He is pruning the privet

Even the wind wants
to become a cart
pulled by butterflies.

I remember madness

(for Phil Garrison and Peter Lamborn Wilson)
As ashes are the shadow of smoke,

‘Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla pendere, et cum illi pueri dicerent:Σίβυλλα τίθέλεις; respondebat illa:άποθανεîνθέλω.’ For Ezra Pound
il miglior fabbro. I. The Burial of the Dead

We stand in the rain in a long line
waiting at Ford Highland Park. For work.
You know what work is—if you’re
old enough to read this you know what
work is, although you may not do it.
Forget you. This is about waiting,
shifting from one foot to another.
Feeling the light rain falling like mist

I sit where I always sit, in back of the Buddha,
Red leather wing chair, pony skin trunk
under my feet,
Sky light above me, Chinese and Indian rugs on the floor.
1 March, 1998, where to begin again?

Over there's the ur-photograph,
Giorgio Morandi, glasses pushed up on his forehead,
Looking hard at four objects—
Two olive oil tins, one wine bottle, one flower vase,
A universe of form and structure,

The universe constricting in front of his eyes,
angelic orders
And applications scraped down

Whom should I consult? Philosophers
Are happy in their homes and seminars.
See this one with the mischievous bright childlike
Gaze going out through walls and air,
A tangent to the bent rays of the star.
Hear the chalk splutter, hear the groping voice:
Conceive the demiurge in his perpetual
Strife with the chaos of the universe,

The wind rests its cheek upon the ground and feels the cool damp
And lifts its head with twigs and small dead blades of grass
Pressed into it as you might at the beach rise up and brush away
The sand. The day is cool and says, “I’m just staying overnight.”
The world is filled with music, and in between the music, silence
And varying the silence all sorts of sounds, natural and man made:
There goes a plane, some cars, geese that honk and, not here, but
Not so far away, a scream so rending that to hear it is to be

I. Until Jove let it be, no colonist
Mastered the wild earth; no land was marked,
None parceled out or shared; but everyone
Looked for his living in the common world.

And Jove gave poison to the blacksnakes, and
Made the wolves ravage, made the ocean roll,
Knocked honey from the leaves, took fire away—
So man might beat out various inventions

(i.m. Charles Leslie Stevenson, 1909-79)

This House

Which represents you, as my bones do, waits,
all pores open, for the stun of snow. Which will come,
as it always does, between breaths, between nights
of no wind and days of the nulled sun.
And has to be welcome. All instinct wants to anticipate
faceless fields, a white road drawn