But do not let us quarrel any more, No, my Lucrezia; bear with me for once: Sit down and all shall happen as you wish. You turn your face, but does it bring your heart? I'll work then for your friend's friend, never fear, Treat his own subject after his own way, Fix his own time, accept too his own price, And shut the money into this small hand When next it takes mine. Will it? tenderly? Oh, I'll content him,—but to-morrow, Love! I often am much wearier than you think, This evening more than usual, and it seems As if—forgive now—should you let me sit Here by the window with your hand in mine And look a half-hour forth on Fiesole,
'There it is!– You play beside a death-bed like a child, Yet measure to yourself a prophet's place To teach the living. None of all these things, Can women understand. You generalise, Oh, nothing!–not even grief! Your quick-breathed hearts, So sympathetic to the personal pang,
‘Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla pendere, et cum illi pueri dicerent:Σίβυλλα τίθέλεις; respondebat illa:άποθανεîνθέλω.’ For Ezra Pound il miglior fabbro. I. The Burial of the Dead
Slip-pilings on the Brooklyn littoral —the poles still tarry, flimsy; the ferry terminus with its walledup doors wan doorshapes on eroded sills. Downstream, the strutwork of the Williamsburg cable tower threw its cool shadow half a mile inland
of course, I may die in the next ten minutes and I’m ready for that but what I’m really worried about is that my editor-publisher might retire even though he is ten years younger than I. it was just 25 years ago (I was at that ripe old age of 45)
Bedfordshire A blue bird showing off its undercarriage En route between our oldest universities Was observed slightly off-course above Woburn In the leafy heart of our sleepiest county: Two cyclists in tandem looked up at the same moment, Like a busy footnote to its asterisk.
I grow old under an intensity Of questioning looks. Nonsense, I try to say, I cannot teach you children How to live.—If not you, who will? Cries one of them aloud, grasping my gilded Frame till the world sways. If not you, who will? Between their visits the table, its arrangement Of Bible, fern and Paisley, all past change,
We, the Research Assistants and Teaching Assistants of the University of California, wish to register our protest against the new loyalty oath for the following reasons.
1) The testing of a University faculty by oath is a stupid and insulting procedure. If this oath is to have the effect of eliminating Communists from the faculty, we might as logically eliminate murderers from the faculty by forcing every faculty member to sign an oath saying that he has never committed murder.
2) That such an oath is more dangerous to the liberties of the community than any number of active Communists should be obvious to any student of history. Liberty and democracy are more often overthrown by fear than by stealth. Only countries such as Russia or Spain have institutions so weak and unhealthy that they must be protected by terror.
3) Oaths and other forms of blackmail are destructive to the free working of man's intellect. Since the early Middle Ages universities have zealously guarded their intellectual freedom and have made use of its power to help create the world we know today. The oath that Galileo was forced by the Inquisition to swear is but a distant cousin to the oath we are asked to swear today, but both represent the struggle of the blind and powerful against the minds of free men.
We, who will inherit the branches of learning that one thousand years of free universities have helped to generate, are not Communists and dislike the oath for the same reason we dislike Communism. Both breed stupidity and indignity; both threaten our personal and intellectual freedom. [c. 1949]
Think not this paper comes with vain pretense To move your pity, or to mourn th’ offense. Too well I know that hard obdurate heart; No softening mercy there will take my part, Nor can a woman’s arguments prevail, When even your patron’s wise example fails. But this last privilege I still retain; Th’ oppressed and injured always may complain.
He tells me in Bangkok he’s robbed Because he’s white; in London because he’s black; In Barcelona, Jew; in Paris, Arab: Everywhere and at all times, and he fights back.
He holds up seven thick little fingers To show me he’s rated seventh in the world, And there’s no passion in his voice, no anger In the flat brown eyes flecked with blood.
Brooklyn, 1929. Of course Crane’s been drinking and has no idea who this curious Andalusian is, unable even to speak the language of poetry. The young man who brought them together knows both Spanish and English, but he has a headache from jumping back and forth from one language
O young Lochinvar is come out of the west, Through all the wide Border his steed was the best; And save his good broadsword he weapons had none, He rode all unarm’d, and he rode all alone. So faithful in love, and so dauntless in war, There never was knight like the young Lochinvar.
He staid not for brake, and he stopp’d not for stone, He swam the Eske river where ford there was none; But ere he alighted at Netherby gate, The bride had consented, the gallant came late: For a laggard in love, and a dastard in war, Was to wed the fair Ellen of brave Lochinvar.
let elizur rejoice with the partridge Let Elizur rejoice with the Partridge, who is a prisoner of state and is proud of his keepers. For I am not without authority in my jeopardy, which I derive inevitably from the glory of the name of the Lord.
A kind in glass and a cousin, a spectacle and nothing strange a single hurt color and an arrangement in a system to pointing. All this and not ordinary, not unordered in not resembling. The difference is spreading.
The readers of the Boston Evening Transcript Sway in the wind like a field of ripe corn.
When evening quickens faintly in the street, Wakening the appetites of life in some And to others bringing the Boston Evening Transcript, I mount the steps and ring the bell, turning Wearily, as one would turn to nod good-bye to Rochefoucauld, If the street were time and he at the end of the street,
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