Oh! yet one smile, tho' dark may lower Around thee clouds of woe and ill, Let me yet feel that I have power, Mid Fate's bleak storms, to soothe thee still.
Tho' sadness be upon thy brow, Yet let it turn, dear love, to me, I cannot bear that thou should'st know Sorrow I do not share with thee.
Ay me, to whom shall I my case complain, That may compassion my impatient grief? Or where shall I unfold my inward pain, That my enriven heart may find relief? Shall I unto the heavenly pow’rs it show, Or unto earthly men that dwell below?
To heavens? Ah, they, alas, the authors were, And workers of my unremedied woe: For they foresee what to us happens here, And they foresaw, yet suffered this be so. From them comes good, from them comes also ill, That which they made, who can them warn to spill.
See, Winter comes to rule the varied year, Sullen and sad, with all his rising train— Vapours, and clouds, and storms. Be these my theme, These, that exalt the soul to solemn thought And heavenly musing. Welcome, kindred glooms! Congenial horrors, hail! With frequent foot, Pleas’d have I, in my cheerful morn of life, When nurs’d by careless solitude I liv’d And sung of Nature with unceasing joy, Pleas’d have I wander’d through your rough domain; Trod the pure virgin-snows, myself as pure; Heard the winds roar, and the big torrent burst; Or seen the deep-fermenting tempest brew’d In the grim evening-sky. Thus pass’d the time, Till through the lucid chambers of the south
Slip-pilings on the Brooklyn littoral —the poles still tarry, flimsy; the ferry terminus with its walledup doors wan doorshapes on eroded sills. Downstream, the strutwork of the Williamsburg cable tower threw its cool shadow half a mile inland
It was nearly daylight when she gave birth to the child, lying on a quilt he had doubled up for her. He put the child on his left arm and took it out of the room, and she could hear the splashing water. When he came back
Father, this year’s jinx rides us apart where you followed our mother to her cold slumber; a second shock boiling its stone to your heart, leaving me here to shuffle and disencumber you from the residence you could not afford: a gold key, your half of a woolen mill, twenty suits from Dunne’s, an English Ford, the love and legal verbiage of another will,
Can we not force from widow'd poetry, Now thou art dead (great Donne) one elegy To crown thy hearse? Why yet dare we not trust, Though with unkneaded dough-bak'd prose, thy dust, Such as th' unscissor'd churchman from the flower Of fading rhetoric, short-liv'd as his hour, Dry as the sand that measures it, should lay Upon thy ashes, on the funeral day? Have we no voice, no tune? Didst thou dispense Through all our language, both the words and sense? 'Tis a sad truth. The pulpit may her plain And sober Christian precepts still retain, Doctrines it may, and wholesome uses, frame, Grave homilies and lectures, but the flame Of thy brave soul (that shot such heat and light
Heigho! the lark and the owl! One flies the morning, and one lulls the night: Only the nightingale, poor fond soul, Sings like the fool through darkness and light.
"A widow bird sate mourning for her love Upon a wintry bough; The frozen wind crept on above,
Nothing so true as what you once let fall, "Most Women have no Characters at all." Matter too soft a lasting mark to bear, And best distinguish'd by black, brown, or fair.
How many pictures of one nymph we view, All how unlike each other, all how true! Arcadia's Countess, here, in ermin'd pride,
May the Babylonish curse, Strait confound my stammering verse, If I can a passage see In this word-perplexity, Or a fit expression find, Or a language to my mind, (Still the phrase is wide or scant) To take leave of thee, GREAT PLANT! Or in any terms relate Half my love, or half my hate: For I hate, yet love, thee so, That, whichever thing I shew, The plain truth will seem to be A constrained hyperbole,
Tulsidas, the poet, was wandering, deep in thought, by the Ganges, in that lonely spot where they burn their dead. He found a woman sitting at the feet of the corpse of her dead husband, gaily dressed as for a wedding. She rose as she saw him, bowed to him, and said, "Permit me, Master, with your blessing, to follow my husband to heaven." "Why such hurry, my daughter?" asked Tulsidas. "Is not this earth also His who made heaven?" "For heaven I do not long," said the woman. "I want my husband." Tulsidas smiled and said to her, "Go back to your home, my child. Before the month is over you will find your husband." The woman went back with glad hope. Tulsidas came to her every day and gave her high thoughts to think, till her heart was filled to the brim with divine love. When the month was scarcely over, her neighbours came to her, asking, "Woman, have you found your husband?" The widow smiled and said, "I have." Eagerly they asked, "Where is he?" "In my heart is my lord, one with me," said the woman.
That story which the bold Sir Bedivere, First made and latest left of all the knights, Told, when the man was no more than a voice In the white winter of his age, to those With whom he dwelt, new faces, other minds.
For on their march to westward, Bedivere, Who slowly paced among the slumbering host, Heard in his tent the moanings of the King:
"I found Him in the shining of the stars, I mark'd Him in the flowering of His fields, But in His ways with men I find Him not. I waged His wars, and now I pass and die. O me! for why is all around us here
I’m a tranquilizer. I’m effective at home. I work in the office. I can take exams on the witness stand. I mend broken cups with care. All you have to do is take me, let me melt beneath your tongue,
So all day long the noise of battle roll'd Among the mountains by the winter sea; Until King Arthur's table, man by man, Had fallen in Lyonnesse about their Lord, King Arthur: then, because his wound was deep, The bold Sir Bedivere uplifted him, Sir Bedivere, the last of all his knights, And bore him to a chapel nigh the field, A broken chancel with a broken cross, That stood on a dark strait of barren land. On one side lay the ocean, and on one Lay a great water, and the moon was full.
Then spake King Arthur to Sir Bedivere: "The sequel of to-day unsolders all
I saw where in the shroud did lurk A curious frame of Nature's work. A flow'ret crushed in the bud, A nameless piece of Babyhood, Was in a cradle-coffin lying; Extinct, with scarce the sense of dying; So soon to exchange the imprisoning womb For darker closets of the tomb!
She said: the pitying audience melt in tears, But Fate and Jove had stopp'd the Baron's ears. In vain Thalestris with reproach assails, For who can move when fair Belinda fails? Not half so fix'd the Trojan could remain, While Anna begg'd and Dido rag'd in vain. Then grave Clarissa graceful wav'd her fan; Silence ensu'd, and thus the nymph began.
"Say, why are beauties prais'd and honour'd most, The wise man's passion, and the vain man's toast? Why deck'd with all that land and sea afford, Why angels call'd, and angel-like ador'd? Why round our coaches crowd the white-glov'd beaux, Why bows the side-box from its inmost rows?
His Grace! impossible! what dead! Of old age too, and in his bed! And could that mighty warrior fall? And so inglorious, after all! Well, since he’s gone, no matter how, The last loud trump must wake him now: And, trust me, as the noise grows stronger, He’d wish to sleep a little longer.
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