Good King Wenceslas look’d out, On the Feast of Stephen; When the snow lay round about, Deep, and crisp, and even: Brightly shone the moon that night, Though the frost was cruel, When a poor man came in sight, Gath’ring winter fuel.
“Hither page and stand by me, If thou know’st it, telling, Yonder peasant, who is he? Where and what his dwelling?” “Sire, he lives a good league hence. Underneath the mountain;
My hair had hardly covered my forehead. I was picking flowers, playing by my door, When you, my lover, on a bamboo horse, Came trotting in circles and throwing green plums. We lived near together on a lane in Ch’ang-kan, Both of us young and happy-hearted.
...At fourteen I became your wife, So bashful that I dared not smile, And I lowered my head toward a dark corner And would not turn to your thousand calls; But at fifteen I straightened my brows and laughed, Learning that no dust could ever seal our love, That even unto death I would await you by my post And would never lose heart in the tower of silent watching.
The day is fresh-washed and fair, and there is a smell of tulips and narcissus in the air. The sunshine pours in at the bath-room window and bores through the water in the bath-tub in lathes and planes of greenish-white. It cleaves the water into flaws like a jewel, and cracks it to bright light. Little spots of sunshine lie on the surface of the water and dance, dance, and their reflections wobble deliciously over the ceiling; a stir of my finger sets them whirring, reeling. I move a foot, and the planes of light in the water jar. I lie back and laugh, and let the green-white water, the sun-flawed beryl water, flow over me. The day is almost too bright to bear, the green water covers me from the too bright day. I will lie here awhile and play with the water and the sun spots. The sky is blue and high. A crow flaps by the window, and there is a whiff of tulips and narcissus in the air.
Breakfast Table
In the fresh-washed sunlight, the breakfast table is decked and white. It offers itself in flat surrender, tendering tastes, and smells, and colours, and metals, and grains, and the white cloth falls over its side, draped and wide. Wheels of white glitter in the silver coffee-pot, hot and spinning like catherine-wheels, they whirl, and twirl—and my eyes begin to smart, the little white, dazzling wheels prick them like darts. Placid and peaceful, the rolls of bread spread themselves in the sun to bask. A stack of butter-pats, pyramidal, shout orange through the white, scream, flutter, call: “Yellow! Yellow! Yellow!” Coffee steam rises in a stream, clouds the silver tea-service with mist, and twists up into the sunlight, revolved, involuted, suspiring higher and higher, fluting in a thin spiral up the high blue sky. A crow flies by and croaks at the coffee steam. The day is new and fair with good smells in the air.
Walk
Over the street the white clouds meet, and sheer away without touching. On the sidewalks, boys are playing marbles. Glass marbles, with amber and blue hearts, roll together and part with a sweet clashing noise. The boys strike them with black and red striped agates. The glass marbles spit crimson when they are hit, and slip into the gutters under rushing brown water. I smell tulips and narcissus in the air, but there are no flowers anywhere, only white dust whipping up the street, and a girl with a gay Spring hat and blowing skirts. The dust and the wind flirt at her ankles and her neat, high-heeled patent leather shoes. Tap, tap, the little heels pat the pavement, and the wind rustles among the flowers on her hat. A water-cart crawls slowly on the other side of the way. It is green and gay with new paint, and rumbles contentedly, sprinkling clear water over the white dust. Clear zigzagging water, which smells of tulips and narcissus. The thickening branches make a pink grisaille against the blue sky. Whoop! The clouds go dashing at each other and sheer away just in time. Whoop! And a man’s hat careers down the street in front of the white dust, leaps into the branches of a tree, veers away and trundles ahead of the wind, jarring the sunlight into spokes of rose-colour and green. A motor-car cuts a swathe through the bright air, sharp-beaked, irresistible, shouting to the wind to make way. A glare of dust and sunshine tosses together behind it, and settles down. The sky is quiet and high, and the morning is fair with fresh-washed air.
