My dear, your eyes are weary; Rest them a little while. Assume the languid posture Of pleasure mixed with guile. Outside the talkative fountain Continues night and day Repeating my warm passion In whatever it has to say.
The sheer luminous gown The fountain wears Where Phoebe’s very own Color appears Falls like a summer rain Or shawl of tears.
Late in the cold night wakened, and heard wind, And lay with eyes closed and silent, knowing These words how bodiless they are, this darkness Empty under my roof and the panes rattling Roughed by wind. And so lay and imagined Somewhere far off black seas heavy-shouldered Plunging on sand and the ebb off-streaming and Thunder forever. So lying bethought me, friend,
In the greenest of our valleys By good angels tenanted, Once a fair and stately palace— Radiant palace—reared its head. In the monarch Thought’s dominion, It stood there! Never seraph spread a pinion Over fabric half so fair!
Now that I, tying thy glass mask tightly, May gaze thro’ these faint smokes curling whitely, As thou pliest thy trade in this devil’s-smithy— Which is the poison to poison her, prithee?
He is with her, and they know that I know Where they are, what they do: they believe my tears flow While they laugh, laugh at me, at me fled to the drear Empty church, to pray God in, for them!—I am here.
Grind away, moisten and mash up thy paste, Pound at thy powder,—I am not in haste! Better sit thus and observe thy strange things, Than go where men wait me and dance at the King’s.
1 The white butterfly in the park is being read by many. I love that cabbage-moth as if it were a fluttering corner of truth itself!
At dawn the running crowds set our quiet planet in motion. Then the park fills with people. To each one, eight faces polished like jade, for all situations, to avoid making mistakes. To each one, there's also the invisible face reflecting "something you don't talk about." Something that appears in tired moments and is as rank as a gulp of viper schnapps with its long scaly aftertaste.
An axe rang sharply ’mid those forest shades Which from creation toward the skies had tower’d In unshorn beauty. There, with vigorous arm Wrought a bold emigrant, and by his side His little son, with question and response, Beguiled the toil. ‘Boy, thou hast never seen Such glorious trees. Hark, when their giant trunks Fall, how the firm earth groans. Rememberest thou The mighty river, on whose breast we sail’d, So many days, on toward the setting sun? Our own Connecticut, compar’d to that, Was but a creeping stream.’ ‘Father, the brook That by our door went singing, where I launch’d
On this Day I Complete my Thirty-Sixth Year 'Tis time this heart should be unmoved, Since others it hath ceased to move: Yet though I cannot be beloved, Still let me love!
When he would not return to fine garments and good food, to his houses and his people, Loingseachan told him, “Your father is dead.” “I’m sorry to hear it,” he said. “Your mother is dead,” said the lad. “All pity for me has gone out of the world.” “Your sister, too, is dead.” “The mild sun rests on every ditch,” he said; “a sister loves even though not loved.” “Suibhne, your daughter is dead.” “And an only daughter is the needle of the heart.” “And Suibhne, your little boy, who used to call you “Daddy”—he is dead.” “Aye,” said Suibhne, “that’s the drop that brings a man to the ground.” He fell out of the yew tree; Loingseachan closed his arms around him and placed him in manacles.—AFTER THE MIDDLE-IRISH ROMANCE, THE MADNESS OF SUIBHNE
And in a little while we broke under the strain: suppurations ad nauseam, the wanting to be taller, though it‘s simply about being mysterious, i.e., not taller, like any tree in any forest. Mute, the pancake describes you. It had tiny roman numerals embedded in its rim. It was a pancake clock. They had ’em in those days, always getting smaller, which is why they finally became extinct.
It was a very little while and they had gone in front of it. It was that they had liked it would it bear. It was a very much adjoined a follower. Flower of an adding where a follower. Have I come in. Will in suggestion. They may like hours in catching. It is always a pleasure to remember. Have a habit. Any name will very well wear better. All who live round about there. Have a manner. The hotel François Ier. Just winter so. It is indubitably often that she is as denied to soften help to when it is in all in midst of which in vehemence to taken given in a bestowal show than left help in double. Having noticed often that it is newly noticed which makes older often. The world has become smaller and more beautiful. The world is grown smaller and more beautiful. That is it. Yes that is it.
Are you content, you pretty three-years’ wife? Are you content and satisfied to live On what your loving husband loves to give, And give to him your life?
Are you content with work, — to toil alone, To clean things dirty and to soil things clean; To be a kitchen-maid, be called a queen, —
Romance, who loves to nod and sing, With drowsy head and folded wing, Among the green leaves as they shake Far down within some shadowy lake, To me a painted paroquet Hath been—a most familiar bird— Taught me my alphabet to say— To lisp my very earliest word While in the wild wood I did lie, A child—with a most knowing eye. Of late, eternal Condor years So shake the very Heaven on high With tumult as they thunder by, I have no time for idle cares Through gazing on the unquiet sky.
The last time I saw Donald Armstrong He was staggering oddly off into the sun, Going down, off the Philippine Islands. I let my shovel fall, and put that hand Above my eyes, and moved some way to one side That his body might pass through the sun,
And I saw how well he was not Standing there on his hands,
Here, where the world is quiet; Here, where all trouble seems Dead winds' and spent waves' riot In doubtful dreams of dreams; I watch the green field growing For reaping folk and sowing, For harvest-time and mowing, A sleepy world of streams.
I am tired of tears and laughter, And men that laugh and weep; Of what may come hereafter For men that sow to reap: I am weary of days and hours, Blown buds of barren flowers,
(On some Verses he writ, and asking more for his Heart than ‘twas worth.) I Take back that Heart, you with such Caution give, Take the fond valu’d Trifle back; I hate Love-Merchants that a Trade wou’d drive
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