And nothing ‘gainst Time’s scythe can make defence
Save breed, to brave him when he takes thee hence.
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Alex Chislain
15-01-2024 18:58:27
This poem captures the passage of time and the inevitability of aging and mortality in a beautiful and poignant way. The speaker observes various elements of nature and life undergoing change and decay, such as the fading of a beautiful flower and the greying of hair. These observations lead the speaker to question the fleeting nature of beauty and confront the reality that everything eventually succumbs to the passage of time.
Mark
23-01-2024 03:48:43
This poem beautifully captures the passage of time and the inevitable process of aging. The speaker contemplates the changing seasons and the fading beauty, both in nature and in human life. The vivid imagery of the "brave day sunk in hideous night" and the "sable curls all silver'd o'er with white" evokes a sense of melancholy and acceptance.
Max Lundgren
23-01-2024 03:53:56
this poem prompts reflection on the transitory nature of life and beauty, urging the reader to appreciate the present moment and the beauty that surrounds us, knowing that it too will one day fade.
America I’ve given you all and now I’m nothing. America two dollars and twentyseven cents January 17, 1956. I can’t stand my own mind. America when will we end the human war? Go fuck yourself with your atom bomb. I don’t feel good don’t bother me. I won’t write my poem till I’m in my right mind. America when will you be angelic?
Why did my parents send me to the schools That I with knowledge might enrich my mind? Since the desire to know first made men fools, And did corrupt the root of all mankind.
Ave Faustina Imperatrix, morituri te salutant. Lean back, and get some minutes' peace; Let your head lean Back to the shoulder with its fleece Of locks, Faustine.
How changed is here each spot man makes or fills! In the two Hinkseys nothing keeps the same; The village street its haunted mansion lacks, And from the sign is gone Sibylla's name, And from the roofs the twisted chimney-stacks— Are ye too changed, ye hills? See, 'tis no foot of unfamiliar men To-night from Oxford up your pathway strays!
I first discovered what was killing these men. I had three sons who worked with their father in the tunnel: Cecil, aged 23, Owen, aged 21, Shirley, aged 17. They used to work in a coal mine, not steady work for the mines were not going much of the time. A power Co. foreman learned that we made home brew, he formed a habit of dropping in evenings to drink, persuading the boys and my husband —
Unlike the ashes that make their home with hot coals, snails prefer moist earth. Go on: they advance while gluing themselves to it with their entire bodies. They carry it, they eat it, they shit it. They go through it, it goes through them. It’s the best kind of interpenetration, as between tones, one passive and one active. The passive bathes and nourishes the active, which overturns the other while it eats.
(There is more to be said about snails. First of all their immaculate clamminess. Their sangfroid. Their stretchiness.)
One can scarcely conceive of a snail outside its shell and unmoving. The moment it rests it sinks down deep into itself. In fact, its modesty obliges it to move as soon as it has shown its nakedness and revealed its vulnerable shape. The moment it’s exposed, it moves on.
During periods of dryness they withdraw into ditches where it seems their bodies are enough to maintain their dampness. No doubt their neighbors there are toads and frogs and other ectothermic animals. But when they come out again they don’t move as quickly. You have to admire their willingness to go into the ditch, given how hard it is for them to come out again.
Note also that though snails like moist soil, they have no affection for places that are too wet such as marshes or ponds. Most assuredly they prefer firm earth, as long as it’s fertile and damp.
They are fond as well of moisture-rich vegetables and green leafy plants. They know how to feed on them leaving only the veins, cutting free the most tender leaves. They are hell on salads.
What are these beings from the depths of the ditches? Though snails love many of their trenches’ qualities they have every intention of leaving. They are in their element but they are also wanderers. And when they emerge into the daylight onto firm ground their shells will preserve their vagabond’s hauteur.
It must be a pain to have to haul that trailer around with them everywhere, but they never complain and in the end they are happy about it. How valuable, after all, to be able to go home any time, no matter where you may find yourself, eluding all intruders. It must be worth it.
217 Ambition was my idol, which was broken Before the shrines of Sorrow and of Pleasure; And the two last have left me many a token O'er which reflection may be made at leisure: Now, like Friar Bacon's brazen head, I've spoken, 'Time is, Time was, Time's past', a chymic treasure Is glittering youth, which I have spent betimes— My heart in passion, and my head on rhymes.
When he would not return to fine garments and good food, to his houses and his people, Loingseachan told him, “Your father is dead.” “I’m sorry to hear it,” he said. “Your mother is dead,” said the lad. “All pity for me has gone out of the world.” “Your sister, too, is dead.” “The mild sun rests on every ditch,” he said; “a sister loves even though not loved.” “Suibhne, your daughter is dead.” “And an only daughter is the needle of the heart.” “And Suibhne, your little boy, who used to call you “Daddy”—he is dead.” “Aye,” said Suibhne, “that’s the drop that brings a man to the ground.” He fell out of the yew tree; Loingseachan closed his arms around him and placed him in manacles.—AFTER THE MIDDLE-IRISH ROMANCE, THE MADNESS OF SUIBHNE
Welcome to your day of sanity! Come in and close the door it will likely lock behind you and you will be home alone waste disposal will take care of your needs : at long last undisturbed phenomena without the heavy metal background of the street will be yours for observation and response : do you have visions? do you think? Your mouth do you open it for more than medication? I should know I know that I should know : we’ve watched centuries erode the fortress drain the moat the poet’s clumsy beast has reached its home and prey we wither in the gridlock of our power only the guns remain and are in use pure accident is beauty to be glimpsed your trembling only further clouds your sight I in my home you in your other place harmonize the fading anthem of an age the cracked bell of our liberty keeps time a penny for the corpse you left behind keep on recycling all that you have heard before call it a double bind much like the dead bolt that locked the door that keeps you safe and sane : ho — hum — harry who? oh that’s just a phrase found in a time capsule capped and sealed and shot up in the air : no I cannot tell you where it fell to earth that page was torn out years ago it’s chance that we have a fragment of that language left : do your archaeology before a mirror the canyons and the barren plains are clear but where to dig for a ruined golden age a fiction we were served with breakfast flakes say have you forgot this day of sanity? No problem the heavy key was thrown away as soon as the door was closed and locked you’re safe : some day the asylum may be torn down to make way for a palace of the mad it does not follow that anything will change : choose your executioner by lot almost everyone is trained and competent there are different schools of course check out degrees fees can become an issue of your choice and some may be in service or abroad as usual nothing’s simple it’s all a part of the grand unraveling that must take place before the new line can be introduced : prepare now don’t be shocked when the music starts the year’s fashions may feature pins and nails.
who goes there? who is this young man born lonely?
who walks there? who goes toward death
whistling through the water
without his chorus? without his posse? without his song?
it is autumn now
in me autumn grieves
in this carved gold of shifting faces
my eyes confess to the fatigue of living.
