or counterplot such incomparable shapes,
form or reform, for house after house, the intricate Patio pattern, the delicate Rose and Lyre, the Debutante Settee,
Twilight—and you, Quiet—the stars; Snare of the shine of your teeth, Your provocative laughter, The gloom of your hair; Lure of you, eye and lip ; Yearning, yearning, Languor, surrender;
Over gutters and over parking lots, over rooftops, fountains, cloudbanks and the bay, beyond the sun, beyond the medium that fills unoccupied space, beyond the confines of the known
universe, ghost, you slip out of me with the ease of a swimmer at one with the waves, furrowing the deep with a pleasure we can’t articulate
The country lies flat, expressionless as the face of a stranger. Not one hillock shelters a buried bone. The city: a scene thin as a theater backdrop, where no doors open, no streets extend beyond the view from the corner.
Only the railroad embankment is high, shaggy with grass. Only the freight, knuckling a red sun under its wheels, drags familiar box-car shapes down long perspectives of childhood meals and all crossings at sunset.
How changed is here each spot man makes or fills! In the two Hinkseys nothing keeps the same; The village street its haunted mansion lacks, And from the sign is gone Sibylla's name, And from the roofs the twisted chimney-stacks— Are ye too changed, ye hills? See, 'tis no foot of unfamiliar men To-night from Oxford up your pathway strays!
You have put your two hands upon me, and your mouth, You have said my name as a prayer. Here where trees are planted by the water I have watched your eyes, cleansed from regret, And your lips, closed over all that love cannot say,
My mother remembers the agony of her womb And long years that seemed to promise more than this. She says, “You do not love me,
Ave Faustina Imperatrix, morituri te salutant. Lean back, and get some minutes' peace; Let your head lean Back to the shoulder with its fleece Of locks, Faustine.
(from Henry V, spoken by King Henry) Once more unto the breach, dear friends, once more; Or close the wall up with our English dead. In peace there's nothing so becomes a man As modest stillness and humility:
God washes clean the souls and hearts of you, His favored ones, whose backs bend o’er the soil, Which grudging gives to them requite for toil In sober graces and in vision true. God places in your hands the pow’r to do A service sweet. Your gift supreme to foil The bare-fanged wolves of hunger in the moil Of Life’s activities. Yet all too few
217 Ambition was my idol, which was broken Before the shrines of Sorrow and of Pleasure; And the two last have left me many a token O'er which reflection may be made at leisure: Now, like Friar Bacon's brazen head, I've spoken, 'Time is, Time was, Time's past', a chymic treasure Is glittering youth, which I have spent betimes— My heart in passion, and my head on rhymes.
Ink-black, but moving independently across the black and white parquet of print, the ant cancels the author out. The page, translated to itself, bears hair-like legs disturbing the fine hairs of its fiber. These are the feet of summer, pillaging meaning, destroying Alexandria. Sunlight is silence laying waste all languages, until, thinly,
My sister in her well-tailored silk blouse hands me the photo of my father in naval uniform and white hat. I say, “Oh, this is the one which Mama used to have on her dresser.”
My sister controls her face and furtively looks at my mother, a sad rag bag of a woman, lumpy and sagging everywhere, like a mattress at the Salvation Army, though with no holes or tears, and says, “No.”
In the first taxi he was alone tra-la, No extras on the clock. He tipped ninepence But the cabby, while he thanked him, looked askance As though to suggest someone had bummed a ride.
In the second taxi he was alone tra-la But the clock showed sixpence extra; he tipped according And the cabby from out his muffler said: ‘Make sure You have left nothing behind tra-la between you’.
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