Figure

Ne Rubeam, Pingui donatus Munere
(Horace, Epistles II.i.267)
While you, great patron of mankind, sustain
The balanc'd world, and open all the main;
Your country, chief, in arms abroad defend,
At home, with morals, arts, and laws amend;

One face looks out from all his canvases,
One selfsame figure sits or walks or leans:
We found her hidden just behind those screens,
That mirror gave back all her loveliness.
A queen in opal or in ruby dress,
A nameless girl in freshest summer-greens,
A saint, an angel — every canvas means
The same one meaning, neither more or less.

To me, fair friend, you never can be old,
For as you were when first your eye I eyed,
Such seems your beauty still. Three winters cold
Have from the forests shook three summers’ pride,
Three beauteous springs to yellow autumn turned
In process of the seasons have I seen,
Three April perfumes in three hot Junes burned,
Since first I saw you fresh, which yet are green.
Ah, yet doth beauty, like a dial-hand,
Steal from his figure, and no pace perceived;
So your sweet hue, which methinks still doth stand,
Hath motion, and mine eye may be deceived:
For fear of which, hear this, thou age unbred:
Ere you were born was beauty’s summer dead.

I

What shall I do with this absurdity —
O heart, O troubled heart — this caricature,
Decrepit age that has been tied to me
As to a dog's tail?
Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye

In what sense
I am I
a minor observer
as in a dream
absorbed in the interior,

a beardless youth
unaccountably
remote yet present

I’ll tell thee now (dear Love) what thou shalt do
To anger destiny, as she doth us,
How I shall stay, though she esloygne me thus
And how posterity shall know it too;
How thine may out-endure
Sybil’s glory, and obscure
Her who from Pindar could allure,
And her, through whose help Lucan is not lame,
And her, whose book (they say) Homer did find, and name.

Study our manuscripts, those myriads
Of letters, which have past twixt thee and me,
Thence write our annals, and in them will be
To all whom love’s subliming fire invades,
Rule and example found;

An Episode AND the first grey of morning fill'd the east,
And the fog rose out of the Oxus stream.

Fit the First
The Landing

"Just the place for a Snark!" the Bellman cried,
As he landed his crew with care;
Supporting each man on the top of the tide
By a finger entwined in his hair.

"Just the place for a Snark! I have said it twice:
That alone should encourage the crew.

As I was going down impassive Rivers,
I no longer felt myself guided by haulers:
Yelping redskins had taken them as targets
And had nailed them naked to colored stakes.

The sky is cloudy, yellowed by the smoke.
For view there are the houses opposite
Cutting the sky with one long line of wall
Like solid fog: far as the eye can stretch
Monotony of surface & of form
Without a break to hang a guess upon.
No bird can make a shadow as it flies,
For all is shadow, as in ways o'erhung
By thickest canvass, where the golden rays
Are clothed in hemp. No figure lingering
Pauses to feed the hunger of the eye
Or rest a little on the lap of life.
All hurry on & look upon the ground,
Or glance unmarking at the passers by
The wheels are hurrying too, cabs, carriages

For Naomi Ginsberg, 1894—1956 I
Strange now to think of you, gone without corsets & eyes, while I walk on the sunny pavement of Greenwich Village.

In the warming house, children lace their skates,
bending, choked, over their thick jackets.

A Franklin stove keeps the place so cozy
it’s hard to imagine why anyone would leave,

clumping across the frozen beach to the river.
December’s always the same at Ware’s Cove,

the first sheer ice, black, then white
and deep until the city sends trucks of men

I
GLOOM!
An October like November;
August a hundred thousand hours,
And all September,
A hundred thousand, dragging sunlit days,
And half October like a thousand years . . .
And doom!
That then was Antwerp. . .
In the name of God,
How could they do it?
Those souls that usually dived
Into the dirty caverns of mines;
Who usually hived
In whitened hovels; under ragged poplars;

Curtains drawn back, the door ajar.
All winter long, it seemed, a darkening
Began. But now the moonlight and the odors of the street
Conspire and combine toward one community.

These are the rooms of Robinson.
Bleached, wan, and colorless this light, as though
All the blurred daybreaks of the spring
Found an asylum here, perhaps for Robinson alone,

We speak of mankind.
Why not wavekind?

Barrel-chested military water
rushes in a mass
to break the shore earth
into stonekind.

Pphlooph pphlooph
the waves grope

All male Quincys are now dead, excepting one.
John Wheelwright, “Gestures to the Dead” 1
Vast oblong space

Debridement
Black men are oaks cut down.

Congressional Medal of Honor Society
United States of America chartered by
Congress, August 14, 1958; this certifies
that STAC John Henry Louis is a member
of this society.

“Don’t ask me anything about the

How much death works,
No one knows what a long
Day he puts in. The little
Wife always alone
Ironing death’s laundry.
The beautiful daughters
Setting death’s supper table.
The neighbors playing

30 dogs, 20 men on 20 horses and one fox
and look here, they write,
you are a dupe for the state, the church,
you are in the ego-dream,
read your history, study the monetary system,
note that the racial war is 23,000 years old.

well, I remember 20 years ago, sitting with an old Jewish tailor,
his nose in the lamplight like a cannon sighted on the enemy; and

You died. And because you were Greek they gave you
a coin to carry under your tongue and then also
biscuits and honey. When you came to the riverbank
you saw a crazy-looking black bumboat on the water
with a figure standing in it, lanky and dressed
darkly, holding a sweep. You were taken across,
and you gave your coin for the passage, and continued
until you came to a three-headed dog, who snarled