September, 1918

I

The ground dove stuttered for a few steps then flew
up from his path to settle in the sun-browned
branches that were now barely twigs; in drought it coos
with its relentless valve, a tiring sound,
not like the sweet exchanges of turtles in the Song
of Solomon, or the flutes of Venus in frescoes
though all the mounds in the dove-calling drought

Here, in the darkness, where this plaster saint
Stands nearer than God stands to our distress,
And one small candle shines, but not so faint
As the far lights of everlastingness,
I’d rather kneel than over there, in open day
Where Christ is hanging, rather pray
To something more like my own clay,
Not too divine;

‘Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla pendere, et cum illi pueri dicerent:Σίβυλλα τίθέλεις; respondebat illa:άποθανεîνθέλω.’ For Ezra Pound
il miglior fabbro. I. The Burial of the Dead

I

It is not to be bought for a penny
in the candy store, nor picked
from the bushes in the park. It may be found, perhaps,
in the ashes on the distant lots,
among the rusting cans and Jimpson weeds.
If you wish to eat fish freely,
cucumbers and melons,

The farmhouses north of Driggs,
silos for miles along the road saying
BUTLER or SIOUX. The light saying
rain coming on, the wind not up yet,
animals waiting as the front hits
everything on the high fiats, hailstones
bouncing like rabbits under the sage.
Nothing running off. Creeks clear.

(Kamo-no-Chomei, born at Kamo 1154, died at Toyama on Mount Hino, 24th June 1216)

The wind rests its cheek upon the ground and feels the cool damp
And lifts its head with twigs and small dead blades of grass
Pressed into it as you might at the beach rise up and brush away
The sand. The day is cool and says, “I’m just staying overnight.”
The world is filled with music, and in between the music, silence
And varying the silence all sorts of sounds, natural and man made:
There goes a plane, some cars, geese that honk and, not here, but
Not so far away, a scream so rending that to hear it is to be

1

The angel —
three years we waited for him, attention riveted,
closely scanning
the pines the shore the stars.
One with the blade of the plough or the ship’s keel
we were searching to find once more the first seed
so that the age-old drama could begin again.

Midmorning like a deserted room, apparition
Of armoire and table weights,
Oblongs of flat light,
the rosy eyelids of lovers
Raised in their ghostly insurrection,
Decay in the compassed corners beating its black wings,
Late June and the lilac just ajar.

Where the deer trail sinks down through the shadows of blue spruce,