Mildest of all the powers of earth: no lightnings For her—maniacal in the clouds. No need for Signs with their skull and crossbones, chain-link gates: Danger! Keep Out! High Gravity! she’s friendlier. Won’t nurse—unlike the magnetic powers—repugnance; Would reconcile, draw close: her passion’s love.
No terrors lurking in her depths, like those Bound in that buzzing strongbox of the atom,
Slip-pilings on the Brooklyn littoral —the poles still tarry, flimsy; the ferry terminus with its walledup doors wan doorshapes on eroded sills. Downstream, the strutwork of the Williamsburg cable tower threw its cool shadow half a mile inland
In bed I muse on Tenier’s boors, Embrowned and beery losels all: A wakeful brain Elaborates pain: Within low doors the slugs of boors Laze and yawn and doze again.
In dreams they doze, the drowsy boors, Their hazy hovel warm and small: Thought’s ampler bound But chill is found: Within low doors the basking boors Snugly hug the ember-mound.
Dans l'adversité de nos meilleurs amis nous trouvons quelque chose, qui ne nous déplaît pas. ["In the hard times of our best friends we find something that doesn't displease us."] As Rochefoucauld his maxims drew From Nature, I believe 'em true: They argue no corrupted mind In him; the fault is in mankind.
Little brown baby wif spa'klin' eyes, Come to yo' pappy an' set on his knee. What you been doin', suh — makin' san' pies? Look at dat bib — you's es du'ty ez me. Look at dat mouf — dat's merlasses, I bet; Come hyeah, Maria, an' wipe off his han's. Bees gwine to ketch you an' eat you up yit, Bein' so sticky an sweet — goodness lan's!
Morning and evening Maids heard the goblins cry: “Come buy our orchard fruits, Come buy, come buy: Apples and quinces, Lemons and oranges, Plump unpeck’d cherries, Melons and raspberries,
Cook was a captain of the Admiralty When sea-captains had the evil eye, Or should have, what with beating krakens off And casting nativities of ships; Cook was a captain of the powder-days When captains, you might have said, if you had been Fixed by their glittering stare, half-down the side,
Until nightfall my son ran in the fields, looking for God knows what. Flowers, perhaps. Odd birds on the wing. Something to fill an empty spot. Maybe a luminous angel or a country girl with a secret dark. He came back empty-handed, or so I thought.
Where did you get such a dirty face, My darling dirty-faced child?
I got it from crawling along in the dirt And biting two buttons off Jeremy’s shirt. I got it from chewing the roots of a rose And digging for clams in the yard with my nose. I got it from peeking into a dark cave And painting myself like a Navajo brave.
You go from me In June for months on end To study equanimity Among high trees alone; I go out with a new boyfriend And stay all summer in the city where Home mostly on my own I watch the sunflowers flare.
On my way home I pass a cameraman On a platform on the bumper of a car Inside which, rolling and plunging, a comedian Is working; on one white lot I see a star Stumble to her igloo through the howling gale Of the wind machines. On Melrose a dinosaur And pterodactyl, with their immense pale
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