Philomela

As rising from the vegetable World
My Theme ascends, with equal Wing ascend,
My panting Muse; and hark, how loud the Woods
Invite you forth in all your gayest Trim.
Lend me your Song, ye Nightingales! oh pour
The mazy-running Soul of Melody
Into my varied Verse! while I deduce,
From the first Note the hollow Cuckoo sings,

Farewell (sweet Cooke-ham) where I first obtained
Grace from that grace where perfect grace remained;
And where the muses gave their full consent,
I should have power the virtuous to content;
Where princely palace willed me to indite,
The sacred story of the soul’s delight.
Farewell (sweet place) where virtue then did rest,
And all delights did harbor in her breast;
Never shall my sad eyes again behold
Those pleasures which my thoughts did then unfold.
Yet you (great Lady) Mistress of that place,
From whose desires did spring this work of grace;
Vouchsafe to think upon those pleasures past,
As fleeting worldly joys that could not last,
Or, as dim shadows of celestial pleasures,

The nightingale, as soon as April bringeth
Unto her rested sense a perfect waking,
While late bare earth, proud of new clothing, springeth,
Sings out her woes, a thorn her song-book making,
And mournfully bewailing,
Her throat in tunes expresseth
What grief her breast oppresseth
For Tereus’ force on her chaste will prevailing.

Long after Ovid’s story of Philomela
has gone out of fashion and after the testimonials
of Hafiz and Keats have been smothered in comment
and droned dead in schools and after Eliot has gone home
from the Sacred Heart and Ransom has spat and consigned
to human youth what he reduced to fairy numbers
after the name has become slightly embarrassing
and dried skins have yielded their details and tapes have been

Esteville begins to burn;
The auburn fields of harvest rise;
The torrid flames again return,
And thunders roll along the skies.

Perspiring Cancer lifts his head,
And roars terrific from on high;
Whose voice the timid creatures dread;
From which they strive with awe to fly.