Midday and Afternoon
Swirl of crowded streets. Shock and recoil of traffic. The stock-still brick façade of an old church, against which the waves of people lurch and withdraw. Flare of sunshine down side-streets. Eddies of light in the windows of chemists’ shops, with their blue, gold, purple jars, darting colours far into the crowd. Loud bangs and tremors, murmurings out of high windows, whirring of machine belts, blurring of horses and motors. A quick spin and shudder of brakes on an electric car, and the jar of a church-bell knocking against the metal blue of the sky. I am a piece of the town, a bit of blown dust, thrust along with the crowd. Proud to feel the pavement under me, reeling with feet. Feet tripping, skipping, lagging, dragging, plodding doggedly, or springing up and advancing on firm elastic insteps. A boy is selling papers, I smell them clean and new from the press. They are fresh like the air, and pungent as tulips and narcissus. The blue sky pales to lemon, and great tongues of gold blind the shop-windows, putting out their contents in a flood of flame.
Night and Sleep
The day takes her ease in slippered yellow. Electric signs gleam out along the shop fronts, following each other. They grow, and grow, and blow into patterns of fire-flowers as the sky fades. Trades scream in spots of light at the unruffled night. Twinkle, jab, snap, that means a new play; and over the way: plop, drop, quiver, is the sidelong sliver of a watchmaker’s sign with its length on another street. A gigantic mug of beer effervesces to the atmosphere over a tall building, but the sky is high and has her own stars, why should she heed ours? I leave the city with speed. Wheels whirl to take me back to my trees and my quietness. The breeze which blows with me is fresh-washed and clean, it has come but recently from the high sky. There are no flowers in bloom yet, but the earth of my garden smells of tulips and narcissus. My room is tranquil and friendly. Out of the window I can see the distant city, a band of twinkling gems, little flower-heads with no stems. I cannot see the beer-glass, nor the letters of the restaurants and shops I passed, now the signs blur and all together make the city, glowing on a night of fine weather, like a garden stirring and blowing for the Spring. The night is fresh-washed and fair and there is a whiff of flowers in the air. Wrap me close, sheets of lavender. Pour your blue and purple dreams into my ears. The breeze whispers at the shutters and mutters queer tales of old days, and cobbled streets, and youths leaping their horses down marble stairways. Pale blue lavender, you are the colour of the sky when it is fresh-washed and fair . . . I smell the stars . . . they are like tulips and narcissus . . . I smell them in the air.
‘Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla pendere, et cum illi pueri dicerent:Σίβυλλα τίθέλεις; respondebat illa:άποθανεîνθέλω.’ For Ezra Pound il miglior fabbro. I. The Burial of the Dead
How fresh, oh Lord, how sweet and clean Are thy returns! even as the flowers in spring; To which, besides their own demean, The late-past frosts tributes of pleasure bring. Grief melts away Like snow in May, As if there were no such cold thing.
Who would have thought my shriveled heart Could have recovered greenness? It was gone Quite underground; as flowers depart To see their mother-root, when they have blown, Where they together All the hard weather, Dead to the world, keep house unknown.
There’s a barrel-organ carolling across a golden street In the City as the sun sinks low; And the music's not immortal; but the world has made it sweet And fulfilled it with the sunset glow; And it pulses through the pleasures of the City and the pain That surround the singing organ like a large eternal light; And they’ve given it a glory and a part to play again In the Symphony that rules the day and night.
When he would not return to fine garments and good food, to his houses and his people, Loingseachan told him, “Your father is dead.” “I’m sorry to hear it,” he said. “Your mother is dead,” said the lad. “All pity for me has gone out of the world.” “Your sister, too, is dead.” “The mild sun rests on every ditch,” he said; “a sister loves even though not loved.” “Suibhne, your daughter is dead.” “And an only daughter is the needle of the heart.” “And Suibhne, your little boy, who used to call you “Daddy”—he is dead.” “Aye,” said Suibhne, “that’s the drop that brings a man to the ground.” He fell out of the yew tree; Loingseachan closed his arms around him and placed him in manacles.—AFTER THE MIDDLE-IRISH ROMANCE, THE MADNESS OF SUIBHNE
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