The Lowering

At home, in my flannel gown, like a bear to its floe,
I clambered to bed; up the globe's impossible sides
I sailed all night—till at last, with my black beard,
My furs and my dogs, I stood at the northern pole.

There in the childish night my companions lay frozen,
The stiff furs knocked at my starveling throat,
And I gave my great sigh: the flakes came huddling,
Were they really my end? In the darkness I turned to my rest.

Here is a coast; here is a harbor;
here, after a meager diet of horizon, is some scenery;
impractically shaped and—who knows?—self-pitying mountains,
sad and harsh beneath their frivolous greenery,

with a little church on top of one. And warehouses,
some of them painted a feeble pink, or blue,
and some tall, uncertain palms. Oh, tourist,
is this how this country is going to answer you

Not fierce and tender but sweet.
This is our impression of the soldiers.
We call our machine Aunt Pauline.
Fasten it fat, that is us, we say Aunt Pauline.
When we left Paris we had rain.
Not snow now nor that in between.
We did have snow then.
Now we are bold.
We are accustomed to it.
All the weights are measures.
By this we mean we know how much oil we use for the machine.

* * *

Hurrah for America.

This year, till late in April, the snow fell thick and light:
Thy truce-flag, friendly Nature, in clinging drifts of white,
Hung over field and city: now everywhere is seen,
In place of that white quietness, a sudden glow of green.

The verdure climbs the Common, beneath the leafless trees,
To where the glorious Stars and Stripes are floating on the breeze.
There, suddenly as Spring awoke from Winter’s snow-draped gloom,
The Passion-Flower of Seventy-six is bursting into bloom.

Dear is the time of roses, when earth to joy is wed,
And garden-plot and meadow wear one generous flush of red;
But now in dearer beauty, to her ancient colors true,
Blooms the old town of Boston in red and white and blue.

Since it always begins
in the unlikeliest place
we start in an obsolete country
on no current map. The camera
glides over flower beds,

To airmen crossing and communicant
With orders of this field, no landing here
But by the grace of God; no postulant
Piloting earthward should abuse his fear:
Trust in the instruments which fall their round,
Tonight the only ceiling is the ground;
Zero, from nothing into nothing made,
Signifies all of altitude that stayed.

Up from the meadows rich with corn,
Clear in the cool September morn,

The clustered spires of Frederick stand
Green-walled by the hills of Maryland.

Round about them orchards sweep,
Apple- and peach-tree fruited deep,

Fair as a garden of the Lord
To the eyes of the famished rebel horde,

Crouched before dismantled guns,
we found war souvenirs
our uncle padlocked in the attic,
a brittle latch easily pried off.

Stiff uniforms on top, snapshots
of soldiers young as our cousins,
a velvet box of medals
as if he fought all battles

That does not keep me from having a terrible need of—shall I say the word—religion. Then I go out at night to paint the stars.Vincent Van Gogh in a letter to his brother The town does not exist
except where one black-haired tree slips