When he would not return to fine garments and good food, to his houses and his people, Loingseachan told him, “Your father is dead.” “I’m sorry to hear it,” he said. “Your mother is dead,” said the lad. “All pity for me has gone out of the world.” “Your sister, too, is dead.” “The mild sun rests on every ditch,” he said; “a sister loves even though not loved.” “Suibhne, your daughter is dead.” “And an only daughter is the needle of the heart.” “And Suibhne, your little boy, who used to call you “Daddy”—he is dead.” “Aye,” said Suibhne, “that’s the drop that brings a man to the ground.” He fell out of the yew tree; Loingseachan closed his arms around him and placed him in manacles.—AFTER THE MIDDLE-IRISH ROMANCE, THE MADNESS OF SUIBHNE
Whose lives are hidden in God? Whose? Who can now tell what was taken, or where, or how, or whether it was received: how ditched, divested, clamped, sifted, over- laid, raked over, grassed over, spread around, rotted down with leafmould, accepted as civic concrete, reinforceable base cinderblocks:
Five years have past; five summers, with the length Of five long winters! and again I hear These waters, rolling from their mountain-springs With a soft inland murmur.—Once again Do I behold these steep and lofty cliffs, That on a wild secluded scene impress Thoughts of more deep seclusion; and connect The landscape with the quiet of the sky.
The ground dove stuttered for a few steps then flew up from his path to settle in the sun-browned branches that were now barely twigs; in drought it coos with its relentless valve, a tiring sound, not like the sweet exchanges of turtles in the Song of Solomon, or the flutes of Venus in frescoes though all the mounds in the dove-calling drought
Far from the sea far from the sea of Breton fishermen the white clouds scudding over Lowell and the white birches the bare white birches along the blear night roads
In Goya’s greatest scenes we seem to see the people of the world exactly at the moment when they first attained the title of ‘suffering humanity’ They writhe upon the page in a veritable rage of adversity
We are both strong, dark, bright men, though perhaps you might not notice, finding two figures flat against the landscape like the shadowed backs of mountains.
Which would not be far from wrong, for though we both have on Western clothes and he is seated on a yellow spool of emptied and forgotten telephone cable
That Whitsun, I was late getting away: Not till about One-twenty on the sunlit Saturday Did my three-quarters-empty train pull out, All windows down, all cushions hot, all sense Of being in a hurry gone. We ran Behind the backs of houses, crossed a street Of blinding windscreens, smelt the fish-dock; thence
Pitiful brother—the dreadful nights I owed him! “I’ve got no real involvement in the business. I toyed with his weakness, so—it was my fault—we wound up back in exile and enslavement.”
He saw me as a loser, a weird child; he added his own prods.
I answered my satanic doctor, jeering, and made it out the window. All down a landscape crossed by unheard-of music, I spun my dreams of a nighttime wealth to come.
After that more or less healthy pastime, I’d stretch out on a pallet. And almost every night, soon as I slept, my poor brother would rise—dry mouth and bulging eyes (the way he’d dreamt himself!)—and haul me into the room, howling his stupid dream.
Truly convinced, I’d vowed to take him back to his primal state—child of the sun—and so we wandered, fed on wine from the caves and gypsy bread, me bound to find the place itself and the code.
Evening! as slow thy placid shades descend, Veiling with gentlest hush the landscape still, The lonely battlement, the farthest hill And wood, I think of those who have no friend; Who now, perhaps, by melancholy led, From the broad blaze of day, where pleasure flaunts, Retiring, wander to the ring-dove’s haunts Unseen; and watch the tints that o’er thy bed Hang lovely; oft to musing Fancy’s eye Presenting fairy vales, where the tir’d mind Might rest beyond the murmurs of mankind, Nor hear the hourly moans of misery! Alas for man! that Hope’s fair views the while Should smile like you, and perish as they smile!
Then was the grown-up world of tall decision, Its beauty of late nights denied a child; World of bewildering gifts, and strange derision, Alien alike whether it frowned or smiled, Yet your least wish was governed by its laws. The landscape and the weather both were odd, Exploding with effects that hid a cause Serene and lonely as the Will of God.
Your landscape sickens with a dry disease Even in May, Virginia, and your sweet pines Like Frenchmen runted in a hundred wars Are of a child’s height in these battlefields.
For Wilson sowed his teeth where generals prayed —High-sounding Lafayette and sick-eyed Lee— The loud Elizabethan crashed your swamps Like elephants and the subtle Indian fell.
Man’s Reason is in such deep insolvency to sense, that tho’ she guide his highest flight heav’nward, and teach him dignity morals manners and human comfort, she can delicatly and dangerously bedizen the rioting joys that fringe the sad pathways of Hell. Not without alliance of the animal senses hath she any miracle: Lov’st thou in the blithe hour
One died, and the soul was wrenched out Of the other in life, who, walking the streets Wrapped in an identity like a coat, sees on and on The same corners, volumetrics, shadows Under trees. Farther than anyone was ever Called, through increasingly suburban airs And ways, with autumn falling over everything: The plush leaves the chattels in barrels
Slowly the women file to where he stands Upright in rimless glasses, silver hair, Dark suit, white collar. Stewards tirelessly Persuade them onwards to his voice and hands, Within whose warm spring rain of loving care Each dwells some twenty seconds. Now, dear child, What’s wrong, the deep American voice demands, And, scarcely pausing, goes into a prayer
Here they are. The soft eyes open. If they have lived in a wood It is a wood. If they have lived on plains It is grass rolling Under their feet forever.
Having no souls, they have come, Anyway, beyond their knowing.
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