Louisiana Line

Palace in smoky light,
Troy but a heap of smouldering boundary stones,
ANAXIFORMINGES! Aurunculeia!
Hear me. Cadmus of Golden Prows!
The silver mirrors catch the bright stones and flare,
Dawn, to our waking, drifts in the green cool light;
Dew-haze blurs, in the grass, pale ankles moving.
Beat, beat, whirr, thud, in the soft turf

I

The sidewalks were long where I grew up.
They were as veined as the backs
Of my Grandma’s hands.
We knew every inch of pavement;
We jumped the cracks
Chanting rhymes that broke evil spirits,
Played tag at sunset

came in an envelope with no return address;
she was small, wore wrinkled dress of figured
cotton, full from neck to ankles, with a button
of bone at the throat, a collar of torn lace.
She was standing before a monumental house—
on the scale you see in certain English films:
urns, curved drives, stone lions, and an entrance far
too vast for any home. She was not of that place,

There’s a whisper down the field where the year has shot her yield,
And the ricks stand grey to the sun,
Singing: ‘Over then, come over, for the bee has quit the clover,
‘And your English summer's done.’
You have heard the beat of the off-shore wind,
And the thresh of the deep-sea rain;
You have heard the song—how long? how long?
Pull out on the trail again!

From the beginning, the egg cradled in pebbles,
The drive thick with fledglings, to the known last
Riot of the senses, is only a short pass.
Earth to be forked over is more patient,
Bird hungers more, flower dies sooner.

But if not grasped grows quickly, silently.
We are restless, not remembering much.
The pain is slow, original as laughter,

SPRING, COAST RANGE

The glow of my campfire is dark red and flameless,
The circle of white ash widens around it.
I get up and walk off in the moonlight and each time
I look back the red is deeper and the light smaller.
Scorpio rises late with Mars caught in his claw;
The moon has come before them, the light
Like a choir of children in the young laurel trees.

The women were divided between regrets for the homes they had left and fear of the deserts and savages before them.
—Francis Parkman nothing but this continent
intent on its dismay—

In musty light, in the thin brown air
of damp carpet, doll heads and rust,
beneath long rows of sharp footfalls
like nails in a lid, an old man stands
trying on glasses, lifting each pair
from the box like a glittering fish
and holding it up to the light
of a dirty bulb. Near him, a heap

Peace is the active presence of Justice. The wrinkles on the brown face
of the carrying case