‘The Moon came late’

PART I

I
In a far country, and a distant age,
Ere sprites and fays had bade farewell to earth,
A boy was born of humble parentage;
The stars that shone upon his lonely birth
Did seem to promise sovereignty and fame—
Yet no tradition hath preserved his name.

II
’T is said that on the night when he was born,
A beauteous shape swept slowly through the room;
Its eyes broke on the infant like a morn,
And his cheek brightened like a rose in bloom;

All the kids came rumbling down the wood tenement
Shaky stairs, sneakers slapping against the worn
Tin tread edges, downhall came Pepo, Chino, Cojo,
Curly bursting from the door like shells exploding
Singing "I'm a Rican Doodle Dandy" and "What shall
We be today, Doctors or Junkies, Soldiers or Winos?"

Pepo put a milk crate on a Spanish Harlem johnny pump
And drops opened like paratroopers carrying war news.

I need more time, a simple day in Paris hotels and window shopping.
The croissants will not bake themselves and the Tower of London would
Like to spend a night in the tropics with gray sassy paint. It has many
Wounds and historic serial dreams under contract to Hollywood.
Who will play the head of Mary, Queen of Scots, and who will braid her

Hair? Was it she who left her lips on the block for the executioner,
Whose hands would never find ablution, who would never touch a woman
Again or eat the flesh of a red animal? Blood pudding would repulse him
Until joining Anne. That is the way of history written for Marlow and
Shakespear. They are with us now that we are sober and wiser,

Not taking the horrors of poetry too seriously. Why am I telling you this
Nonsense, when I have never seen you sip your coffee or tea,
In the morning? Not to mention,

I lay down under language
it left me and I slept

—You, the Comforter, came into the room

my blood, my mouth
all buttoned away—

Makers of houses, books, clothes-
makers, goodbye—

I

What shall I do with this absurdity —
O heart, O troubled heart — this caricature,
Decrepit age that has been tied to me
As to a dog's tail?
Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye

Twice or thrice had I lov'd thee,
Before I knew thy face or name;
So in a voice, so in a shapeless flame
Angels affect us oft, and worshipp'd be;
Still when, to where thou wert, I came,
Some lovely glorious nothing I did see.
But since my soul, whose child love is,
Takes limbs of flesh, and else could nothing do,
More subtle than the parent is
Love must not be, but take a body too;
And therefore what thou wert, and who,
I bid Love ask, and now
That it assume thy body, I allow,
And fix itself in thy lip, eye, and brow.

I

Sun-blazed, over Romsley, a livid rain-scarp.


XIII

Whose lives are hidden in God? Whose?
Who can now tell what was taken, or where,
or how, or whether it was received:
how ditched, divested, clamped, sifted, over-
laid, raked over, grassed over, spread around,
rotted down with leafmould, accepted
as civic concrete, reinforceable
base cinderblocks:

on the 9th of June 1290 Upon a day, came Sorrow in to me,
Saying, ‘I’ve come to stay with thee a while’;

Romance, who loves to nod and sing,
With drowsy head and folded wing,
Among the green leaves as they shake
Far down within some shadowy lake,
To me a painted paroquet
Hath been—a most familiar bird—
Taught me my alphabet to say—
To lisp my very earliest word
While in the wild wood I did lie,
A child—with a most knowing eye.
Of late, eternal Condor years
So shake the very Heaven on high
With tumult as they thunder by,
I have no time for idle cares
Through gazing on the unquiet sky.

Time was away and somewhere else,
There were two glasses and two chairs
And two people with the one pulse
(Somebody stopped the moving stairs):
Time was away and somewhere else.

And they were neither up nor down;
The stream’s music did not stop
Flowing through heather, limpid brown,

TO MRS. FRY IN NEWGATE

Sermons in stones.—As You Like It.
Out! out! damned spot.—Macbeth. I like you, Mrs. Fry! I like your name!

Of Chesterton, In the County of Huntingdon, Esquire How blessed is he, who leads a Country Life,
Unvex’d with anxious Cares, and void of Strife!
Who studying Peace, and shunning Civil Rage,
Enjoy’d his Youth, and now enjoys his Age:

You are a friend then, as I make it out,
Of our man Shakespeare, who alone of us
Will put an ass's head in Fairyland
As he would add a shilling to more shillings,
All most harmonious, — and out of his
Miraculous inviolable increase
Fills Ilion, Rome, or any town you like
Of olden time with timeless Englishmen;
And I must wonder what you think of him —
All you down there where your small Avon flows
By Stratford, and where you're an Alderman.
Some, for a guess, would have him riding back
To be a farrier there, or say a dyer;
Or maybe one of your adept surveyors;
Or like enough the wizard of all tanners.

And this is what is left of youth! . . .
There were two boys, who were bred up together,
Shared the same bed, and fed at the same board;
Each tried the other’s sport, from their first chase,
Young hunters of the butterfly and bee,
To when they followed the fleet hare, and tried
The swiftness of the bird. They lay beside
The silver trout stream, watching as the sun

One Sunday morning,
instead of studying The Illiad,
I escaped with Bino to Florence,
to see what miracles the aviator Manissero
would perform.

Whether he would demonstrate the art of Daedalus
or the folly of Icarus.

We found the whole city festooned with banners

Once, in the city of Kalamazoo,
The gods went walking, two and two,
With the friendly phoenix, the stars of Orion,
The speaking pony and singing lion.
For in Kalamazoo in a cottage apart
Lived the girl with the innocent heart.

Thenceforth the city of Kalamazoo
Was the envied, intimate chum of the sun.
He rose from a cave by the principal street.
The lions sang, the dawn-horns blew,
And the ponies danced on silver feet.
He hurled his clouds of love around;
Deathless colors of his old heart
Draped the houses and dyed the ground.

PART I
'Tis the middle of night by the castle clock,
And the owls have awakened the crowing cock;
Tu—whit! Tu—whoo!
And hark, again! the crowing cock,
How drowsily it crew.
Sir Leoline, the Baron rich,
Hath a toothless mastiff bitch;
From her kennel beneath the rock
She maketh answer to the clock,
Four for the quarters, and twelve for the hour;
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady's shroud.

But do not let us quarrel any more,
No, my Lucrezia; bear with me for once:
Sit down and all shall happen as you wish.
You turn your face, but does it bring your heart?
I'll work then for your friend's friend, never fear,
Treat his own subject after his own way,
Fix his own time, accept too his own price,
And shut the money into this small hand
When next it takes mine. Will it? tenderly?
Oh, I'll content him,—but to-morrow, Love!
I often am much wearier than you think,
This evening more than usual, and it seems
As if—forgive now—should you let me sit
Here by the window with your hand in mine
And look a half-hour forth on Fiesole,

See, Winter comes to rule the varied year,
Sullen and sad, with all his rising train—
Vapours, and clouds, and storms. Be these my theme,
These, that exalt the soul to solemn thought
And heavenly musing. Welcome, kindred glooms!
Congenial horrors, hail! With frequent foot,
Pleas’d have I, in my cheerful morn of life,
When nurs’d by careless solitude I liv’d
And sung of Nature with unceasing joy,
Pleas’d have I wander’d through your rough domain;
Trod the pure virgin-snows, myself as pure;
Heard the winds roar, and the big torrent burst;
Or seen the deep-fermenting tempest brew’d
In the grim evening-sky. Thus pass’d the time,
Till through the lucid chambers of the south

Happy Birthday Kenneth Koch/Feb 27 We went to all those places where they restore sadness and joy
and call it art. We were piloted by Auden who became
Unbearably acrimonious when we dropped off Senghor into the
steamy skies of his beloved West Africa. The termites and ants