’T was merry Christmas when he came, Our little boy beneath the sod; And brighter burned the Christmas flame, And merrier sped the Christmas game, Because within the house there lay A shape as tiny as a fay— The Christmas gift of God! In wreaths and garlands on the walls The holly hung its ruby balls, The mistletoe its pearls; And a Christmas tree’s fantastic fruits Woke laughter like a choir of flutes From happy boys and girls. For the mirth, which else had swelled as shrill As a school let loose to its errant will,
(from As You Like It, spoken by Jaques)
All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse’s arms; And then the whining school-boy, with his satchel
Once, in the city of Kalamazoo, The gods went walking, two and two, With the friendly phoenix, the stars of Orion, The speaking pony and singing lion. For in Kalamazoo in a cottage apart Lived the girl with the innocent heart.
Thenceforth the city of Kalamazoo Was the envied, intimate chum of the sun. He rose from a cave by the principal street. The lions sang, the dawn-horns blew, And the ponies danced on silver feet. He hurled his clouds of love around; Deathless colors of his old heart Draped the houses and dyed the ground.
I cry your mercy—pity—love!—aye, love! Merciful love that tantalizes not, One-thoughted, never-wandering, guileless love, Unmasked, and being seen—without a blot! O! let me have thee whole,—all—all—be mine! That shape, that fairness, that sweet minor zest Of love, your kiss,—those hands, those eyes divine, That warm, white, lucent, million-pleasured breast,
Through Alpine meadows soft-suffused With rain, where thick the crocus blows, Past the dark forges long disused, The mule-track from Saint Laurent goes. The bridge is cross'd, and slow we ride, Through forest, up the mountain-side.
The autumnal evening darkens round, The wind is up, and drives the rain; While, hark! far down, with strangled sound Doth the Dead Guier's stream complain, Where that wet smoke, among the woods, Over his boiling cauldron broods.
Above the fresh ruffles of the surf Bright striped urchins flay each other with sand. They have contrived a conquest for shell shucks, And their fingers crumble fragments of baked weed Gaily digging and scattering.
And in answer to their treble interjections The sun beats lightning on the waves,
Ah blessed absence of God, How lovingly I am bound to you! You strengthen my will in its pain And make dear to me The long hard wait in my poor body. The nearer I come to you, The more wonderfully and abundantly God comes upon me,
Seems lak to me de stars don't shine so bright, Seems lak to me de sun done loss his light, Seems lak to me der's nothin' goin' right, Sence you went away.
Seems lak to me de sky ain't half so blue, Seems lak to me dat eve'ything wants you, Seems lak to me I don't know what to do, Sence you went away.
Kneel down, fair Love, and fill thyself with tears, Girdle thyself with sighing for a girth Upon the sides of mirth, Cover thy lips and eyelids, let thine ears Be filled with rumour of people sorrowing; Make thee soft raiment out of woven sighs Upon the flesh to cleave, Set pains therein and many a grievous thing, And many sorrows after each his wise For armlet and for gorget and for sleeve.
O Love's lute heard about the lands of death, Left hanged upon the trees that were therein; O Love and Time and Sin, Three singing mouths that mourn now underbreath,
Late, late yestreen I saw the new Moon, With the old Moon in her arms; And I fear, I fear, my Master dear! We shall have a deadly storm. (Ballad of Sir Patrick Spence) I Well! If the Bard was weather-wise, who made The grand old ballad of Sir Patrick Spence, This night, so tranquil now, will not go hence
Whose lives are hidden in God? Whose? Who can now tell what was taken, or where, or how, or whether it was received: how ditched, divested, clamped, sifted, over- laid, raked over, grassed over, spread around, rotted down with leafmould, accepted as civic concrete, reinforceable base cinderblocks:
When you get in on a try you never learn it back umpteen times the tenth part of a featured world in black and in back it’s roses and fostered nail bite rhyme sling slang, a song that teaches without travail of the tale, the one you longing live and singing burn
It’s insane to remain a trope, of a rinsing out or a ringing whatever, it’s those bells that . . .
For God's sake hold your tongue, and let me love, Or chide my palsy, or my gout, My five gray hairs, or ruined fortune flout, With wealth your state, your mind with arts improve, Take you a course, get you a place, Observe his honor, or his grace, Or the king's real, or his stampèd face Contemplate; what you will, approve, So you will let me love.
Alas, alas, who's injured by my love? What merchant's ships have my sighs drowned? Who says my tears have overflowed his ground? When did my colds a forward spring remove? When did the heats which my veins fill
I burned my life, that I might find A passion wholly of the mind, Thought divorced from eye and bone, Ecstasy come to breath alone. I broke my life, to seek relief From the flawed light of love and grief.
With mounting beat the utter fire Charred existence and desire.
Oh! yet one smile, tho' dark may lower Around thee clouds of woe and ill, Let me yet feel that I have power, Mid Fate's bleak storms, to soothe thee still.
Tho' sadness be upon thy brow, Yet let it turn, dear love, to me, I cannot bear that thou should'st know Sorrow I do not share with thee.
As I was going down impassive Rivers, I no longer felt myself guided by haulers: Yelping redskins had taken them as targets And had nailed them naked to colored stakes.
Huzza! Hodgson, we are going, Our embargo's off at last; Favourable breezes blowing Bend the canvass o'er the mast. From aloft the signal's streaming, Hark! the farewell gun is fir'd; Women screeching, tars blaspheming, Tell us that our time's expir'd.
Learning to love differently is hard, love with the hands wide open, love with the doors banging on their hinges, the cupboard unlocked, the wind roaring and whimpering in the rooms rustling the sheets and snapping the blinds that thwack like rubber bands in an open palm.
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