Once, in the city of Kalamazoo, The gods went walking, two and two, With the friendly phoenix, the stars of Orion, The speaking pony and singing lion. For in Kalamazoo in a cottage apart Lived the girl with the innocent heart.
Thenceforth the city of Kalamazoo Was the envied, intimate chum of the sun. He rose from a cave by the principal street. The lions sang, the dawn-horns blew, And the ponies danced on silver feet. He hurled his clouds of love around; Deathless colors of his old heart Draped the houses and dyed the ground.
I One among friends who stood above your grave I cast a clod of earth from those heaped there Down on the great brass-handled coffin lid. It rattled on the oak like a door knocker And at that sound I saw your face beneath Wedged in an oblong shadow under ground. Flesh creased, eyes shut, jaw jutting
Thus far, O Friend! have we, though leaving much Unvisited, endeavour'd to retrace My life through its first years, and measured back The way I travell'd when I first began To love the woods and fields; the passion yet Was in its birth, sustain'd, as might befal, By nourishment that came unsought, for still, From week to week, from month to month, we liv'd A round of tumult: duly were our games Prolong'd in summer till the day-light fail'd; No chair remain'd before the doors, the bench And threshold steps were empty; fast asleep The Labourer, and the old Man who had sate, A later lingerer, yet the revelry Continued, and the loud uproar: at last,
Poetry is the supreme fiction, madame. Take the moral law and make a nave of it And from the nave build haunted heaven. Thus, The conscience is converted into palms, Like windy citherns hankering for hymns. We agree in principle. That's clear. But take The opposing law and make a peristyle, And from the peristyle project a masque Beyond the planets. Thus, our bawdiness, Unpurged by epitaph, indulged at last, Is equally converted into palms, Squiggling like saxophones. And palm for palm, Madame, we are where we began. Allow, Therefore, that in the planetary scene Your disaffected flagellants, well-stuffed,
To My Noble Friend, Mr. Charles Cotton O thou that swing’st upon the waving hair Of some well-fillèd oaten beard, Drunk every night with a delicious tear Dropped thee from heaven, where now th’ art reared;
Hard Rock / was / “known not to take no shit From nobody,” and he had the scars to prove it: Split purple lips, lumbed ears, welts above His yellow eyes, and one long scar that cut Across his temple and plowed through a thick Canopy of kinky hair.
The WORD / was / that Hard Rock wasn’t a mean nigger Anymore, that the doctors had bored a hole in his head,
I. Until Jove let it be, no colonist Mastered the wild earth; no land was marked, None parceled out or shared; but everyone Looked for his living in the common world.
And Jove gave poison to the blacksnakes, and Made the wolves ravage, made the ocean roll, Knocked honey from the leaves, took fire away— So man might beat out various inventions
O Prince, O chief of many throned pow'rs! That led th' embattled seraphim to war! (Milton, Paradise Lost) O thou! whatever title suit thee,— Auld Hornie, Satan, Nick, or Clootie! Wha in yon cavern, grim an' sootie, Clos'd under hatches,
Man-dirt and stomachs that the sea unloads; rockets of quick lice crawling inland, planting their damn flags, putting their malethings in any hole that will stand still, yapping bloody murder while they slice off each other’s heads, spewing themselves around, priesting, whoring, lording it over little guys, messing their pants, writing gush-notes to their grandmas, wanting somebody to do something pronto, wanting the good thing right now and the bad stuff for the other boy.
Pitch here the tent, while the old horse grazes: By the old hedge-side we'll halt a stage. It's nigh my last above the daisies: My next leaf'll be man's blank page. Yes, my old girl! and it's no use crying: Juggler, constable, king, must bow. One that outjuggles all's been spying Long to have me, and he has me now.
The sleds of the children Move down the right slope. To the left, hazed in the tumbling air, A thousand lights smudge Within the branches of the old forest, Like colored moons in a well of milk.
The sleds of the children Make no sound on the hard-packed snow.
I reached heaven and it was syrupy. It was oppressively sweet. Croaking substances stuck to my knees. Of all substances St. Michael was stickiest. I grabbed him and pasted him on my head. I found God a gigantic fly paper. I stayed out of his way.
The coltish horseplay of the locker room, Moist with the steam of the tiled shower stalls, With shameless blends of civet, musk and sweat, Loud with the cap-gun snapping of wet towels Under the steel-ribbed cages of bare bulbs, In some such setting of thick basement pipes And janitorial realities
Now I begin to know at last, These nights when I sit down to rhyme, The form and measure of that vast God we call Poetry, he who stoops And leaps me through his paper hoops A little higher every time.
Tempts me to think I’ll grow a proper Singing cricket or grass-hopper Making prodigious jumps in air While shaken crowds about me stare Aghast, and I sing, growing bolder To fly up on my master’s shoulder Rustling the thick stands of his hair.
Comment form: